Richard Maltby

1.2k citations
32 papers · 417 indexed · h-index 12

Richard Maltby

30 papers receiving 264 citations

Peers

Richard Maltby
Comparison fields: 5 of 50
  • Visual Arts and Performing Arts 95
  • Economics and Econometrics 236
  • Literature and Literary Theory 90
  • Urban Studies 46
  • History 67
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Citations per year

Countries citing papers authored by Richard Maltby

Since Specialization
Citations

This map shows the geographic impact of Richard Maltby's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Richard Maltby with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Richard Maltby more than expected).

Fields of papers citing papers by Richard Maltby

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Richard Maltby. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Richard Maltby. The network helps show where Richard Maltby may publish in the future.

Co-authorship network

The 14 scholars most cited alongside Richard Maltby, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.

Border = papers with Richard Maltby Line = papers co-authored together Richard Maltby links everyone, so they are left out of the graph.

All Works

20 of 20 papers shown
#Work
1
Censorship and the configuration of cinematic classicism
20191
2 201720
3 20174
4 20132
5 201166
6
What's new about new cinema history?
20091
7
More than ballyhoo: the importance of understanding film consumption in Australia
20074
8
Going to the Movies: Hollywood and the Social Experience of Cinema
200746
9 200620
10
More sinned against that sinning: the fabrications of pre-code cinema
20035
11
"Film Europe" and "Film America" : cinema, commerce and cultural exchange, 1920-1939
199938
12 199935
13
The beginnings of the cinema in England, 1894-1901
199624
14 19954
15 19952
16 199214
17
Miss Saigon : Cameron Mackintosh presents a musical by Alain Boublil & Claude-Michel Schönberg : piano/vocal selections
19911
18 19907
19
Passing parade : a history of popular culture in the twentieth century
19893
20 19846

About Richard Maltby

Richard Maltby is a scholar working on Visual Arts and Performing Arts, Music and Economics and Econometrics, having authored 32 papers that have together received 417 indexed citations. Recurring topics across this work include Cinema and Media Studies (17 papers), Shakespeare, Adaptation, and Literary Criticism (6 papers), Italian Fascism and Post-war Society (4 papers), Art History and Market Analysis (4 papers), Cultural Industries and Urban Development (3 papers), European history and politics (3 papers), Management and Organizational Studies (1 paper) and Digital Games and Media (1 paper). The work is most often cited by research in Visual Arts and Performing Arts (95 citations), Economics and Econometrics (236 citations) and Literature and Literary Theory (90 citations). Richard Maltby has collaborated with scholars based in Australia, United Kingdom and United States. Frequent co-authors include Melvyn Stokes, Philippe Meers, Daniël Biltereyst, Andrew Higson, Robert C. Allen, David Robinson, John Barnes, Robert Phiddian, Gregory D. Black and Michael D. Walsh.

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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