Countries citing papers authored by Mark David Ryan
Since
Specialization
Citations
This map shows the geographic impact of Mark David Ryan's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Mark David Ryan with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Mark David Ryan more than expected).
This network shows the impact of papers produced by Mark David Ryan. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Mark David Ryan. The network helps show where Mark David Ryan may publish in the future.
Co-authorship network of co-authors of Mark David Ryan
This figure shows the co-authorship network connecting the top 25 collaborators of Mark David Ryan.
A scholar is included among the top collaborators of Mark David Ryan based on the total number of
citations received by their joint publications. Widths of edges
represent the number of papers authors have co-authored together.
Node borders
signify the number of papers an author published with Mark David Ryan. Mark David Ryan is excluded from
the visualization to improve readability, since they are connected to all nodes in the network.
Ryan, Mark David. (2018). Digging up the history of Australian horror cinema: Delineating transnational-horror, Ozploitation and Australian Gothic movies from the 1970s to now. QUT ePrints (Queensland University of Technology).1 indexed citations
McKee, Alan, Christy Collis, Mark David Ryan, et al.. (2014). Defining entertainment: an approach. Creative Industries Journal. 7(2). 108–120.11 indexed citations
9.
Ryan, Mark David. (2012). Writing and publishing research articles in teams. QUT ePrints (Queensland University of Technology). 39(3). 143.1 indexed citations
Ryan, Mark David. (2010). Film, Cinema, Screen. Media International Australia. 136(1). 85–89.3 indexed citations
13.
Cunningham, Stuart, et al.. (2004). Financing Creative Industries in Developing Country Contexts, a report prepared for United Nations Conference on Trade and Development (UNCTAD) XI, High level Panel on Creative Industries and Development, June 2004 Sao Paulo Brazil. Creative Industries Faculty.18 indexed citations
14.
Cunningham, Stuart, et al.. (2004). An innovation agenda for the creative industries :where is the R&D?. 174.6 indexed citations
O’Regan, Tom & Mark David Ryan. (2004). From multimedia to digital content and applications: Transitions in governmental policy towards the (digial) content industries. Queensland's institutional digital repository (The University of Queensland). 1–22.
17.
Cunningham, Stuart, et al.. (2003). Research and Innovation Systems in the Production of Digital Content and Applications. Content and Applications, Creative Industries Cluster Study Volume III. Creative Industries Faculty.3 indexed citations
18.
Keane, Michael, Albert Moran, & Mark David Ryan. (2003). Audiovisual works, TV formats and multiple markets. QUT ePrints (Queensland University of Technology).1 indexed citations
19.
Ryan, Mark David. (2003). Review: Digital Culture. Media International Australia. 108(1). 181–182.1 indexed citations
20.
Cunningham, Stuart, et al.. (2003). Research and innovation systems in the production of digital content.7 indexed citations
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive
bibliographic database. While OpenAlex provides broad and valuable coverage of the global
research landscape, it—like all bibliographic datasets—has inherent limitations. These include
incomplete records, variations in author disambiguation, differences in journal indexing, and
delays in data updates. As a result, some metrics and network relationships displayed in
Rankless may not fully capture the entirety of a scholar's output or impact.