Mark C. Gridley
Impact in
- Music top 1%
- Diverse Music Education Insights
- Music History and Culture
- Musicology and Musical Analysis
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- Neuroscience and Music Perception
- Aesthetic Perception and Analysis
Papers in
-
- Aesthetic Perception and Analysis 5
- Neuroscience and Music Perception 4
- Music 8
- Music History and Culture 6
- Musicology and Musical Analysis 6
- Diverse Musicological Studies 3
- Co-authors
- Michael J. Burke (1 shared paper)Gary Giddins (1 shared paper)James Mack (1 shared paper)Grover C. Gilmore (1 shared paper)William J. Jenkins (2 shared papers)
- Journals
- Popular Music & Society (2 papers)Creativity Research Journal (2 papers)Notes (1 paper)The Career Development Quarterly (1 paper)Psychological Reports (3 papers)
- Partner nations
- United StatesGermany
In The Last Decade
Mark C. Gridley
20 papers receiving 159 citations
Peers
Comparison fields: 5 of 46
- Music 91
- Cognitive Neuroscience 84
- Experimental and Cognitive Psychology 47
- Visual Arts and Performing Arts 13
- Signal Processing 23
Countries citing papers authored by Mark C. Gridley
This map shows the geographic impact of Mark C. Gridley's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Mark C. Gridley with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Mark C. Gridley more than expected).
Fields of papers citing papers by Mark C. Gridley
This network shows the impact of papers produced by Mark C. Gridley. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Mark C. Gridley. The network helps show where Mark C. Gridley may publish in the future.
Co-authors
The 5 scholars most cited alongside Mark C. Gridley, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
Showing the 20 most-cited of 22 papers — load more, or switch the sort, to bring in the rest.
| # | Work | ||
|---|---|---|---|
| 1 | Jazz Styles: History and Analysis | 1978 | 54 |
| 2 | 1990 | 26 | |
| 3 | 2013 | 18 | |
| 4 | 2007 | 14 | |
| 5 | 1989 | 12 | |
| 6 | 2006 | 12 | |
| 7 | 2006 | 10 | |
| 8 | 1986 | 8 | |
| 9 | Jazz Styles: History & Analysis | 1988 | 7 |
| 10 | 1984 | 7 | |
| 11 | Psychopathic vs. Nonpsychopathic Thrill Seeking. | 1990 | 5 |
| 12 | Preference for Abstract Art According to Thinking Styles and Personality | 2013 | 5 |
| 13 | 1983 | 5 | |
| 14 | 1984 | 5 | |
| 15 | 2006 | 4 | |
| 16 | 1986 | 4 | |
| 17 | 2006 | 3 | |
| 18 | 2004 | 2 | |
| 19 | 2017 | 1 | |
| 20 | 1987 | 1 |
About Mark C. Gridley
Mark C. Gridley is a scholar working on Cognitive Neuroscience, Music, Experimental and Cognitive Psychology, Social Psychology and Sociology and Political Science, having authored 22 papers that have together received 203 indexed citations. Recurring topics across this work include Music History and Culture (6 papers), Musicology and Musical Analysis (6 papers), Aesthetic Perception and Analysis (5 papers), Neuroscience and Music Perception (4 papers), Creativity in Education and Neuroscience (4 papers), Multisensory perception and integration (3 papers), Diverse Musicological Studies (3 papers) and Learning Styles and Cognitive Differences (2 papers). The work is most often cited by research in Music (91 citations), Cognitive Neuroscience (84 citations), Experimental and Cognitive Psychology (47 citations), Visual Arts and Performing Arts (13 citations) and Signal Processing (23 citations). Mark C. Gridley has collaborated with scholars based in United States and Germany. Frequent co-authors include Michael J. Burke, Gary Giddins, James Mack, Grover C. Gilmore and William J. Jenkins. Their work appears in journals such as Popular Music & Society, Creativity Research Journal, Notes, The Career Development Quarterly and Psychological Reports.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.