Virgil Thomson
- Music top 0.5%
- Cognitive Neuroscience
- History top 2%
- Classics top 5%
- Computer Vision and Pattern Recognition
- Co-authors
- Stanley SadieSusan T. SommerMichael Tilson ThomasWilliam MorrisGertrude SteinJohn KirkpatrickGilbert ChaseHenry Cowell
- Topics
- Musicology and Musical Analysis (6 papers)Music History and Culture (4 papers)Theater, Performance, and Music History (2 papers)
In The Last Decade
Virgil Thomson
7 papers receiving 231 citations
Hit Papers
Peers
Comparison fields: 5 of 74
- Music 225
- Cognitive Neuroscience 66
- History 64
- Classics 55
- Computer Vision and Pattern Recognition 47
Countries citing papers authored by Virgil Thomson
This map shows the geographic impact of Virgil Thomson's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Virgil Thomson with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Virgil Thomson more than expected).
Fields of papers citing papers by Virgil Thomson
This network shows the impact of papers produced by Virgil Thomson. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Virgil Thomson. The network helps show where Virgil Thomson may publish in the future.
Co-authorship network of co-authors of Virgil Thomson
This figure shows the co-authorship network connecting the top 25 collaborators of Virgil Thomson. A scholar is included among the top collaborators of Virgil Thomson based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Virgil Thomson. Virgil Thomson is excluded from the visualization to improve readability, since they are connected to all nodes in the network.
All Works
| # | Work | Indexed citations |
|---|---|---|
| 1 | Music chronicles, 1940-1954 | 0 |
| 2 | 4 | |
| 3 | From the steeples and the mountains | 0 |
| 4 | What is American music? . What is orchestration? | 1 |
| 5 | Paul Sperry sings romantic American songs | 0 |
| 6 | 1 | |
| 7 | 1 | |
| 8 | 0 | |
| 9 | The New Grove Dictionary of Music and Musiciansbreakdown → | 401 |
| 10 | "American Music Since 1910 [...] with an introduction by Nicolas Nabokov. Seria "Twentieth-Century Composers", pod red. A. Kallin i N. Nabokova, t. 1", Virgil Thomson, New York - Chicago - San Francisco 1971 : [recenzja] / Elżbieta Szczepańska-Gołas. | 1 |
| 11 | 4 | |
| 12 | 8 | |
| 13 | A Virgil Thomson Reader | 8 |
| 14 | 1 | |
| 15 | 1 | |
| 16 | Invitation to music | 1 |
| 17 | 1 |
About Virgil Thomson
Virgil Thomson is a scholar working on Music, Museology and Visual Arts and Performing Arts, having authored 17 papers that have together received 433 indexed citations. Recurring topics across this work include Musicology and Musical Analysis (6 papers), Music History and Culture (4 papers) and Theater, Performance, and Music History (2 papers). The work is most often cited by research in Music (225 citations), Classics (55 citations) and History (64 citations). Frequent co-authors include Stanley Sadie, Susan T. Sommer, Michael Tilson Thomas, William Morris, Gertrude Stein, John Kirkpatrick, Gilbert Chase, Henry Cowell, Leonard Bernstein and Paul Bowles. Their work appears in journals such as Notes, Music Educators Journal and American Music.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.