Phillip B. Zarrilli
- Visual Arts and Performing Arts top 0.5%
- Theatre and Performance Studies 29
- South Asian Cinema and Culture 5
- Music top 2%
- Theater, Performance, and Music History 3
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- Diversity and Impact of Dance 14
- Safety Research top 10%
- Martial Arts: Techniques, Psychology, and Education 9
- Cultural Studies top 5%
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- Indian History and Philosophy 4
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- South Asian Studies and Conflicts 4
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- Sport and Mega-Event Impacts 3
Phillip B. Zarrilli
51 papers receiving 245 citations
Peers
Comparison fields: 5 of 57
- Visual Arts and Performing Arts 216
- Music 68
- Experimental and Cognitive Psychology 153
- Safety Research 51
- Cultural Studies 49
Countries citing papers authored by Phillip B. Zarrilli
This map shows the geographic impact of Phillip B. Zarrilli's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Phillip B. Zarrilli with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Phillip B. Zarrilli more than expected).
Fields of papers citing papers by Phillip B. Zarrilli
This network shows the impact of papers produced by Phillip B. Zarrilli. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Phillip B. Zarrilli. The network helps show where Phillip B. Zarrilli may publish in the future.
Co-authorship network
The 25 scholars most cited alongside Phillip B. Zarrilli, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
| # | Work | ||
|---|---|---|---|
| 1 | 2014 | 1 | |
| 2 | 2001 | 11 | |
| 3 | When the Body Becomes All Eyes: Paradigms, Discourses and Practices of Power in Kalarippayattu, a South Indian Martial Art | 1998 | 53 |
| 4 | 1997 | 10 | |
| 5 | 1997 | 2 | |
| 6 | 1997 | 10 | |
| 7 | 1996 | 10 | |
| 8 | 1995 | 5 | |
| 9 | 1992 | 1 | |
| 10 | 1992 | 2 | |
| 11 | 1991 | 4 | |
| 12 | 1991 | 12 | |
| 13 | 1989 | 13 | |
| 14 | 1988 | 9 | |
| 15 | 1988 | 1 | |
| 16 | 1987 | 3 | |
| 17 | 1986 | 1 | |
| 18 | 1986 | 4 | |
| 19 | 1982 | 0 | |
| 20 | 1979 | 7 |
About Phillip B. Zarrilli
Phillip B. Zarrilli is a scholar working on Visual Arts and Performing Arts, Music and Safety Research, having authored 66 papers that have together received 470 indexed citations. Recurring topics across this work include Theatre and Performance Studies (29 papers), Diversity and Impact of Dance (14 papers), Martial Arts: Techniques, Psychology, and Education (9 papers), South Asian Cinema and Culture (5 papers), Indian History and Philosophy (4 papers), South Asian Studies and Conflicts (4 papers), Theater, Performance, and Music History (3 papers) and Sport and Mega-Event Impacts (3 papers). The work is most often cited by research in Visual Arts and Performing Arts (216 citations), Music (68 citations) and Experimental and Cognitive Psychology (153 citations). Phillip B. Zarrilli has collaborated with scholars based in United Kingdom, United States and Canada. Frequent co-authors include Eugênio Barba, Kirin Narayan, Rustom Bharucha, Evan Thompson, Richard Schechner, Gautam Dasgupta, Bonnie Marranca, Bonnie C. Wade, John J. MacAloon and David L. Haberman. Their work appears in journals such as Social Science & Medicine, Theatre Journal and TDR/The Drama Review.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.