Ruth A. Solie

973 total citations
26 papers, 289 citations indexed

About

Ruth A. Solie is a scholar working on Music, Computer Vision and Pattern Recognition and Cognitive Neuroscience. According to data from OpenAlex, Ruth A. Solie has authored 26 papers receiving a total of 289 indexed citations (citations by other indexed papers that have themselves been cited), including 20 papers in Music, 3 papers in Computer Vision and Pattern Recognition and 1 paper in Cognitive Neuroscience. Recurrent topics in Ruth A. Solie's work include Musicology and Musical Analysis (17 papers), Music History and Culture (9 papers) and Diverse Musicological Studies (7 papers). Ruth A. Solie is often cited by papers focused on Musicology and Musical Analysis (17 papers), Music History and Culture (9 papers) and Diverse Musicological Studies (7 papers). Ruth A. Solie collaborates with scholars based in United States. Ruth A. Solie's co-authors include Lydia Goehr, Eugene Narmour, Steve Sweeney‐Turner, Nicholas Cook, Elizabeth V. Spelman, Leonard B. Meyer, Leo Treitler and W. Oliver Strunk and has published in prestigious journals such as SHILAP Revista de lepidopterología, The American Historical Review and Notes.

In The Last Decade

Ruth A. Solie

16 papers receiving 164 citations

Peers

Ruth A. Solie
William Drabkin United Kingdom
Gerhard Kubik Austria
Raymond Monelle United Kingdom
Arnold Whittall United Kingdom
Antoni Pizà Spain
Philip Gossett United States
Mark Evan Bonds United States
V. Kofi Agawu United Kingdom
David Neumeyer United States
Kyle Gann United Kingdom
William Drabkin United Kingdom
Ruth A. Solie
Citations per year, relative to Ruth A. Solie Ruth A. Solie (= 1×) peers William Drabkin

Countries citing papers authored by Ruth A. Solie

Since Specialization
Citations

This map shows the geographic impact of Ruth A. Solie's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Ruth A. Solie with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Ruth A. Solie more than expected).

Fields of papers citing papers by Ruth A. Solie

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Ruth A. Solie. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Ruth A. Solie. The network helps show where Ruth A. Solie may publish in the future.

Co-authorship network of co-authors of Ruth A. Solie

This figure shows the co-authorship network connecting the top 25 collaborators of Ruth A. Solie. A scholar is included among the top collaborators of Ruth A. Solie based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Ruth A. Solie. Ruth A. Solie is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

20 of 20 papers shown
1.
Solie, Ruth A.. (2019). Music in Other Words.
2.
Solie, Ruth A.. (2005). :The Musician as Entrepreneur, 1700–1914: Managers, Charlatans, and Idealists. The American Historical Review. 110(5). 1586–1587. 1 indexed citations
3.
Solie, Ruth A.. (2005). George Grove, Music and Victorian Culture (review). Notes. 61(3). 732–734.
4.
Solie, Ruth A.. (2004). NO “LAND WITHOUT MUSIC” AFTER ALL. Victorian Literature and Culture. 32(1). 261–276. 5 indexed citations
5.
Solie, Ruth A.. (2004). Review: Decentering Music: A Critique of Contemporary Musical Research. Music and Letters. 85(3). 418–423. 1 indexed citations
6.
Solie, Ruth A.. (2004). Music in Other WordsVictorian Conversations. 30 indexed citations
7.
Solie, Ruth A.. (2001). Feminism. Oxford Music Online.
8.
Solie, Ruth A., W. Oliver Strunk, & Leo Treitler. (1998). The nineteenth century. 1 indexed citations
9.
Solie, Ruth A. & Lydia Goehr. (1993). The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music. Notes. 50(2). 604–604. 73 indexed citations
10.
Solie, Ruth A. & Nicholas Cook. (1992). Music, Imagination, and Culture. Notes. 48(3). 890–890. 3 indexed citations
11.
Solie, Ruth A.. (1991). What Do Feminists Want? A Reply to Pieter van den Toorn. Journal of Musicology. 9(4). 399–410. 2 indexed citations
12.
Narmour, Eugene, et al.. (1991). Explorations in Music, the Arts, and Ideas: Essays in Honor of Leonard B. Meyer. Journal of Music Theory. 35(1/2). 257–257. 24 indexed citations
13.
Meyer, Leonard B., et al.. (1991). Style and Music: Theory, History, and Ideology. Notes. 48(1). 51–51. 4 indexed citations
14.
Solie, Ruth A. & Elizabeth V. Spelman. (1986). Review: The Corded Shell: Reflections on Musical Expression by Peter Kivy; Sound and Semblance: Reflections on Musical Representation by Peter Kivy. Journal of the American Musicological Society. 39(1). 191–199. 1 indexed citations
15.
Solie, Ruth A.. (1982). Melody and the Historiography of Music. Journal of the History of Ideas. 43(2). 297–297. 4 indexed citations
16.
Solie, Ruth A.. (1980). The Living Work: Organicism and Musical Analysis. 19th-Century Music. 4(2). 147–156. 16 indexed citations
17.
Solie, Ruth A.. (1980). The Living Work: Organicism and Musical Analysis. 19th-Century Music. 4(2). 147–156. 51 indexed citations
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20.
Solie, Ruth A. & Eugene Narmour. (1978). Beyond Schenkerism. The Need for Alternatives in Music Analysis. Notes. 34(4). 857–857. 35 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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