Anne Friedberg

1.0k total citations
7 papers, 247 citations indexed

About

Anne Friedberg is a scholar working on Economics and Econometrics, Literature and Literary Theory and Visual Arts and Performing Arts. According to data from OpenAlex, Anne Friedberg has authored 7 papers receiving a total of 247 indexed citations (citations by other indexed papers that have themselves been cited), including 3 papers in Economics and Econometrics, 2 papers in Literature and Literary Theory and 2 papers in Visual Arts and Performing Arts. Recurrent topics in Anne Friedberg's work include Cinema and Media Studies (3 papers), Art, Politics, and Modernism (2 papers) and Digital Media and Philosophy (1 paper). Anne Friedberg is often cited by papers focused on Cinema and Media Studies (3 papers), Art, Politics, and Modernism (2 papers) and Digital Media and Philosophy (1 paper). Anne Friedberg collaborates with scholars based in United States. Anne Friedberg's co-authors include and has published in prestigious journals such as PMLA/Publications of the Modern Language Association of America, Cinema Journal and Journal of Visual Culture.

In The Last Decade

Anne Friedberg

7 papers receiving 180 citations

Peers

Anne Friedberg
Paul Willemen United Kingdom
Andrew Crisell United Kingdom
Stephen Gundle United Kingdom
Robert Lumley United Kingdom
Vincent Vinikas United States
Gilbert B. Rodman United States
Lucas Hilderbrand United States
Anne Friedberg
Citations per year, relative to Anne Friedberg Anne Friedberg (= 1×) peers Philippe Meers

Countries citing papers authored by Anne Friedberg

Since Specialization
Citations

This map shows the geographic impact of Anne Friedberg's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Anne Friedberg with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Anne Friedberg more than expected).

Fields of papers citing papers by Anne Friedberg

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Anne Friedberg. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Anne Friedberg. The network helps show where Anne Friedberg may publish in the future.

No nodes

All Works

7 of 7 papers shown
1.
Friedberg, Anne. (2009). On Digital Scholarship. Cinema Journal. 48(2). 150–154. 4 indexed citations
2.
Friedberg, Anne. (2004). Virilio’s Screen: The Work of Metaphor in the Age of Technological Convergence. Journal of Visual Culture. 3(2). 183–193. 8 indexed citations
3.
Friedberg, Anne. (2002). Urban mobility and cinematic visuality: the screens of Los Angeles - endless cinema or private telematics. Journal of Visual Culture. 1(2). 183–204. 17 indexed citations
4.
Friedberg, Anne. (1993). Window Shopping. 187 indexed citations
5.
Friedberg, Anne. (1991). Les Flaneurs du Mal(l): Cinema and the Postmodern Condition. PMLA/Publications of the Modern Language Association of America. 106(3). 419–419. 25 indexed citations
6.
Friedberg, Anne. (1988). The Mercator of the Postmodern: Mapping the Great Divide. Camera Obscura Feminism Culture and Media Studies. 6(3). 67–79. 1 indexed citations
7.
Friedberg, Anne. (1984). An interview with filmmaker Lizzie Borden. Women & Performance a journal of feminist theory. 1(2). 37–45. 5 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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