Robert S. Hatten

992 total citations
30 papers, 317 citations indexed

About

Robert S. Hatten is a scholar working on Music, Computer Vision and Pattern Recognition and Cognitive Neuroscience. According to data from OpenAlex, Robert S. Hatten has authored 30 papers receiving a total of 317 indexed citations (citations by other indexed papers that have themselves been cited), including 22 papers in Music, 13 papers in Computer Vision and Pattern Recognition and 7 papers in Cognitive Neuroscience. Recurrent topics in Robert S. Hatten's work include Musicology and Musical Analysis (20 papers), Music Technology and Sound Studies (13 papers) and Neuroscience and Music Perception (7 papers). Robert S. Hatten is often cited by papers focused on Musicology and Musical Analysis (20 papers), Music Technology and Sound Studies (13 papers) and Neuroscience and Music Perception (7 papers). Robert S. Hatten collaborates with scholars based in United States, United Kingdom and France. Robert S. Hatten's co-authors include Patricia Snell Herzog, Raymond Monelle, Jenefer Robinson, Elizabeth Tolbert, Michel Kreutzer, Jérôme Dokic and Tim Ingold and has published in prestigious journals such as Journal of Aesthetics and Art Criticism, Notes and Music Theory Spectrum.

In The Last Decade

Robert S. Hatten

24 papers receiving 195 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name h Career Trend Papers Cites
Robert S. Hatten United States 9 213 109 80 47 39 30 317
V. Kofi Agawu United Kingdom 10 277 1.3× 119 1.1× 81 1.0× 48 1.0× 43 1.1× 23 399
Raymond Monelle United Kingdom 8 116 0.5× 88 0.8× 56 0.7× 33 0.7× 45 1.2× 24 229
Philip Tagg Canada 9 279 1.3× 50 0.5× 60 0.8× 41 0.9× 51 1.3× 29 415
Arnold Whittall United Kingdom 9 230 1.1× 108 1.0× 102 1.3× 30 0.6× 33 0.8× 101 327
Kyle Gann United Kingdom 8 150 0.7× 66 0.6× 102 1.3× 42 0.9× 22 0.6× 20 347
Michael Tilson Thomas United States 4 241 1.1× 71 0.7× 52 0.7× 31 0.7× 25 0.6× 10 457
Antoni Pizà Spain 4 116 0.5× 64 0.6× 54 0.7× 23 0.5× 35 0.9× 10 226
Claude V. Palisca 11 212 1.0× 91 0.8× 59 0.7× 36 0.8× 35 0.9× 45 432
Allan F. Moore United Kingdom 11 235 1.1× 54 0.5× 98 1.2× 26 0.6× 37 0.9× 29 297
Ruth A. Solie United States 8 184 0.9× 74 0.7× 50 0.6× 31 0.7× 38 1.0× 26 289

Countries citing papers authored by Robert S. Hatten

Since Specialization
Citations

This map shows the geographic impact of Robert S. Hatten's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Robert S. Hatten with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Robert S. Hatten more than expected).

Fields of papers citing papers by Robert S. Hatten

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Robert S. Hatten. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Robert S. Hatten. The network helps show where Robert S. Hatten may publish in the future.

Co-authorship network of co-authors of Robert S. Hatten

This figure shows the co-authorship network connecting the top 25 collaborators of Robert S. Hatten. A scholar is included among the top collaborators of Robert S. Hatten based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Robert S. Hatten. Robert S. Hatten is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

20 of 20 papers shown
1.
Hatten, Robert S., et al.. (2023). Toward an Adequate Theoretical Framework for Interpreting Complex Signification in Music. The American Journal of Semiotics. 39(1). 135–148.
2.
Hatten, Robert S.. (2021). A Speculative Hermeneutics for Music Analysis and Interpretation. The Musical Quarterly. 104(1-2). 12–32.
3.
Dokic, Jérôme, Robert S. Hatten, Tim Ingold, Michel Kreutzer, & Elizabeth Tolbert. (2019). Comments on “Postures of listening” by Victor A. Stoichita and Bernd Brabec de Mori. Terrain. 2 indexed citations
4.
Hatten, Robert S.. (2018). A Theory of Virtual Agency for Western Art Music. Indiana University Press eBooks. 21 indexed citations
5.
Hatten, Robert S.. (2014). The Troping of Topics in Mozart’s Instrumental Works. Oxford University Press eBooks. 13 indexed citations
6.
Hatten, Robert S.. (2012). Musical Forces and Agential Energies. Music Theory Online. 18(3). 9 indexed citations
7.
Robinson, Jenefer & Robert S. Hatten. (2012). Emotions in Music. Music Theory Spectrum. 34(2). 71–106. 24 indexed citations
8.
Hatten, Robert S.. (2010). Performance and Analysis—or Synthesis: Theorizing Gesture, Topics, and Tropes in Chopin’s F-Minor Ballade, Example 2. IUScholarWorks (Indiana University).
9.
Hatten, Robert S.. (2010). AestheticallyWarrantedEmotion andComposedExpressiveTrajectories inMusic. Music Analysis. 29(1-3). 83–101. 4 indexed citations
10.
Hatten, Robert S.. (2008). A Surfeit of Musics: What Goethe's Lyrics Concede When Set to Schubert's Music. Nineteenth-Century Music Review. 5(2). 7–18. 4 indexed citations
11.
Hatten, Robert S., et al.. (2008). A sounding of signs: modalities and moments in music, culture, and philosophy : essays in honor of Eero Tarasti on his 60th anniversary.
12.
Hatten, Robert S.. (2005). Introduction (to the Special Issue on Performance and Analysis). Music Theory Online. 11(1). 2 indexed citations
13.
Hatten, Robert S.. (2005). Four Semiotic Approaches to Musical Meaning: Markedness, Topics, Tropes, and Gesture. Musicological Annual. 41(1). 5–30. 4 indexed citations
14.
Hatten, Robert S.. (1997). Markedness and a theory of musical expressive meaning. Contemporary Music Review. 16(4). 51–63. 2 indexed citations
15.
Hatten, Robert S.. (1996). Grounding Interpretation. The American Journal of Semiotics. 13(1). 25–42. 2 indexed citations
16.
Hatten, Robert S. & Raymond Monelle. (1994). Linguistics and Semiotics in Music. Notes. 50(3). 1002–1002. 34 indexed citations
17.
Hatten, Robert S.. (1994). Musical Meaning in Beethoven. Indiana University Press eBooks. 19 indexed citations
18.
Hatten, Robert S.. (1994). Musical Meaning in Beethoven. Indiana University Press eBooks.
19.
20.
Hatten, Robert S.. (1985). THE PLACE OF INTERTEXTUALITY IN MUSIC STUDIES. The American Journal of Semiotics. 3(4). 69–82. 22 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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