Andrew Dell’Antonio
- Music top 1%
- Cognitive Neuroscience
- Sociology and Political Science
- Social Psychology
- Computer Vision and Pattern Recognition
- Co-authors
- Christopher G. SmallRose Rosengard SubotnikPeter N. MillerIain FenlonElisabeth BergerTamara ČojaJoseph StrausMichael B. Bakan
- Topics
- Musicology and Musical Analysis (8 papers)Music History and Culture (5 papers)Diverse Music Education Insights (3 papers)
- Journals
- SHILAP Revista de lepidopterologíaNotesAmerican Music
- Partner nations
- United KingdomItalyUnited States
In The Last Decade
Andrew Dell’Antonio
10 papers receiving 154 citations
Peers
Comparison fields: 5 of 59
- Music 139
- Cognitive Neuroscience 62
- Sociology and Political Science 32
- Social Psychology 26
- Computer Vision and Pattern Recognition 26
Countries citing papers authored by Andrew Dell’Antonio
This map shows the geographic impact of Andrew Dell’Antonio's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Andrew Dell’Antonio with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Andrew Dell’Antonio more than expected).
Fields of papers citing papers by Andrew Dell’Antonio
This network shows the impact of papers produced by Andrew Dell’Antonio. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Andrew Dell’Antonio. The network helps show where Andrew Dell’Antonio may publish in the future.
Co-authorship network of co-authors of Andrew Dell’Antonio
This figure shows the co-authorship network connecting the top 25 collaborators of Andrew Dell’Antonio. A scholar is included among the top collaborators of Andrew Dell’Antonio based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Andrew Dell’Antonio. Andrew Dell’Antonio is excluded from the visualization to improve readability, since they are connected to all nodes in the network.
All Works
| # | Work | Indexed citations |
|---|---|---|
| 1 | 1 | |
| 2 | 6 | |
| 3 | 9 | |
| 4 | 1 | |
| 5 | 11 | |
| 6 | 34 | |
| 7 | 1 | |
| 8 | 99 | |
| 9 | 46 | |
| 10 | Syntax, form and genre in sonatas and canzonas 1621-1635 | 1 |
| 11 | 2 | |
| 12 | Il primo libro delle musiche (Venice, 1618) | 0 |
| 13 | 9 |
About Andrew Dell’Antonio
Andrew Dell’Antonio is a scholar working on Music, History and Political Science and International Relations, having authored 13 papers that have together received 220 indexed citations. Recurring topics across this work include Musicology and Musical Analysis (8 papers), Music History and Culture (5 papers) and Diverse Music Education Insights (3 papers). The work is most often cited by research in Music (139 citations), Visual Arts and Performing Arts (20 citations) and Cognitive Neuroscience (62 citations). Andrew Dell’Antonio has collaborated with scholars based in United Kingdom, Italy and United States. Frequent co-authors include Christopher G. Small, Rose Rosengard Subotnik, Peter N. Miller, Iain Fenlon, Elisabeth Berger, Tamara Čoja, Joseph Straus, Michael B. Bakan, Jessica Holmes and Alyssa Hillary Zisk. Their work appears in journals such as SHILAP Revista de lepidopterología, Notes and American Music.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.