Thomas Porcello
- Music top 0.5%
- Sociology and Political Science
- Computer Vision and Pattern Recognition
- Experimental and Cognitive Psychology
- Cultural Studies top 5%
- Topics
- Music History and Culture (5 papers)Music Technology and Sound Studies (4 papers)Diverse Musicological Studies (4 papers)
- Partner nations
- United StatesCanada
In The Last Decade
Thomas Porcello
10 papers receiving 320 citations
Peers
Comparison fields: 5 of 68
- Music 260
- Sociology and Political Science 100
- Computer Vision and Pattern Recognition 49
- Experimental and Cognitive Psychology 49
- Cultural Studies 42
Countries citing papers authored by Thomas Porcello
This map shows the geographic impact of Thomas Porcello's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Thomas Porcello with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Thomas Porcello more than expected).
Fields of papers citing papers by Thomas Porcello
This network shows the impact of papers produced by Thomas Porcello. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Thomas Porcello. The network helps show where Thomas Porcello may publish in the future.
Co-authorship network of co-authors of Thomas Porcello
This figure shows the co-authorship network connecting the top 25 collaborators of Thomas Porcello. A scholar is included among the top collaborators of Thomas Porcello based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Thomas Porcello. Thomas Porcello is excluded from the visualization to improve readability, since they are connected to all nodes in the network.
All Works
| # | Work | Indexed citations |
|---|---|---|
| 1 | 3 | |
| 2 | 0 | |
| 3 | 1 | |
| 4 | 127 | |
| 5 | 60 | |
| 6 | 61 | |
| 7 | 22 | |
| 8 | 131 | |
| 9 | 26 | |
| 10 | Sonic artistry : music, discourse, and technology in the sound recording studio | 5 |
| 11 | 24 |
About Thomas Porcello
Thomas Porcello is a scholar working on Music, History and Philosophy of Science and Computer Vision and Pattern Recognition, having authored 11 papers that have together received 460 indexed citations. Recurring topics across this work include Music History and Culture (5 papers), Music Technology and Sound Studies (4 papers) and Diverse Musicological Studies (4 papers). The work is most often cited by research in Music (260 citations), Visual Arts and Performing Arts (32 citations) and Cultural Studies (42 citations). Thomas Porcello has collaborated with scholars based in United States and Canada. Frequent co-authors include Ana María Agudelo Ochoa, David W. Samuels, Louise Meintjes, Timothy J. Cooley and Gregory F. Barz. Their work appears in journals such as Annual Review of Anthropology, Social Studies of Science and Ethnomusicology.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.