Andrew Dell’Antonio

1.0k total citations
13 papers, 220 citations indexed

About

Andrew Dell’Antonio is a scholar working on Music, Political Science and International Relations and Computer Vision and Pattern Recognition. According to data from OpenAlex, Andrew Dell’Antonio has authored 13 papers receiving a total of 220 indexed citations (citations by other indexed papers that have themselves been cited), including 9 papers in Music, 3 papers in Political Science and International Relations and 2 papers in Computer Vision and Pattern Recognition. Recurrent topics in Andrew Dell’Antonio's work include Musicology and Musical Analysis (8 papers), Music History and Culture (5 papers) and Diverse Music Education Insights (3 papers). Andrew Dell’Antonio is often cited by papers focused on Musicology and Musical Analysis (8 papers), Music History and Culture (5 papers) and Diverse Music Education Insights (3 papers). Andrew Dell’Antonio collaborates with scholars based in United Kingdom, Italy and United States. Andrew Dell’Antonio's co-authors include Christopher G. Small, Rose Rosengard Subotnik, Peter N. Miller, Iain Fenlon, Elisabeth Berger, Tamara Čoja, Joseph Straus, Michael B. Bakan, Jessica Holmes and Alyssa Hillary Zisk and has published in prestigious journals such as SHILAP Revista de lepidopterología, Notes and American Music.

In The Last Decade

Andrew Dell’Antonio

10 papers receiving 154 citations

Peers

Andrew Dell’Antonio
Mark C. Gridley United States
Philip Alperson United States
Raymond Monelle United Kingdom
Garry L. Hagberg United States
Stephen Blum United States
Mark Evan Bonds United States
Robert S. Hatten United States
Terese M. Volk United States
Mark C. Gridley United States
Andrew Dell’Antonio
Citations per year, relative to Andrew Dell’Antonio Andrew Dell’Antonio (= 1×) peers Mark C. Gridley

Countries citing papers authored by Andrew Dell’Antonio

Since Specialization
Citations

This map shows the geographic impact of Andrew Dell’Antonio's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Andrew Dell’Antonio with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Andrew Dell’Antonio more than expected).

Fields of papers citing papers by Andrew Dell’Antonio

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Andrew Dell’Antonio. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Andrew Dell’Antonio. The network helps show where Andrew Dell’Antonio may publish in the future.

Co-authorship network of co-authors of Andrew Dell’Antonio

This figure shows the co-authorship network connecting the top 25 collaborators of Andrew Dell’Antonio. A scholar is included among the top collaborators of Andrew Dell’Antonio based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Andrew Dell’Antonio. Andrew Dell’Antonio is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

13 of 13 papers shown
1.
Dell’Antonio, Andrew, et al.. (2022). Whose Power, Whose Language? Exploring Issues of Power and Language in Music Therapy. SHILAP Revista de lepidopterología. 22(3). 1 indexed citations
2.
Straus, Joseph, et al.. (2016). On the Disability Aesthetics of Music. Journal of the American Musicological Society. 69(2). 525–563. 6 indexed citations
4.
Dell’Antonio, Andrew. (2011). Listening as Spiritual Practice in Early Modern Italy. 1 indexed citations
5.
Dell’Antonio, Andrew. (2011). Listening as Spiritual Practice in Early Modern Italy. 11 indexed citations
6.
Dell’Antonio, Andrew. (2004). Beyond Structural Listening?Postmodern Modes of Hearing. 34 indexed citations
7.
Dell’Antonio, Andrew. (1999). Florestan and Butt-head: A Glimpse into Postmodern Music Criticism. American Music. 17(1). 65–65. 1 indexed citations
8.
Dell’Antonio, Andrew & Christopher G. Small. (1999). Musicking: The Meanings of Performing and Listening. Notes. 55(4). 883–883. 99 indexed citations
9.
Dell’Antonio, Andrew & Rose Rosengard Subotnik. (1998). Deconstructive Variations: Music and Reason in Western Society. Notes. 54(4). 894–894. 46 indexed citations
10.
Dell’Antonio, Andrew. (1997). Syntax, form and genre in sonatas and canzonas 1621-1635. Medical Entomology and Zoology. 1 indexed citations
11.
Dell’Antonio, Andrew. (1996). Il divino Claudio: Monteverdi and lyric nostalgia in fascist Italy. Cambridge Opera Journal. 8(3). 271–284. 2 indexed citations
12.
Dell’Antonio, Andrew, et al.. (1995). Il primo libro delle musiche (Venice, 1618). Garland Pub. eBooks.
13.
Dell’Antonio, Andrew, Iain Fenlon, & Peter N. Miller. (1994). The Song of the Soul: Understanding Poppea. Notes. 50(3). 948–948. 9 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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