Emma Frid
- Human-Computer Interaction top 5%
- Interactive and Immersive Displays 7
- Innovative Human-Technology Interaction 4
- Cognitive Neuroscience top 10%
- Tactile and Sensory Interactions 20
- Neuroscience and Music Perception 5
- Music top 5%
- Occupational Therapy top 10%
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- Music Technology and Sound Studies 15
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- Multisensory perception and integration 6
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- Music and Audio Processing 5
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- Action Observation and Synchronization 3
Emma Frid
28 papers receiving 253 citations
Peers
Comparison fields: 5 of 53
- Human-Computer Interaction 107
- Cognitive Neuroscience 165
- Music 26
- Occupational Therapy 26
- Computer Vision and Pattern Recognition 97
Countries citing papers authored by Emma Frid
This map shows the geographic impact of Emma Frid's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Emma Frid with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Emma Frid more than expected).
Fields of papers citing papers by Emma Frid
This network shows the impact of papers produced by Emma Frid. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Emma Frid. The network helps show where Emma Frid may publish in the future.
Co-authorship network
The 12 scholars most cited alongside Emma Frid, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
| # | Work | ||
|---|---|---|---|
| 1 | 2023 | 14 | |
| 2 | 2023 | 4 | |
| 3 | 2022 | 8 | |
| 4 | Reimagining (Accessible) Digital Musical Instruments: A Survey on Electronic Music-Making Tools | 2021 | 1 |
| 5 | 2020 | 1 | |
| 6 | 2020 | 20 | |
| 7 | 2020 | 1 | |
| 8 | 2020 | 5 | |
| 9 | Diverse Sounds : Enabling Inclusive Sonic Interaction | 2019 | 4 |
| 10 | 2019 | 79 | |
| 11 | Accessible Digital Musical Instruments - A Survey of Inclusive Instruments Presented at the NIME, SMC and ICMC Conferences | 2018 | 10 |
| 12 | 2018 | 1 | |
| 13 | 2018 | 18 | |
| 14 | Sonification of Women in Sound and Music Computing - The Sound of Female Authorship in ICMC, SMC and NIME Proceedings. | 2017 | 0 |
| 15 | 2017 | 3 | |
| 16 | 2016 | 11 | |
| 17 | 2016 | 6 | |
| 18 | 2016 | 6 | |
| 19 | Perceptual Characterization of a Tactile Display for a Live-Electronics Notification System | 2014 | 0 |
| 20 | 2014 | 5 |
About Emma Frid
Emma Frid is a scholar working on Human-Computer Interaction, Cognitive Neuroscience and Computer Vision and Pattern Recognition, having authored 30 papers that have together received 273 indexed citations. Recurring topics across this work include Tactile and Sensory Interactions (20 papers), Music Technology and Sound Studies (15 papers), Interactive and Immersive Displays (7 papers), Multisensory perception and integration (6 papers), Music and Audio Processing (5 papers), Neuroscience and Music Perception (5 papers), Innovative Human-Technology Interaction (4 papers) and Action Observation and Synchronization (3 papers). The work is most often cited by research in Human-Computer Interaction (107 citations), Cognitive Neuroscience (165 citations) and Music (26 citations). Emma Frid has collaborated with scholars based in Sweden, France and Australia. Frequent co-authors include Roberto Bresin, Claudia Núñez-Pacheco, Zeyu Jin, Simon Alexanderson, Kjetil Falkenberg Hansen, Jonas Moll, Marcelo M. Wanderley, M. Giordano, Fabio Morreale and Anders Lundström.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.