Paul Stapleton

495 citations
39 papers · 334 indexed · h-index 12

Paul Stapleton

36 papers receiving 298 citations

Peers

Paul Stapleton
Comparison fields: 5 of 75
  • Human-Computer Interaction 67
  • Cognitive Neuroscience 138
  • Computer Vision and Pattern Recognition 128
  • Music 19
  • Signal Processing 51
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Ann Hutchinson Guest United Kingdom
Emma Frid Sweden
Sarah Fdili Alaoui France
Luc Nijs Belgium
Stefano Delle Monache Italy
Sandra Pauletto United Kingdom
Jules Françoise France
Mick Grierson United Kingdom
Rudolf von Laban
Donald Glowinski Italy
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Citations per field
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Citations per year

Countries citing papers authored by Paul Stapleton

Since Specialization
Citations

This map shows the geographic impact of Paul Stapleton's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Paul Stapleton with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Paul Stapleton more than expected).

Fields of papers citing papers by Paul Stapleton

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Paul Stapleton. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Paul Stapleton. The network helps show where Paul Stapleton may publish in the future.

Co-authorship network

The 18 scholars most cited alongside Paul Stapleton, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.

Border = papers with Paul Stapleton Line = papers co-authored together Paul Stapleton links everyone, so they are left out of the graph.

All Works

20 of 20 papers shown
#Work
1 20214
2
Play Make Believe: Exploring Design Fiction and Absurd Making for Critical NIME Design
20201
3 202016
4 202019
5 20181
6 20183
7 20181
8 201721
9 201725
10 20171
11 20172
12 201620
13 20163
14 201211
15 201111
16
Passages from Finnegans Wake
20100
17 20093
18
Dialogic Instruments: Virtuosity (Re)Located in Improvised Performance
20071
19 198018
20 19752

About Paul Stapleton

Paul Stapleton is a scholar working on Music, Human-Computer Interaction and Visual Arts and Performing Arts, having authored 39 papers that have together received 334 indexed citations. Recurring topics across this work include Music Technology and Sound Studies (14 papers), Neuroscience and Music Perception (7 papers), Action Observation and Synchronization (6 papers), Innovative Human-Technology Interaction (6 papers), Motor Control and Adaptation (4 papers), Law in Society and Culture (4 papers), Tactile and Sensory Interactions (4 papers) and Theatre and Performance Studies (3 papers). The work is most often cited by research in Human-Computer Interaction (67 citations), Cognitive Neuroscience (138 citations) and Computer Vision and Pattern Recognition (128 citations). Paul Stapleton has collaborated with scholars based in United Kingdom, Canada and New Zealand. Frequent co-authors include Matthew Rodger, Michael Gurevich, J. Biely, Maarten van Walstijn, D.B. Bragg, Roddy Cowie, Miguel Ortiz, Martin Sawey, Marcelo M. Wanderley and Fabio Morreale. Their work appears in journals such as Poultry Science, Organised Sound, Psychological Research, Frontiers in Neuroscience and Journal of Sustainable Tourism.

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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