Emma Frid

455 total citations
30 papers, 273 citations indexed

About

Emma Frid is a scholar working on Cognitive Neuroscience, Computer Vision and Pattern Recognition and Human-Computer Interaction. According to data from OpenAlex, Emma Frid has authored 30 papers receiving a total of 273 indexed citations (citations by other indexed papers that have themselves been cited), including 22 papers in Cognitive Neuroscience, 16 papers in Computer Vision and Pattern Recognition and 13 papers in Human-Computer Interaction. Recurrent topics in Emma Frid's work include Tactile and Sensory Interactions (20 papers), Music Technology and Sound Studies (15 papers) and Interactive and Immersive Displays (7 papers). Emma Frid is often cited by papers focused on Tactile and Sensory Interactions (20 papers), Music Technology and Sound Studies (15 papers) and Interactive and Immersive Displays (7 papers). Emma Frid collaborates with scholars based in Sweden, France and Australia. Emma Frid's co-authors include Roberto Bresin, Claudia Núñez-Pacheco, Zeyu Jin, Simon Alexanderson, Kjetil Falkenberg Hansen, Jonas Moll, Marcelo M. Wanderley, M. Giordano, Fabio Morreale and Anders Lundström and has published in prestigious journals such as Frontiers in Neuroscience, International Journal of Human-Computer Studies and International Journal of Social Robotics.

In The Last Decade

Emma Frid

28 papers receiving 253 citations

Peers

Emma Frid
Fiore Martin United Kingdom
Sandra Pauletto United Kingdom
Paul Stapleton United Kingdom
Franziska Schroeder United Kingdom
Mick Grierson United Kingdom
Sreekar Krishna United States
Graham McAllister United Kingdom
Fiore Martin United Kingdom
Emma Frid
Citations per year, relative to Emma Frid Emma Frid (= 1×) peers Fiore Martin

Countries citing papers authored by Emma Frid

Since Specialization
Citations

This map shows the geographic impact of Emma Frid's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Emma Frid with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Emma Frid more than expected).

Fields of papers citing papers by Emma Frid

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Emma Frid. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Emma Frid. The network helps show where Emma Frid may publish in the future.

Co-authorship network of co-authors of Emma Frid

This figure shows the co-authorship network connecting the top 25 collaborators of Emma Frid. A scholar is included among the top collaborators of Emma Frid based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Emma Frid. Emma Frid is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

20 of 20 papers shown
1.
Núñez-Pacheco, Claudia & Emma Frid. (2023). Sharing Earthquake Narratives: Making Space for Others in our Autobiographical Design Process. SPIRE - Sciences Po Institutional REpository. 1–18. 14 indexed citations
2.
Hansen, Kjetil Falkenberg, et al.. (2023). Collaborative music-making: special educational needs school assistants as facilitators in performances with accessible digital musical instruments. Frontiers in Computer Science. 5. 4 indexed citations
4.
Frid, Emma, et al.. (2021). Reimagining (Accessible) Digital Musical Instruments: A Survey on Electronic Music-Making Tools. HAL (Le Centre pour la Communication Scientifique Directe). 1 indexed citations
5.
Frid, Emma, et al.. (2020). Haptic music - Exploring whole-body vibrations and tactile sound for a multisensory music installation. HAL (Le Centre pour la Communication Scientifique Directe). 1 indexed citations
6.
Frid, Emma, et al.. (2020). Music Creation by Example. 1–13. 20 indexed citations
7.
Hansen, Kjetil Falkenberg, et al.. (2020). UNPROVED METHODS FROM THE FRONTIER IN THE COURSE CURRICULUM: A BIDIRECTIONAL AND MUTUALLY BENEFICIAL RESEARCH CHALLENGE. INTED proceedings. 1. 7033–7038. 1 indexed citations
8.
Hansen, Kjetil Falkenberg, et al.. (2020). Creating Digital Musical Instruments With and for Children: Including Vocal Sketching as a Method for Engaging in Codesign. Human Technology. 16(3). 348–371. 5 indexed citations
9.
Frid, Emma. (2019). Diverse Sounds : Enabling Inclusive Sonic Interaction. KTH Publication Database DiVA (KTH Royal Institute of Technology). 4 indexed citations
10.
Frid, Emma. (2019). Accessible Digital Musical Instruments—A Review of Musical Interfaces in Inclusive Music Practice. Multimodal Technologies and Interaction. 3(3). 57–57. 79 indexed citations
11.
Frid, Emma. (2018). Accessible Digital Musical Instruments - A Survey of Inclusive Instruments Presented at the NIME, SMC and ICMC Conferences. The Journal of the Abraham Lincoln Association. 53–59. 10 indexed citations
12.
Frid, Emma, et al.. (2018). Correction to: Haptic feedback combined with movement sonification using a friction sound improves task performance in a virtual throwing task. Journal on Multimodal User Interfaces. 13(4). 291–291. 1 indexed citations
13.
Frid, Emma, Roberto Bresin, & Simon Alexanderson. (2018). Perception Of Mechanical Sounds Inherent To Expressive Gestures Of A Nao Robot - Implications For Movement Sonification Of Humanoids. Zenodo (CERN European Organization for Nuclear Research). 18 indexed citations
14.
Frid, Emma. (2017). Sonification of Women in Sound and Music Computing - The Sound of Female Authorship in ICMC, SMC and NIME Proceedings.. The Journal of the Abraham Lincoln Association. 233–238.
15.
Frid, Emma, et al.. (2017). An Exploratory Study On The Effect Of Auditory Feedback On Gaze Behavior In A Virtual Throwing Task With And Without Haptic Feedback. Zenodo (CERN European Organization for Nuclear Research). 242–249. 3 indexed citations
16.
17.
Bresin, Roberto, et al.. (2016). Sound Forest/Ljudskogen: A Large-Scale String-Based Interactive Musical Instrument. KTH Publication Database DiVA (KTH Royal Institute of Technology). 79–84. 6 indexed citations
18.
Lundström, Anders, et al.. (2016). Interaction With A Large Sized Augmented String Instrument Intended For A Public Setting. KTH Publication Database DiVA (KTH Royal Institute of Technology). 388–395. 6 indexed citations
19.
Frid, Emma, et al.. (2014). Perceptual Characterization of a Tactile Display for a Live-Electronics Notification System. KTH Publication Database DiVA (KTH Royal Institute of Technology).
20.
Frid, Emma, et al.. (2014). Physical And Perceptual Characterization Of A Tactile Display For A Live-Electronics Notification System. Zenodo (CERN European Organization for Nuclear Research). 5 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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