Philippe Meers
Impact in
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- South Asian Cinema and Culture
- Museology top 5%
- Photographic and Visual Arts
Papers in
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- South Asian Cinema and Culture 6
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- Photographic and Visual Arts 4
- Co-authors
- Daniël BiltereystRichard MaltbySofie Van BauwelAnnette KühnKevin SmetsTonny KrijnenGert WillemsJulia Noordegraaf
- Journals
- Historical Journal Of Film Radio and Television (2 papers)Communications (2 papers)Screen (1 paper)Journal of Popular Film and Television (1 paper)Identities (1 paper)
- Partner nations
- BelgiumMexicoUnited Kingdom
In The Last Decade
Philippe Meers
36 papers receiving 199 citations
Peers
Comparison fields: 5 of 35
- Visual Arts and Performing Arts 56
- Museology 21
- Urban Studies 27
- Economics and Econometrics 105
- Cultural Studies 29
Countries citing papers authored by Philippe Meers
This map shows the geographic impact of Philippe Meers's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Philippe Meers with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Philippe Meers more than expected).
Fields of papers citing papers by Philippe Meers
This network shows the impact of papers produced by Philippe Meers. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Philippe Meers. The network helps show where Philippe Meers may publish in the future.
Co-authors
The 8 scholars most cited alongside Philippe Meers, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
| # | Work | ||
|---|---|---|---|
| 1 | 2023 | 0 | |
| 2 | 2023 | 0 | |
| 3 | 2020 | 2 | |
| 4 | 2019 | 0 | |
| 5 | The Cultura de la Pantalla network: writing new cinema histories across Latin America and Europe | 2018 | 2 |
| 6 | 2017 | 22 | |
| 7 | Understanding The Hobbit: the cross-national and cross-linguistic reception of a global media product in Belgium, France and the Netherlands | 2016 | 1 |
| 8 | 2016 | 2 | |
| 9 | 2015 | 1 | |
| 10 | 2013 | 3 | |
| 11 | Exhibición y programación cinematográfica en Monterrey, México de 1922 a 1962: un estudio de caso desde la perspectiva de la “nueva historia del cine" | 2012 | 5 |
| 12 | 2012 | 4 | |
| 13 | Negotiating cinema's modernity : strategies of control and audience experiences of cinema in Belgium | 2012 | 1 |
| 14 | 2011 | 8 | |
| 15 | 2011 | 66 | |
| 16 | 2010 | 15 | |
| 17 | 2006 | 1 | |
| 18 | It's the language of film! Young audiences on Hollywood and Europe | 2004 | 3 |
| 19 | Realiteit en fictie: tweemaal hetzelfde ? | 2000 | 4 |
| 20 | 2000 | 42 |
About Philippe Meers
Philippe Meers is a scholar working on Visual Arts and Performing Arts, Museology, History, Urban Studies and Economics and Econometrics, having authored 47 papers that have together received 242 indexed citations. Recurring topics across this work include Cinema and Media Studies (15 papers), Media, Journalism, and Communication History (7 papers), South Asian Cinema and Culture (6 papers), Italian Fascism and Post-war Society (5 papers), Cultural Industries and Urban Development (5 papers), Media, Gender, and Advertising (4 papers), Diaspora, migration, transnational identity (4 papers) and Photographic and Visual Arts (4 papers). The work is most often cited by research in Visual Arts and Performing Arts (56 citations), Museology (21 citations), Urban Studies (27 citations), Economics and Econometrics (105 citations) and Cultural Studies (29 citations). Philippe Meers has collaborated with scholars based in Belgium, Mexico and United Kingdom. Frequent co-authors include Daniël Biltereyst, Richard Maltby, Sofie Van Bauwel, Annette Kühn, Kevin Smets, Tonny Krijnen, Gert Willems and Julia Noordegraaf. Their work appears in journals such as Historical Journal Of Film Radio and Television, Communications, Screen, Journal of Popular Film and Television and Identities.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.