Daphne A. Brooks

1.2k citations
18 papers · 188 indexed · h-index 7
Topics
Music History and Culture (10 papers)Musicology and Musical Analysis (5 papers)Theater, Performance, and Music History (5 papers)

In The Last Decade

Daphne A. Brooks

13 papers receiving 110 citations

Peers

Daphne A. Brooks
Comparison fields: 5 of 35
  • Music 107
  • Sociology and Political Science 82
  • Cultural Studies 37
  • Literature and Literary Theory 27
  • Gender Studies 25
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Citations per field
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Citations per year

Countries citing papers authored by Daphne A. Brooks

Since Specialization
Citations

This map shows the geographic impact of Daphne A. Brooks's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Daphne A. Brooks with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Daphne A. Brooks more than expected).

Fields of papers citing papers by Daphne A. Brooks

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Daphne A. Brooks. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Daphne A. Brooks. The network helps show where Daphne A. Brooks may publish in the future.

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All Works

18 of 18 papers shown
#WorkIndexed citations
1 2
2 1
3 0
4 15
5 0
6 6
7 13
8 4
9 15
10 40
11 8
12 3
13 9
14 1
15 6
16 63
17 1
18
The show must go on : race, gender, and nation in nineteenth century trans-Atlantic performance culture
1

About Daphne A. Brooks

Daphne A. Brooks is a scholar working on Music, Cultural Studies and Gender Studies, having authored 18 papers that have together received 188 indexed citations. Recurring topics across this work include Music History and Culture (10 papers), Musicology and Musical Analysis (5 papers) and Theater, Performance, and Music History (5 papers). The work is most often cited by research in Music (107 citations), Visual Arts and Performing Arts (23 citations) and Cultural Studies (37 citations). Daphne A. Brooks has collaborated with scholars based in United States, Czechia and Ireland. Their work appears in journals such as Daedalus, Callaloo and Women & Performance a journal of feminist theory.

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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