Nicolas Collins
- Computer Vision and Pattern Recognition top 10%
- Music top 2%
- Cognitive Neuroscience
- Human-Computer Interaction top 10%
- Signal Processing
- Topics
- Music Technology and Sound Studies (10 papers)Musicology and Musical Analysis (3 papers)Diverse Musicological Studies (2 papers)
- Partner nations
- United StatesFrance
In The Last Decade
Nicolas Collins
17 papers receiving 133 citations
Peers
Comparison fields: 5 of 60
- Computer Vision and Pattern Recognition 87
- Music 48
- Cognitive Neuroscience 32
- Human-Computer Interaction 32
- Signal Processing 26
Countries citing papers authored by Nicolas Collins
This map shows the geographic impact of Nicolas Collins's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Nicolas Collins with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Nicolas Collins more than expected).
Fields of papers citing papers by Nicolas Collins
This network shows the impact of papers produced by Nicolas Collins. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Nicolas Collins. The network helps show where Nicolas Collins may publish in the future.
Co-authorship network of co-authors of Nicolas Collins
This figure shows the co-authorship network connecting the top 25 collaborators of Nicolas Collins. A scholar is included among the top collaborators of Nicolas Collins based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Nicolas Collins. Nicolas Collins is excluded from the visualization to improve readability, since they are connected to all nodes in the network.
All Works
| # | Work | Indexed citations |
|---|---|---|
| 1 | 2 | |
| 2 | 6 | |
| 3 | 1 | |
| 4 | 0 | |
| 5 | 0 | |
| 6 | 1 | |
| 7 | A robust methodological approach for mine site water accounting | 2 |
| 8 | Alvin Lucier: A Celebration | 0 |
| 9 | 0 | |
| 10 | 18 | |
| 11 | Why Live?: Performance in the Age of Digital Reproduction | 1 |
| 12 | 3 | |
| 13 | 2 | |
| 14 | Handmade Electronic Music: The Art of Hardware Hacking | 60 |
| 15 | The Future of Music: Manifesto for the digital music revolution | 66 |
| 16 | 0 | |
| 17 | A call for silence | 0 |
| 18 | 2 | |
| 19 | 12 | |
| 20 | 1 |
About Nicolas Collins
Nicolas Collins is a scholar working on Music, Visual Arts and Performing Arts and Computer Vision and Pattern Recognition, having authored 27 papers that have together received 184 indexed citations. Recurring topics across this work include Music Technology and Sound Studies (10 papers), Musicology and Musical Analysis (3 papers) and Diverse Musicological Studies (2 papers). The work is most often cited by research in Music (48 citations), Human-Computer Interaction (32 citations) and Computer Vision and Pattern Recognition (87 citations). Nicolas Collins has collaborated with scholars based in United States and France. Frequent co-authors include Tomo Suzuki, Nadja C. Kunz, Clément Canonne and Alan Woodley. Their work appears in journals such as IEEE Pervasive Computing, Computer Music Journal and Contemporary Music Review.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.