Brian Kane

724 total citations
13 papers, 208 citations indexed

About

Brian Kane is a scholar working on Music, Computer Vision and Pattern Recognition and Experimental and Cognitive Psychology. According to data from OpenAlex, Brian Kane has authored 13 papers receiving a total of 208 indexed citations (citations by other indexed papers that have themselves been cited), including 9 papers in Music, 6 papers in Computer Vision and Pattern Recognition and 3 papers in Experimental and Cognitive Psychology. Recurrent topics in Brian Kane's work include Music Technology and Sound Studies (6 papers), Musicology and Musical Analysis (6 papers) and Music History and Culture (4 papers). Brian Kane is often cited by papers focused on Music Technology and Sound Studies (6 papers), Musicology and Musical Analysis (6 papers) and Music History and Culture (4 papers). Brian Kane collaborates with scholars based in United States and Ireland. Brian Kane's co-authors include Martha S. Feldman and has published in prestigious journals such as Organised Sound, Contemporary Music Review and Journal of Visual Culture.

In The Last Decade

Brian Kane

9 papers receiving 133 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name	h						Papers	Cites
Brian Kane United States	6	115	75	41	38	30	13	208
Daniel Warner	2	96 0.8×	101 1.3×	36 0.9×	24 0.6×	30 1.0×	3	213
Andrew Kania United States	6	76 0.7×	38 0.5×	40 1.0×	33 0.9×	16 0.5×	24	161
Marie Thompson United Kingdom	7	105 0.9×	38 0.5×	16 0.4×	20 0.5×	16 0.5×	19	200
Ruth A. Solie United States	8	184 1.6×	50 0.7×	74 1.8×	30 0.8×	20 0.7×	26	289
Mark Evan Bonds United States	10	247 2.1×	35 0.5×	86 2.1×	29 0.8×	22 0.7×	29	309
Arnold Whittall United Kingdom	9	230 2.0×	102 1.4×	108 2.6×	23 0.6×	16 0.5×	101	327
Jim Samson United Kingdom	8	137 1.2×	31 0.4×	48 1.2×	24 0.6×	13 0.4×	35	184
Pierre Boulez France	10	127 1.1×	91 1.2×	68 1.7×	35 0.9×	11 0.4×	56	259
Emily I. Dolan United States	6	78 0.7×	39 0.5×	23 0.6×	10 0.3×	13 0.4×	12	127
Leo Treitler United States	12	185 1.6×	41 0.5×	42 1.0×	14 0.4×	16 0.5×	51	374

Countries citing papers authored by Brian Kane

Since Specialization

Citations

This map shows the geographic impact of Brian Kane's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Brian Kane with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Brian Kane more than expected).

Fields of papers citing papers by Brian Kane

Since Specialization

Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Brian Kane. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Brian Kane. The network helps show where Brian Kane may publish in the future.

Co-authorship network of co-authors of Brian Kane

This figure shows the co-authorship network connecting the top 25 collaborators of Brian Kane. A scholar is included among the top collaborators of Brian Kane based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Brian Kane. Brian Kane is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

Sort: Min cites: Since: Top N: Style:

13 of 13 papers shown

1.

Kane, Brian. (2024). Hearing Double. Oxford University Press eBooks.

2.

Kane, Brian. (2020). The Radio Free Dixie Playlists. 1(4). 344–370.

3.

Kane, Brian. (2017). Relays: Audiotape, Material Affordances, and Cultural Practice. twentieth-century music. 14(1). 65–75. 5 indexed citations

4.

Kane, Brian. (2017). Jazz, Mediation, Ontology. Contemporary Music Review. 37(5-6). 507–528. 7 indexed citations

5.

Kane, Brian. (2015). Sound studies without auditory culture: a critique of the ontological turn. 1(1). 2–21. 42 indexed citations

6.

Feldman, Martha S., et al.. (2015). Why Voice Now?. Journal of the American Musicological Society. 68(3). 653–685. 17 indexed citations

7.

Kane, Brian. (2014). Sound Unseen. Oxford University Press eBooks. 63 indexed citations

8.

Kane, Brian. (2013). Schaeffer Pierre, In Search of a Concrete Music, translated by Christine North and John Dack (Berkeley: University of California Press, 2012) ISBN 9780520265745.. Organised Sound. 18(3). 346–348. 2 indexed citations

9.

Kane, Brian. (2012). Acousmate: History and de-visualised sound in the Schaefferian tradition. Organised Sound. 17(2). 179–188.

10.

Kane, Brian. (2012). Jean-Luc Nancy and the Listening Subject. Contemporary Music Review. 31(5-6). 439–447. 21 indexed citations

11.

Kane, Brian. (2011). Acousmatic Fabrications: Les Paul and the ‘Les Paulverizer’. Journal of Visual Culture. 10(2). 212–231. 2 indexed citations

12.

Kane, Brian. (2008). Aspect and Ascription in the Music of Mathias Spahlinger. Contemporary Music Review. 27(6). 595–609. 1 indexed citations

13.

Kane, Brian. (2007). L’Objet Sonore Maintenant: Pierre Schaeffer, sound objects and the phenomenological reduction. Organised Sound. 12(1). 15–24. 48 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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