Gillian B. Anderson

674 total citations
22 papers, 184 citations indexed

About

Gillian B. Anderson is a scholar working on Music, Economics and Econometrics and Literature and Literary Theory. According to data from OpenAlex, Gillian B. Anderson has authored 22 papers receiving a total of 184 indexed citations (citations by other indexed papers that have themselves been cited), including 13 papers in Music, 6 papers in Economics and Econometrics and 4 papers in Literature and Literary Theory. Recurrent topics in Gillian B. Anderson's work include Cinema and Media Studies (6 papers), Theater, Performance, and Music History (6 papers) and Music History and Culture (4 papers). Gillian B. Anderson is often cited by papers focused on Cinema and Media Studies (6 papers), Theater, Performance, and Music History (6 papers) and Music History and Culture (4 papers). Gillian B. Anderson collaborates with scholars based in United Kingdom. Gillian B. Anderson's co-authors include Rick Altman, Nicholas Temperley, Brad de Young, Christopher Carter and Amanda W. Peet and has published in prestigious journals such as Notes, American Music and Journal of the American Musicological Society.

In The Last Decade

Gillian B. Anderson

11 papers receiving 87 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name h Career Trend Papers Cites
Gillian B. Anderson United Kingdom 5 80 67 41 36 27 22 184
Jacky Bratton United Kingdom 8 52 0.7× 50 0.7× 96 2.3× 61 1.7× 34 1.3× 13 196
Allen Woll United States 9 52 0.7× 35 0.5× 35 0.9× 83 2.3× 13 0.5× 25 192
Don B. Wilmeth United States 6 69 0.9× 37 0.6× 23 0.6× 33 0.9× 10 0.4× 25 125
Peggy McCormack 3 27 0.3× 43 0.6× 74 1.8× 62 1.7× 27 1.0× 3 178
Lucy Fischer United States 7 15 0.2× 74 1.1× 42 1.0× 40 1.1× 24 0.9× 40 150
James Naremore United States 8 39 0.5× 144 2.1× 135 3.3× 74 2.1× 29 1.1× 35 271
James A. Snead 3 28 0.3× 25 0.4× 34 0.8× 51 1.4× 13 0.5× 7 128
Elaine Hadley United States 6 37 0.5× 32 0.5× 100 2.4× 55 1.5× 20 0.7× 12 173
Susan Manning United Kingdom 6 58 0.7× 15 0.2× 17 0.4× 42 1.2× 8 0.3× 10 160
Linda Mizejewski United States 7 16 0.2× 28 0.4× 38 0.9× 39 1.1× 12 0.4× 17 121

Countries citing papers authored by Gillian B. Anderson

Since Specialization
Citations

This map shows the geographic impact of Gillian B. Anderson's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Gillian B. Anderson with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Gillian B. Anderson more than expected).

Fields of papers citing papers by Gillian B. Anderson

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Gillian B. Anderson. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Gillian B. Anderson. The network helps show where Gillian B. Anderson may publish in the future.

Co-authorship network of co-authors of Gillian B. Anderson

This figure shows the co-authorship network connecting the top 25 collaborators of Gillian B. Anderson. A scholar is included among the top collaborators of Gillian B. Anderson based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Gillian B. Anderson. Gillian B. Anderson is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

20 of 20 papers shown
1.
Anderson, Gillian B.. (2023). The Synchrony Era. 16(2). 4–35.
2.
3.
Anderson, Gillian B.. (2015). Synchronized Music: The Influence of Pantomime on Moving Pictures. Project Muse (Johns Hopkins University). 8(3). 3–39. 2 indexed citations
4.
Anderson, Gillian B.. (2013). D. W. Griffith's Intolerance: Revisiting a Reconstructed Text. Film History. 25(3). 57–89. 1 indexed citations
5.
Anderson, Gillian B., et al.. (2008). The X-Files - I Want to Believe. 1 indexed citations
6.
Anderson, Gillian B.. (2005). A Consummation and a Harbinger of the Future. Film International. 3(1). 32–39. 1 indexed citations
7.
Anderson, Gillian B., et al.. (2004). Forgery in the Music Library: A Cautionary Tale. Notes. 60(4). 865–892.
8.
Anderson, Gillian B., et al.. (2003). Music and Moving Image Bibliography.
9.
Anderson, Gillian B., et al.. (2001). Learning disability services: involving service-users in interviews. Clinical Psychology Forum. 1(150). 27–29. 1 indexed citations
10.
Anderson, Gillian B., et al.. (1994). Il Cinema ritrovato : teoria e metodologia del restauro cinematografico. Medical Entomology and Zoology. 5 indexed citations
11.
Anderson, Gillian B. & Rick Altman. (1994). The American Film Musical. American Music. 12(1). 88–88. 105 indexed citations
12.
Anderson, Gillian B.. (1989). Putting the Experience of the World at the Nation's Command: Music at the Library of Congress, 1800-1917. Journal of the American Musicological Society. 42(1). 108–149. 2 indexed citations
13.
Anderson, Gillian B.. (1987). The Presentation of Silent Films, or, Music as Anaesthesia. Journal of Musicology. 5(2). 257–295. 6 indexed citations
14.
Anderson, Gillian B.. (1987). The Presentation of Silent Films, or, Music as Anaesthesia. Journal of Musicology. 5(2). 257–295. 1 indexed citations
15.
Anderson, Gillian B., et al.. (1985). Keeping Score: Film Music, 1972-1979. American Music. 3(3). 354–354.
16.
Anderson, Gillian B.. (1982). : Popular Music 1. Folk or Popular? Distinctions, Influences, Continuities . Richard Middleton, David Horn.. Journal of Musicology. 1(4). 475–478. 1 indexed citations
17.
Anderson, Gillian B., et al.. (1981). Film Score: The View from the Podium. Notes. 37(3). 592–592. 6 indexed citations
18.
Anderson, Gillian B. & Nicholas Temperley. (1980). The Music of the English Parish Church. Notes. 36(4). 887–887. 43 indexed citations
19.
Anderson, Gillian B.. (1977). Freedom's Voice in Poetry and Song. Medical Entomology and Zoology. 2 indexed citations
20.
Anderson, Gillian B.. (1975). "Samuel the Priest Gave Up the Ghost" and the Temple of Minerva: Two Broadsides. Notes. 31(3). 493–493. 1 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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