Greg Hainge
Impact in
- Music top 5%
- Music History and Culture
- Diverse Musicological Studies
- Musicology and Musical Analysis
- Visual Arts and Performing Arts top 10%
- Visual Culture and Art Theory
Papers in
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- French Literature and Poetry 3
-
- Cinema and Media Studies 9
Greg Hainge
20 papers receiving 97 citations
Peers
Comparison fields: 5 of 40
- Music 44
- Visual Arts and Performing Arts 15
- General Arts and Humanities 2
- Cultural Studies 14
- History and Philosophy of Science 7
Countries citing papers authored by Greg Hainge
This map shows the geographic impact of Greg Hainge's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Greg Hainge with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Greg Hainge more than expected).
Fields of papers citing papers by Greg Hainge
This network shows the impact of papers produced by Greg Hainge. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Greg Hainge. The network helps show where Greg Hainge may publish in the future.
Co-authors
The 2 scholars most cited alongside Greg Hainge, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
Showing the 20 most-cited of 31 papers — load more, or switch the sort, to bring in the rest.
| # | Work | ||
|---|---|---|---|
| 1 | 2013 | 31 | |
| 2 | 2014 | 19 | |
| 3 | Noise Matters: Towards an Ontology of Noise | 2013 | 18 |
| 4 | Culture, Theory and Critique | 2010 | 16 |
| 5 | 2008 | 6 | |
| 6 | 2007 | 5 | |
| 7 | Is Pop music | 2004 | 3 |
| 8 | 2008 | 2 | |
| 9 | Renaissance and Modern Studies | 1999 | 2 |
| 10 | 2016 | 2 | |
| 11 | 2011 | 2 | |
| 12 | 2005 | 2 | |
| 13 | 2008 | 1 | |
| 14 | 2007 | 1 | |
| 15 | The Unbearable Blandness of Being: The Everyday and Muzak in Barton Fink and Fargo | 2008 | 1 |
| 16 | Vinyl is Dead, Long Live Vinyl: The Work of Recording and Mourning in the Age of Digital Reproduction | 2008 | 1 |
| 17 | 2012 | 1 | |
| 18 | Capitalism and Schizophrenia in the Later Novels of Louis-Ferdinand Céline: D'un . . . l'autre | 2001 | 1 |
| 19 | 2004 | 1 | |
| 20 | L'Invention du Troisième Peuple: The utopian vision of Philippe Grandrieux's dystopias | 2008 | 1 |
About Greg Hainge
Greg Hainge is a scholar working on Literature and Literary Theory, Economics and Econometrics, Music, Visual Arts and Performing Arts and Sociology and Political Science, having authored 31 papers that have together received 118 indexed citations. Recurring topics across this work include Cinema and Media Studies (9 papers), Music History and Culture (5 papers), Art, Politics, and Modernism (4 papers), Photography and Visual Culture (3 papers), Music Technology and Sound Studies (3 papers), French Literature and Poetry (3 papers), Diverse Musicological Studies (2 papers) and Visual Culture and Art Theory (2 papers). The work is most often cited by research in Music (44 citations), Visual Arts and Performing Arts (15 citations), General Arts and Humanities (2 citations), Cultural Studies (14 citations) and History and Philosophy of Science (7 citations). Greg Hainge has collaborated with scholars based in Australia and Russia. Frequent co-authors include Barbara E. Hanna and Juliana de Nooy. Their work appears in journals such as Australian Journal of French Studies, Culture, theory and critique, Continuum, Angelaki and Asian Studies Review.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.