James Haar
- Music top 2%
- Musicology and Musical Analysis 21
- Diverse Musicological Studies 11
- Music History and Culture 4
- Classics top 5%
- Renaissance Literature and Culture 3
- History top 5%
- Renaissance and Early Modern Studies 3
- Reformation and Early Modern Christianity 2
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- Historical Influence and Diplomacy 4
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- Music Technology and Sound Studies 3
- Co-authors
- Iain Fenlon
- Journals
- Journal of the American Musicological Society (12 papers)Early Music History (4 papers)Renaissance Quarterly (2 papers)
- Partner nations
- United States
In The Last Decade
James Haar
20 papers receiving 43 citations
Peers
Comparison fields: 5 of 32
- Music 61
- Classics 39
- History 41
- General Arts and Humanities 2
- Literature and Literary Theory 10
Countries citing papers authored by James Haar
This map shows the geographic impact of James Haar's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by James Haar with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites James Haar more than expected).
Fields of papers citing papers by James Haar
This network shows the impact of papers produced by James Haar. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by James Haar. The network helps show where James Haar may publish in the future.
Co-authorship network
The 1 scholars most cited alongside James Haar, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
| # | Work | ||
|---|---|---|---|
| 1 | A Gift of Madrigals to Cosimo I: The Ms. Florence, Bibl. Naz. Centrale, Magl. XIX, 130 | 2014 | 0 |
| 2 | I cantori di San Giovanni a Firenze negli anni 1448-1469 | 2014 | 1 |
| 3 | Johannes de Anglia (John Hothby) : Notes on His Career in Italy | 2007 | 3 |
| 4 | 2001 | 1 | |
| 5 | 1999 | 0 | |
| 6 | 1997 | 1 | |
| 7 | 1994 | 10 | |
| 8 | 1992 | 1 | |
| 9 | 1991 | 1 | |
| 10 | 1986 | 19 | |
| 11 | 1985 | 1 | |
| 12 | 1983 | 10 | |
| 13 | 1979 | 1 | |
| 14 | 1971 | 0 | |
| 15 | 1970 | 0 | |
| 16 | 1966 | 9 | |
| 17 | 1965 | 3 | |
| 18 | 1965 | 2 | |
| 19 | 1962 | 3 | |
| 20 | 1962 | 1 |
About James Haar
James Haar is a scholar working on Music, Classics, History, History and Philosophy of Science and Anthropology, having authored 40 papers that have together received 108 indexed citations. Recurring topics across this work include Musicology and Musical Analysis (21 papers), Diverse Musicological Studies (11 papers), Music History and Culture (4 papers), Historical Influence and Diplomacy (4 papers), Renaissance Literature and Culture (3 papers), Renaissance and Early Modern Studies (3 papers), Music Technology and Sound Studies (3 papers) and Reformation and Early Modern Christianity (2 papers). The work is most often cited by research in Music (61 citations), Classics (39 citations), History (41 citations), General Arts and Humanities (2 citations) and Literature and Literary Theory (10 citations). James Haar has collaborated with scholars based in United States. Frequent co-authors include Iain Fenlon. Their work appears in journals such as Journal of the American Musicological Society, Early Music History, Renaissance Quarterly, Notes and Journal of Music Theory.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.