This map shows the geographic impact of Chris Chafe's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Chris Chafe with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Chris Chafe more than expected).
This network shows the impact of papers produced by Chris Chafe. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Chris Chafe. The network helps show where Chris Chafe may publish in the future.
Co-authorship network of co-authors of Chris Chafe
This figure shows the co-authorship network connecting the top 25 collaborators of Chris Chafe.
A scholar is included among the top collaborators of Chris Chafe based on the total number of
citations received by their joint publications. Widths of edges
represent the number of papers authors have co-authored together.
Node borders
signify the number of papers an author published with Chris Chafe. Chris Chafe is excluded from
the visualization to improve readability, since they are connected to all nodes in the network.
Chafe, Chris, et al.. (2023). What would a Webchuck Chuck?. The Journal of the Acoustical Society of America. 153(3_supplement). A35–A35.
3.
Ferguson, Paul, et al.. (2020). Trans-Europe Express Audio: testing 1000 mile low-latency uncompressed audio between Edinburgh and Berlin using GPS-derived word clock, first with jacktrip then with Dante.. Journal of the Audio Engineering Society.4 indexed citations
4.
Chafe, Chris, et al.. (2013). Sound synthesis for a brain stethoscope. The Journal of the Acoustical Society of America. 134(5_Supplement). 4053–4053.1 indexed citations
5.
Braasch, Jonas, et al.. (2009). Mixing Console Design Considerations for Telematic Music Applications. Journal of the Audio Engineering Society.1 indexed citations
6.
Chafe, Chris, et al.. (2008). The shape of an instant: measuring and modeling perceptual attack time with probability density functions (if a tree falls in the forest, when did 57 people hear it make a sound?).1 indexed citations
Chafe, Chris & Michael Gurevich. (2004). Network Time Delay and Ensemble Accuracy: Effects of Latency, Asymmetry. Journal of the Audio Engineering Society.32 indexed citations
11.
Chafe, Chris, et al.. (2004). Simulation of Networked Ensemble Performance with Varying Time Delays: Characterization of Ensemble Accuracy. The Journal of the Abraham Lincoln Association. 2004.17 indexed citations
12.
Chafe, Chris, et al.. (2003). Thevbow: an expressive musical controller haptic human-computer interface.6 indexed citations
13.
Serafin, Stefania, et al.. (2002). Analysis and synthesis of unusual friction-driven musical instruments. The Journal of the Abraham Lincoln Association. 2002.9 indexed citations
14.
Chafe, Chris, et al.. (2000). The Performer-Instrument Interaction: A Sensory Motor Perspective. The Journal of the Abraham Lincoln Association. 2000.8 indexed citations
15.
Serafin, Stefania, et al.. (2000). Qualitative and Quantitive Assessment of a Virtual Bowed String Instrument. The Journal of the Abraham Lincoln Association. 2000.8 indexed citations
16.
Chafe, Chris. (1997). Statistical Pattern Recognition for Prediction of Solo Piano Performance. The Journal of the Abraham Lincoln Association. 1997. 145–148.1 indexed citations
17.
Chafe, Chris, et al.. (1996). Musical muscle memory and the haptic display of performance nuance. The Journal of the Abraham Lincoln Association. 1996. 428–431.15 indexed citations
18.
Chafe, Chris. (1995). Adding Vortex Noise to Wind Instrument Physical Models. The Journal of the Abraham Lincoln Association. 1995.8 indexed citations
19.
Chafe, Chris. (1993). Tactile Audio Feedback. The Journal of the Abraham Lincoln Association. 1993.32 indexed citations
20.
Chafe, Chris. (1988). Simulating performance on a bowed instrument.14 indexed citations
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive
bibliographic database. While OpenAlex provides broad and valuable coverage of the global
research landscape, it—like all bibliographic datasets—has inherent limitations. These include
incomplete records, variations in author disambiguation, differences in journal indexing, and
delays in data updates. As a result, some metrics and network relationships displayed in
Rankless may not fully capture the entirety of a scholar's output or impact.