Margaret Iversen

1.1k total citations
28 papers, 355 citations indexed

About

Margaret Iversen is a scholar working on Visual Arts and Performing Arts, History and Sociology and Political Science. According to data from OpenAlex, Margaret Iversen has authored 28 papers receiving a total of 355 indexed citations (citations by other indexed papers that have themselves been cited), including 11 papers in Visual Arts and Performing Arts, 6 papers in History and 3 papers in Sociology and Political Science. Recurrent topics in Margaret Iversen's work include Art, Politics, and Modernism (7 papers), Visual Culture and Art Theory (6 papers) and Photography and Visual Culture (5 papers). Margaret Iversen is often cited by papers focused on Art, Politics, and Modernism (7 papers), Visual Culture and Art Theory (6 papers) and Photography and Visual Culture (5 papers). Margaret Iversen collaborates with scholars based in United Kingdom and Sweden. Margaret Iversen's co-authors include Martin Jay, Francis Barker, Peter Hulme, Stephen Melville, Margaret Olin, Aloïs Riegl, Julián Stallabrass, Yve-Alain Bois, Renaud Gutkin and E. Leif and has published in prestigious journals such as Critical Inquiry, The Art Bulletin and October.

In The Last Decade

Margaret Iversen

21 papers receiving 216 citations

Peers

Margaret Iversen
Mladen Dolar Slovenia
Greil Marcus United Kingdom
Matei Călinescu United States
James Smith Allen United States
Gabriel Rockhill United States
Victor Burgin United Kingdom
Mark Seltzer United States
Margaret Cohen United States
Margaret Iversen
Citations per year, relative to Margaret Iversen Margaret Iversen (= 1×) peers Denis Hollier

Countries citing papers authored by Margaret Iversen

Since Specialization
Citations

This map shows the geographic impact of Margaret Iversen's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Margaret Iversen with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Margaret Iversen more than expected).

Fields of papers citing papers by Margaret Iversen

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Margaret Iversen. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Margaret Iversen. The network helps show where Margaret Iversen may publish in the future.

Co-authorship network of co-authors of Margaret Iversen

This figure shows the co-authorship network connecting the top 25 collaborators of Margaret Iversen. A scholar is included among the top collaborators of Margaret Iversen based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Margaret Iversen. Margaret Iversen is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

20 of 20 papers shown
1.
Iversen, Margaret, et al.. (2024). Numerical failure modelling of natural fibre composite coupons using X-ray computed tomography based modelling. Chalmers Research (Chalmers University of Technology). 6. 100042–100042.
2.
Iversen, Margaret. (2021). The Diaristic Mode in Contemporary Art after Barthes. Art History. 44(4). 798–822.
3.
Iversen, Margaret. (2018). The World without a Self: Edward Hopper and Chantal Akerman. Art History. 41(4). 742–760. 1 indexed citations
4.
Barker, Francis, et al.. (2013). Forms of English Fiction in 1848. 21–36. 2 indexed citations
5.
Iversen, Margaret. (2013). The Medium is the Memory. Art History. 36(2). 457–460. 2 indexed citations
6.
Iversen, Margaret. (2012). Analogue: On Zoe Leonard and Tacita Dean. Critical Inquiry. 38(4). 796–818. 3 indexed citations
7.
Iversen, Margaret. (2009). AUTO‐MATICITY: RUSCHA AND PERFORMATIVE PHOTOGRAPHY. Art History. 32(5). 836–851. 6 indexed citations
8.
Bois, Yve-Alain, et al.. (2008). An Interview with Mark Wallinger. October. 123. 185–204. 2 indexed citations
9.
Iversen, Margaret. (2007). Beyond Pleasure: Freud, Lacan, Barthes. Medical Entomology and Zoology. 4 indexed citations
10.
Iversen, Margaret. (2004). Readymade, Found Object, Photograph. Art Journal. 63(2). 44–44. 2 indexed citations
11.
Iversen, Margaret. (2004). Readymade, Found Object, Photograph. Art Journal. 63(2). 44–57. 9 indexed citations
12.
Barker, Francis, Peter Hulme, & Margaret Iversen. (1998). Cannibalism and the colonial world. Cambridge University Press eBooks. 119 indexed citations
13.
Iversen, Margaret. (1998). In the Blind Field: Hopper and the Uncanny. Art History. 21(3). 409–429. 3 indexed citations
14.
Iversen, Margaret & Martin Jay. (1994). Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought. The Art Bulletin. 76(4). 730–730. 112 indexed citations
15.
Iversen, Margaret. (1994). What is a photograph?. Art History. 17(3). 450–463. 9 indexed citations
16.
Riegl, Aloïs, et al.. (1994). Problems of Style. Foundations for a History of Ornament. The Art Bulletin. 76(2). 355–355. 6 indexed citations
17.
Iversen, Margaret. (1993). RETRIEVING WARBURG'S TRADITION. Art History. 16(4). 541–553. 7 indexed citations
18.
Iversen, Margaret. (1990). Vicissitudes of the visual sign. Word & Image. 6(3). 212–216. 2 indexed citations
19.
Iversen, Margaret. (1986). THE PRIMACY OF PHILOSOPHY. Art History. 9(2). 271–274. 1 indexed citations
20.
Iversen, Margaret. (1980). Alois Riegl's historiography. OpenGrey (Institut de l'Information Scientifique et Technique). 1 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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