Thomas F. DeFrantz
- Experimental and Cognitive Psychology
- Music top 2%
- Sociology and Political Science
- Visual Arts and Performing Arts top 5%
- Cultural Studies top 10%
- Co-authors
- Jonathan JacksonScott Lash
- Topics
- Diversity and Impact of Dance (15 papers)Theatre and Performance Studies (6 papers)Music History and Culture (4 papers)
- Partner nations
- United StatesUnited KingdomAustralia
In The Last Decade
Thomas F. DeFrantz
15 papers receiving 57 citations
Peers
Comparison fields: 5 of 22
- Experimental and Cognitive Psychology 65
- Music 47
- Sociology and Political Science 34
- Visual Arts and Performing Arts 27
- Cultural Studies 19
Countries citing papers authored by Thomas F. DeFrantz
This map shows the geographic impact of Thomas F. DeFrantz's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Thomas F. DeFrantz with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Thomas F. DeFrantz more than expected).
Fields of papers citing papers by Thomas F. DeFrantz
This network shows the impact of papers produced by Thomas F. DeFrantz. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Thomas F. DeFrantz. The network helps show where Thomas F. DeFrantz may publish in the future.
Co-authorship network of co-authors of Thomas F. DeFrantz
This figure shows the co-authorship network connecting the top 25 collaborators of Thomas F. DeFrantz. A scholar is included among the top collaborators of Thomas F. DeFrantz based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Thomas F. DeFrantz. Thomas F. DeFrantz is excluded from the visualization to improve readability, since they are connected to all nodes in the network.
All Works
| # | Work | Indexed citations |
|---|---|---|
| 1 | 1 | |
| 2 | 0 | |
| 3 | 1 | |
| 4 | 1 | |
| 5 | 5 | |
| 6 | 1 | |
| 7 | 1 | |
| 8 | 8 | |
| 9 | Theorizing Connectivities: African American Women in Concert Dance | 2 |
| 10 | 2 | |
| 11 | Exhausting Dance: Performance and the Politics of Movement (review) | 1 |
| 12 | 3 | |
| 13 | 4 | |
| 14 | 11 | |
| 15 | 14 | |
| 16 | 21M.670 / SP.472 / WGS.472 Traditions in American Concert Dance: Gender and Autobiography, Spring 2003 | 0 |
| 17 | Dancing many Drums | 8 |
| 18 | 3 | |
| 19 | 1 | |
| 20 | Dancing Many Drums: Excavations in African American Dance | 28 |
About Thomas F. DeFrantz
Thomas F. DeFrantz is a scholar working on Music, Visual Arts and Performing Arts and Experimental and Cognitive Psychology, having authored 21 papers that have together received 101 indexed citations. Recurring topics across this work include Diversity and Impact of Dance (15 papers), Theatre and Performance Studies (6 papers) and Music History and Culture (4 papers). The work is most often cited by research in Music (47 citations), Visual Arts and Performing Arts (27 citations) and Experimental and Cognitive Psychology (65 citations). Thomas F. DeFrantz has collaborated with scholars based in United States, United Kingdom and Australia. Frequent co-authors include Jonathan Jackson and Scott Lash. Their work appears in journals such as Topoi, Theatre Journal and Dance Research Journal.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.