Michael Renov
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- Cinema History and Criticism 2
- Literature and Literary Theory top 10%
- American Jewish Fiction Analysis 1
- Economics and Econometrics top 10%
- Cinema and Media Studies 6
- Music top 10%
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- Photographic and Visual Arts 1
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- Archaeological Research and Protection 1
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- German History and Society 1
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- Jewish and Middle Eastern Studies 1
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- Asian Culture and Media Studies 1
- Co-authors
- Jane M. GainesJames Donald
- Journals
- Quarterly Review of Film and Video (2 papers)Film Quarterly (2 papers)SHILAP Revista de lepidopterología (1 paper)
- Partner nations
- United States
In The Last Decade
Michael Renov
10 papers receiving 142 citations
Peers
Comparison fields: 5 of 53
- Visual Arts and Performing Arts 48
- Communication 27
- Literature and Literary Theory 42
- Economics and Econometrics 91
- Music 10
Countries citing papers authored by Michael Renov
This map shows the geographic impact of Michael Renov's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Michael Renov with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Michael Renov more than expected).
Fields of papers citing papers by Michael Renov
This network shows the impact of papers produced by Michael Renov. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Michael Renov. The network helps show where Michael Renov may publish in the future.
Co-authorship network
The 2 scholars most cited alongside Michael Renov, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
| # | Work | ||
|---|---|---|---|
| 1 | 2016 | 4 | |
| 2 | El primer plano facial en el testimonio audiovisual. El poder de la memoria incardinada | 2015 | 0 |
| 3 | Toward a New Historiography : The Aesthetics of Temporality | 2011 | 1 |
| 4 | 2011 | 1 | |
| 5 | 2008 | 6 | |
| 6 | Collecting Visible Evidence | 1999 | 162 |
| 7 | Resolutions: Contemporary Video Practices | 1995 | 45 |
| 8 | 1989 | 2 | |
| 9 | 1989 | 5 | |
| 10 | 1989 | 5 | |
| 11 | Hollywood's Wartime Woman: Representation and Ideology | 1988 | 5 |
| 12 | 1987 | 0 | |
| 13 | 1987 | 1 |
About Michael Renov
Michael Renov is a scholar working on Space and Planetary Science, Visual Arts and Performing Arts, Museology, Economics and Econometrics and Communication, having authored 13 papers that have together received 237 indexed citations. Recurring topics across this work include Cinema and Media Studies (6 papers), Cinema History and Criticism (2 papers), American Jewish Fiction Analysis (1 paper), Photographic and Visual Arts (1 paper), Archaeological Research and Protection (1 paper), German History and Society (1 paper), Jewish and Middle Eastern Studies (1 paper) and Asian Culture and Media Studies (1 paper). The work is most often cited by research in Visual Arts and Performing Arts (48 citations), Communication (27 citations), Literature and Literary Theory (42 citations), Economics and Econometrics (91 citations) and Music (10 citations). Michael Renov has collaborated with scholars based in United States. Frequent co-authors include Jane M. Gaines and James Donald. Their work appears in journals such as Quarterly Review of Film and Video, Film Quarterly, SHILAP Revista de lepidopterología, E-Artexte (Artexte) and Afterimage.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.