Michael W. Singletary
- Communication top 5%
- Sociology and Political Science top 10%
- Literature and Literary Theory top 5%
- Gender Studies top 5%
- Music top 2%
- Co-authors
- Gerald L. StoneVirginia P. RichmondBarbara A. MooreAlan J. FletcherEmily EdwardsWilliam P. MartinChris LambM. Mark Miller
- Topics
- Music History and Culture (4 papers)Music and Audio Processing (2 papers)Ethics in Business and Education (1 paper)
- Cited by
- CommunicationMusicGender Studies
- Partner nations
- United States
In The Last Decade
Michael W. Singletary
24 papers receiving 392 citations
Peers
Comparison fields: 5 of 83
- Communication 189
- Sociology and Political Science 180
- Literature and Literary Theory 114
- Gender Studies 112
- Music 67
Countries citing papers authored by Michael W. Singletary
This map shows the geographic impact of Michael W. Singletary's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Michael W. Singletary with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Michael W. Singletary more than expected).
Fields of papers citing papers by Michael W. Singletary
This network shows the impact of papers produced by Michael W. Singletary. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Michael W. Singletary. The network helps show where Michael W. Singletary may publish in the future.
Co-authorship network of co-authors of Michael W. Singletary
This figure shows the co-authorship network connecting the top 25 collaborators of Michael W. Singletary. A scholar is included among the top collaborators of Michael W. Singletary based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Michael W. Singletary. Michael W. Singletary is excluded from the visualization to improve readability, since they are connected to all nodes in the network.
All Works
| # | Work | Indexed citations |
|---|---|---|
| 1 | Clarifying Communication Theories: A Hands-On Approach | 51 |
| 2 | 4 | |
| 3 | 11 | |
| 4 | 8 | |
| 5 | 2 | |
| 6 | 27 | |
| 7 | 1 | |
| 8 | 10 | |
| 9 | 4 | |
| 10 | 9 | |
| 11 | 5 | |
| 12 | 22 | |
| 13 | Accuracy in News Reporting: A Review of the Research. ANPA News Research Report No. 25. | 2 |
| 14 | 2 | |
| 15 | 6 | |
| 16 | 4 | |
| 17 | 1 | |
| 18 | 5 | |
| 19 | 0 | |
| 20 | 32 |
About Michael W. Singletary
Michael W. Singletary is a scholar working on Music, Communication and Signal Processing, having authored 27 papers that have together received 510 indexed citations. Recurring topics across this work include Music History and Culture (4 papers), Music and Audio Processing (2 papers) and Ethics in Business and Education (1 paper). The work is most often cited by research in Communication (189 citations), Music (67 citations) and Gender Studies (112 citations). Michael W. Singletary has collaborated with scholars based in United States. Frequent co-authors include Gerald L. Stone, Virginia P. Richmond, Barbara A. Moore, Alan J. Fletcher, Emily Edwards, William P. Martin, Chris Lamb, M. Mark Miller, Shu‐Ling Chen and Robert E. Hurd. Their work appears in journals such as JAMA, Journal of Broadcasting & Electronic Media and Popular Music & Society.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.