Keneth Kinnamon
Impact in
- Music top 5%
- Music History and Culture
-
- American and British Literature Analysis
- Postcolonial and Cultural Literary Studies
- Poetry Analysis and Criticism
Papers in
- History 8
- Cultural History and Identity Formation 6
- American Literature and Culture 1
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- Art, Politics, and Modernism 7
Keneth Kinnamon
14 papers receiving 138 citations
Peers
Comparison fields: 5 of 52
- Music 40
- Literature and Literary Theory 139
- Visual Arts and Performing Arts 51
- History 77
- Cultural Studies 57
Countries citing papers authored by Keneth Kinnamon
This map shows the geographic impact of Keneth Kinnamon's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Keneth Kinnamon with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Keneth Kinnamon more than expected).
Fields of papers citing papers by Keneth Kinnamon
This network shows the impact of papers produced by Keneth Kinnamon. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Keneth Kinnamon. The network helps show where Keneth Kinnamon may publish in the future.
Co-authors
The 7 scholars most cited alongside Keneth Kinnamon, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
Showing the 20 most-cited of 23 papers — load more, or switch the sort, to bring in the rest.
| # | Work | ||
|---|---|---|---|
| 1 | 1988 | 174 | |
| 2 | 1991 | 62 | |
| 3 | 1990 | 27 | |
| 4 | 1995 | 21 | |
| 5 | 1971 | 17 | |
| 6 | Black Writers of America: A Comprehensive Anthology | 1972 | 15 |
| 7 | James Baldwin: A Collection of Critical Essays | 1974 | 13 |
| 8 | 1967 | 12 | |
| 9 | 1973 | 6 | |
| 10 | Critical essays on Richard Wright's Native son | 1997 | 5 |
| 11 | 1997 | 4 | |
| 12 | 1991 | 4 | |
| 13 | 1977 | 4 | |
| 14 | 1972 | 3 | |
| 15 | Richard Wright: An Annotated Bibliography of Criticism and Commentary, 1983-2003 | 2006 | 2 |
| 16 | 1993 | 2 | |
| 17 | The Pastoral Impulse in Richard Wright | 1969 | 1 |
| 18 | 1986 | 1 | |
| 19 | 1969 | 1 | |
| 20 | The Politics of "The Snows of Kilimanjaro" | 1999 | 0 |
About Keneth Kinnamon
Keneth Kinnamon is a scholar working on History, Visual Arts and Performing Arts, Sociology and Political Science, Literature and Literary Theory and Museology, having authored 23 papers that have together received 374 indexed citations. Recurring topics across this work include American and British Literature Analysis (7 papers), Art, Politics, and Modernism (7 papers), Cultural History and Identity Formation (6 papers), Race, History, and American Society (4 papers), Fashion and Cultural Textiles (3 papers), Historical Gender and Feminism Studies (2 papers), Latin American and Latino Studies (1 paper) and American Literature and Culture (1 paper). The work is most often cited by research in Music (40 citations), Literature and Literary Theory (139 citations), Visual Arts and Performing Arts (51 citations), History (77 citations) and Cultural Studies (57 citations). Frequent co-authors include Henry Louis Gates, Richard Wright, Albert Murray, Langston Hughes, Michel Fabre, Ishmael Reed and Daniel Aaron. Their work appears in journals such as American Literature, American Quarterly, Callaloo, African American Review and Resources for American Literary Study.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.