Richard Drake
- Sociology and Political Science top 10%
- Political Science and International Relations top 10%
- History top 2%
- Visual Arts and Performing Arts top 5%
- Philosophy top 10%
- Co-authors
- Barbara SpackmanDavid I. KertzerPaolo ProdiPhilip V. CannistraroAlbert BoimeJeffrey T. SchnappJames A. Young
- Topics
- Italian Fascism and Post-war Society (21 papers)Historical and Literary Analyses (2 papers)Historical and Environmental Studies (2 papers)
- Partner nations
- United States
In The Last Decade
Richard Drake
24 papers receiving 185 citations
Peers
Comparison fields: 5 of 43
- Sociology and Political Science 179
- Political Science and International Relations 92
- History 60
- Visual Arts and Performing Arts 22
- Philosophy 19
Countries citing papers authored by Richard Drake
This map shows the geographic impact of Richard Drake's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Richard Drake with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Richard Drake more than expected).
Fields of papers citing papers by Richard Drake
This network shows the impact of papers produced by Richard Drake. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Richard Drake. The network helps show where Richard Drake may publish in the future.
Co-authorship network of co-authors of Richard Drake
This figure shows the co-authorship network connecting the top 25 collaborators of Richard Drake. A scholar is included among the top collaborators of Richard Drake based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Richard Drake. Richard Drake is excluded from the visualization to improve readability, since they are connected to all nodes in the network.
All Works
| # | Work | Indexed citations |
|---|---|---|
| 1 | 2 | |
| 2 | 3 | |
| 3 | 1 | |
| 4 | Charles Beard & the English Historians | 1 |
| 5 | 0 | |
| 6 | 0 | |
| 7 | 1 | |
| 8 | 3 | |
| 9 | On Being Called an Anti-Semite in Montana. | 0 |
| 10 | Il seme della violenza. Toni Negri apostolo della rivoluzione nella stagione del terrorismo | 0 |
| 11 | 4 | |
| 12 | 11 | |
| 13 | 81 | |
| 14 | 7 | |
| 15 | 32 | |
| 16 | 7 | |
| 17 | 2 | |
| 18 | 0 | |
| 19 | 1 | |
| 20 | 6 |
About Richard Drake
Richard Drake is a scholar working on Sociology and Political Science, History and Classics, having authored 34 papers that have together received 272 indexed citations. Recurring topics across this work include Italian Fascism and Post-war Society (21 papers), Historical and Literary Analyses (2 papers) and Historical and Environmental Studies (2 papers). The work is most often cited by research in General Arts and Humanities (9 citations), History (60 citations) and Visual Arts and Performing Arts (22 citations). Richard Drake has collaborated with scholars based in United States. Frequent co-authors include Barbara Spackman, David I. Kertzer, Paolo Prodi, Philip V. Cannistraro, Albert Boime, Jeffrey T. Schnapp and James A. Young. Their work appears in journals such as The American Historical Review, Political Science Quarterly and Journal of American History.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.