Timotheus Vermeulen
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- Contemporary Literature and Criticism 5
- Narrative Theory and Analysis 2
- Crime and Detective Fiction Studies 1
- Philosophy top 5%
- Utopian, Dystopian, and Speculative Fiction 1
- Visual Arts and Performing Arts top 10%
- Art, Politics, and Modernism 1
- Music top 10%
- Cultural Studies top 5%
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- Digital Games and Media 1
- Italian Fascism and Post-war Society 1
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- Swearing, Euphemism, Multilingualism 1
Timotheus Vermeulen
11 papers receiving 214 citations
Peers
Comparison fields: 5 of 66
- Literature and Literary Theory 109
- Philosophy 41
- Visual Arts and Performing Arts 17
- Music 11
- Cultural Studies 27
Countries citing papers authored by Timotheus Vermeulen
This map shows the geographic impact of Timotheus Vermeulen's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Timotheus Vermeulen with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Timotheus Vermeulen more than expected).
Fields of papers citing papers by Timotheus Vermeulen
This network shows the impact of papers produced by Timotheus Vermeulen. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Timotheus Vermeulen. The network helps show where Timotheus Vermeulen may publish in the future.
Co-authorship network
The 3 scholars most cited alongside Timotheus Vermeulen, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
| # | Work | ||
|---|---|---|---|
| 1 | 2025 | 0 | |
| 2 | 2024 | 0 | |
| 3 | 2024 | 0 | |
| 4 | 2019 | 8 | |
| 5 | 2019 | 0 | |
| 6 | 2017 | 0 | |
| 7 | Metamodernism: Historicity, affect, depth, after postmodernism | 2017 | 1 |
| 8 | 2016 | 1 | |
| 9 | Space is the place | 2015 | 9 |
| 10 | 2014 | 3 | |
| 11 | 2014 | 6 | |
| 12 | 2014 | 23 | |
| 13 | Art Criticism and Metamodernism | 2014 | 1 |
| 14 | The Future of the Image (2007) by Jacques Rancière | 2010 | 0 |
| 15 | 2010 | 47 | |
| 16 | 2010 | 169 | |
| 17 | 2010 | 5 |
About Timotheus Vermeulen
Timotheus Vermeulen is a scholar working on Literature and Literary Theory, Visual Arts and Performing Arts, History and Philosophy of Science, Philosophy and Communication, having authored 17 papers that have together received 273 indexed citations. Recurring topics across this work include Contemporary Literature and Criticism (5 papers), Narrative Theory and Analysis (2 papers), Crime and Detective Fiction Studies (1 paper), Digital Games and Media (1 paper), Swearing, Euphemism, Multilingualism (1 paper), Italian Fascism and Post-war Society (1 paper), Art, Politics, and Modernism (1 paper) and Utopian, Dystopian, and Speculative Fiction (1 paper). The work is most often cited by research in Literature and Literary Theory (109 citations), Philosophy (41 citations), Visual Arts and Performing Arts (17 citations), Music (11 citations) and Cultural Studies (27 citations). Timotheus Vermeulen has collaborated with scholars based in Netherlands, Norway and United States. Frequent co-authors include Robin van den Akker, Alison Gibbons and Alison Landsberg. Their work appears in journals such as Screen, Critical Studies in Television The International Journal of Television Studies, New Review of Film and Television Studies, European Journal of English Studies and Rethinking History.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.