Robert S. Hatten
Impact in
- Music top 0.5%
- Musicology and Musical Analysis
- Music History and Culture
- Diverse Musicological Studies
- Diverse Music Education Insights
- Theater, Performance, and Music History
- Cognitive Neuroscience top 10%
- Neuroscience and Music Perception
Papers in
- Music 22
- Musicology and Musical Analysis 20
- Diverse Musicological Studies 7
- Diverse Music Education Insights 2
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- Music Technology and Sound Studies 13
- Co-authors
- Patricia Snell Herzog (1 shared paper)Raymond Monelle (1 shared paper)Jenefer Robinson (1 shared paper)Elizabeth Tolbert (1 shared paper)Tim Ingold (1 shared paper)Michel Kreutzer (1 shared paper)Jérôme Dokic (1 shared paper)
- Journals
- Music Theory Spectrum (5 papers)The American Journal of Semiotics (3 papers)Music Theory Online (3 papers)Notes (1 paper)Music Analysis (1 paper)
- Partner nations
- United StatesFranceUnited Kingdom
In The Last Decade
Robert S. Hatten
25 papers receiving 201 citations
Peers
Comparison fields: 5 of 42
- Music 215
- Cognitive Neuroscience 113
- Literature and Literary Theory 49
- Communication 27
- Computer Vision and Pattern Recognition 79
Countries citing papers authored by Robert S. Hatten
This map shows the geographic impact of Robert S. Hatten's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Robert S. Hatten with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Robert S. Hatten more than expected).
Fields of papers citing papers by Robert S. Hatten
This network shows the impact of papers produced by Robert S. Hatten. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Robert S. Hatten. The network helps show where Robert S. Hatten may publish in the future.
Co-authors
The 7 scholars most cited alongside Robert S. Hatten, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
Showing the 20 most-cited of 31 papers — load more, or switch the sort, to bring in the rest.
| # | Work | ||
|---|---|---|---|
| 1 | 1996 | 118 | |
| 2 | 1994 | 32 | |
| 3 | 2012 | 24 | |
| 4 | 1985 | 22 | |
| 5 | 2018 | 21 | |
| 6 | 1994 | 19 | |
| 7 | On Narrativity in Music: Expressive Genres and Levels of Discourse in Beethoven | 1991 | 16 |
| 8 | 2014 | 13 | |
| 9 | 2017 | 10 | |
| 10 | 2012 | 9 | |
| 11 | 2010 | 4 | |
| 12 | 2005 | 4 | |
| 13 | 2008 | 4 | |
| 14 | Toward a semiotic model of style in music : epistemological and methodological bases | 1982 | 4 |
| 15 | 1992 | 4 | |
| 16 | 2002 | 3 | |
| 17 | 1997 | 3 | |
| 18 | 2019 | 2 | |
| 19 | 2014 | 2 | |
| 20 | 2005 | 2 |
About Robert S. Hatten
Robert S. Hatten is a scholar working on Music, Computer Vision and Pattern Recognition, Cognitive Neuroscience, Signal Processing and Communication, having authored 31 papers that have together received 325 indexed citations. Recurring topics across this work include Musicology and Musical Analysis (20 papers), Music Technology and Sound Studies (13 papers), Diverse Musicological Studies (7 papers), Neuroscience and Music Perception (7 papers), Music and Audio Processing (6 papers), Media, Communication, and Education (3 papers), Diverse Music Education Insights (2 papers) and Literary, Cultural, Historical Analysis (1 paper). The work is most often cited by research in Music (215 citations), Cognitive Neuroscience (113 citations), Literature and Literary Theory (49 citations), Communication (27 citations) and Computer Vision and Pattern Recognition (79 citations). Robert S. Hatten has collaborated with scholars based in United States, France and United Kingdom. Frequent co-authors include Patricia Snell Herzog, Raymond Monelle, Jenefer Robinson, Elizabeth Tolbert, Tim Ingold, Michel Kreutzer and Jérôme Dokic. Their work appears in journals such as Music Theory Spectrum, The American Journal of Semiotics, Music Theory Online, Notes and Music Analysis.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.