Mark C. Gridley

487 total citations
22 papers, 203 citations indexed

About

Mark C. Gridley is a scholar working on Cognitive Neuroscience, Music and Experimental and Cognitive Psychology. According to data from OpenAlex, Mark C. Gridley has authored 22 papers receiving a total of 203 indexed citations (citations by other indexed papers that have themselves been cited), including 9 papers in Cognitive Neuroscience, 8 papers in Music and 7 papers in Experimental and Cognitive Psychology. Recurrent topics in Mark C. Gridley's work include Music History and Culture (6 papers), Musicology and Musical Analysis (6 papers) and Aesthetic Perception and Analysis (5 papers). Mark C. Gridley is often cited by papers focused on Music History and Culture (6 papers), Musicology and Musical Analysis (6 papers) and Aesthetic Perception and Analysis (5 papers). Mark C. Gridley collaborates with scholars based in United States and Germany. Mark C. Gridley's co-authors include Michael J. Burke, Gary Giddins, Grover C. Gilmore, James Mack and William J. Jenkins and has published in prestigious journals such as Creativity Research Journal, Psychological Reports and The Career Development Quarterly.

In The Last Decade

Mark C. Gridley

20 papers receiving 159 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name h Career Trend Papers Cites
Mark C. Gridley United States 8 91 84 47 38 25 22 203
Jonathan P. J. Stock Ireland 9 177 1.9× 75 0.9× 26 0.6× 25 0.7× 26 1.0× 39 285
Antoni Pizà Spain 4 116 1.3× 64 0.8× 28 0.6× 24 0.6× 54 2.2× 10 226
Raymond Monelle United Kingdom 8 116 1.3× 88 1.0× 35 0.7× 17 0.4× 56 2.2× 24 229
Charles L. Gary United States 6 119 1.3× 81 1.0× 34 0.7× 17 0.4× 16 0.6× 22 225
Robert S. Hatten United States 9 213 2.3× 109 1.3× 35 0.7× 15 0.4× 80 3.2× 30 317
Andrew Dell’Antonio United Kingdom 7 139 1.5× 62 0.7× 12 0.3× 26 0.7× 26 1.0× 13 220
Philip Alperson United States 9 148 1.6× 77 0.9× 35 0.7× 32 0.8× 46 1.8× 27 268
C. Victor Fung United States 10 256 2.8× 165 2.0× 29 0.6× 72 1.9× 14 0.6× 26 336
Manuel Anglada-Tort Germany 9 39 0.4× 95 1.1× 59 1.3× 38 1.0× 7 0.3× 18 181
Paul A. Haack United States 9 174 1.9× 84 1.0× 20 0.4× 44 1.2× 9 0.4× 20 242

Countries citing papers authored by Mark C. Gridley

Since Specialization
Citations

This map shows the geographic impact of Mark C. Gridley's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Mark C. Gridley with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Mark C. Gridley more than expected).

Fields of papers citing papers by Mark C. Gridley

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Mark C. Gridley. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Mark C. Gridley. The network helps show where Mark C. Gridley may publish in the future.

Co-authorship network of co-authors of Mark C. Gridley

This figure shows the co-authorship network connecting the top 25 collaborators of Mark C. Gridley. A scholar is included among the top collaborators of Mark C. Gridley based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Mark C. Gridley. Mark C. Gridley is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

20 of 20 papers shown
1.
Gridley, Mark C. & William J. Jenkins. (2017). An Analysis of Stanley Milgram's Obedience to Authority: An Experimental View.
2.
Gridley, Mark C. & William J. Jenkins. (2017). Obedience to Authority. 1 indexed citations
3.
4.
Gridley, Mark C.. (2013). Preference for Abstract Art According to Thinking Styles and Personality. North American journal of psychology. 15(3). 463. 5 indexed citations
5.
Gridley, Mark C., et al.. (2013). Musical Preferences as a Function of Stimulus Complexity of Piano Jazz. Creativity Research Journal. 25(1). 143–146. 18 indexed citations
6.
Gridley, Mark C.. (2007). Differences in Thinking Styles of Artists and Engineers. The Career Development Quarterly. 56(2). 177–182. 14 indexed citations
7.
Gridley, Mark C.. (2006). Preferred Thinking Styles of Professional Fine Artists. Creativity Research Journal. 18(2). 247–248. 10 indexed citations
8.
Gridley, Mark C.. (2006). Thinking Styles in a Sample of Women Engineers. Psychological Reports. 98(3). 911–914E. 3 indexed citations
9.
Gridley, Mark C., et al.. (2006). Do Mirror Neurons Explain Misattribution of Emotions in Music?. Perceptual and Motor Skills. 102(2). 600–602. 12 indexed citations
10.
Gridley, Mark C.. (2006). Concrete and Abstract Thinking Styles and Art Preferences in a Sample of Serious Art Collectors. Psychological Reports. 98(3). 853–857. 4 indexed citations
11.
Gridley, Mark C.. (2004). Myers-Briggs Personality Types of Art Collectors. Psychological Reports. 94(2). 736–738. 2 indexed citations
12.
Gridley, Mark C.. (1990). Psychopathic vs. Nonpsychopathic Thrill Seeking.. 27(1). 18–20. 5 indexed citations
13.
Burke, Michael J. & Mark C. Gridley. (1990). Musical Preferences as a Function of Stimulus Complexity and Listeners' Sophistication. Perceptual and Motor Skills. 71(2). 687–690. 26 indexed citations
14.
Gridley, Mark C., et al.. (1989). Three Approaches to Defining Jazz. The Musical Quarterly. 73(4). 513–531. 12 indexed citations
15.
Gridley, Mark C.. (1988). Jazz Styles: History & Analysis. Medical Entomology and Zoology. 7 indexed citations
16.
Gridley, Mark C.. (1987). Trends in Description of Saxophone Timbre. Perceptual and Motor Skills. 65(1). 303–311. 1 indexed citations
17.
Giddins, Gary, et al.. (1986). Rhythm-A-Ning: Jazz Tradition and Innovation in the 80's. The Black Perspective in Music. 14(2). 187–187. 8 indexed citations
18.
Gridley, Mark C., James Mack, & Grover C. Gilmore. (1986). Age Effects on a Nonverbal Auditory Sustained Attention Task. Perceptual and Motor Skills. 62(3). 911–917. 4 indexed citations
19.
Gridley, Mark C.. (1984). Why have modern jazz combos been less popular than swing big bands?. Popular Music & Society. 9(4). 41–45. 5 indexed citations
20.
Gridley, Mark C.. (1978). Jazz Styles: History and Analysis. Medical Entomology and Zoology. 54 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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