Rob C. Wegman

1.1k total citations
29 papers, 170 citations indexed

About

Rob C. Wegman is a scholar working on Political Science and International Relations, Music and History. According to data from OpenAlex, Rob C. Wegman has authored 29 papers receiving a total of 170 indexed citations (citations by other indexed papers that have themselves been cited), including 14 papers in Political Science and International Relations, 12 papers in Music and 11 papers in History. Recurrent topics in Rob C. Wegman's work include Historical Influence and Diplomacy (13 papers), Reformation and Early Modern Christianity (11 papers) and Musicology and Musical Analysis (11 papers). Rob C. Wegman is often cited by papers focused on Historical Influence and Diplomacy (13 papers), Reformation and Early Modern Christianity (11 papers) and Musicology and Musical Analysis (11 papers). Rob C. Wegman collaborates with scholars based in Netherlands, United States and United Kingdom. Rob C. Wegman's co-authors include Peter C.B. Phillips, Andrew Pettegree, Alexander Lee and Robert E. Black and has published in prestigious journals such as Journal of the American Musicological Society, The Musical Times and Music and Letters.

In The Last Decade

Rob C. Wegman

26 papers receiving 115 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name	h						Papers	Cites
Rob C. Wegman Netherlands	7	114	80	72	57	12	29	170
Lewis Lockwood United States	9	105 0.9×	61 0.8×	64 0.9×	42 0.7×	22 1.8×	39	198
Iain Fenlon United Kingdom	7	79 0.7×	59 0.7×	63 0.9×	34 0.6×	12 1.0×	46	179
Reinhard Strohm United Kingdom	6	65 0.6×	41 0.5×	54 0.8×	38 0.7×	5 0.4×	22	134
Allan W. Atlas United States	7	80 0.7×	32 0.4×	28 0.4×	19 0.3×	7 0.6×	39	131
David Fallows United States	6	65 0.6×	58 0.7×	43 0.6×	29 0.5×	5 0.4×	60	117
Ellen Rosand United States	7	107 0.9×	19 0.2×	32 0.4×	15 0.3×	18 1.5×	29	162
James Haar United States	6	61 0.5×	39 0.5×	41 0.6×	20 0.4×	8 0.7×	40	108
Elizabeth Eva Leach United Kingdom	6	49 0.4×	48 0.6×	27 0.4×	8 0.1×	7 0.6×	27	108
Nino Pirrotta United States	6	85 0.7×	33 0.4×	46 0.6×	18 0.3×	9 0.8×	20	141
Calvin M. Bower United States	6	29 0.3×	35 0.4×	31 0.4×	9 0.2×	9 0.8×	16	92

Countries citing papers authored by Rob C. Wegman

Since Specialization

Citations

This map shows the geographic impact of Rob C. Wegman's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Rob C. Wegman with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Rob C. Wegman more than expected).

Fields of papers citing papers by Rob C. Wegman

Since Specialization

Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Rob C. Wegman. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Rob C. Wegman. The network helps show where Rob C. Wegman may publish in the future.

Co-authorship network of co-authors of Rob C. Wegman

This figure shows the co-authorship network connecting the top 25 collaborators of Rob C. Wegman. A scholar is included among the top collaborators of Rob C. Wegman based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Rob C. Wegman. Rob C. Wegman is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

Sort: Min cites: Since: Top N: Style:

20 of 20 papers shown

1.

Wegman, Rob C.. (2011). Isaac's Signature. Journal of Musicology. 28(1). 9–33. 4 indexed citations

2.

Lee, Alexander, et al.. (2010). Renaissance? Perceptions of Continuity and Discontinuity in Europe, c.1300- c.1550. ASEP. 3 indexed citations

3.

Wegman, Rob C.. (2005). Musical offerings in the Renaissance. Early Music. 33(3). 425–438. 8 indexed citations

4.

Wegman, Rob C.. (2003). New Music for a World Grown Old: Martin Le Franc and the Contenance Angloise. Acta Musicologica. 75(2). 201–242. 4 indexed citations

5.

Wegman, Rob C.. (2000). Different Strokes for Different Folks? On Tempo and Diminution in Fifteenth-Century Music. Journal of the American Musicological Society. 53(3). 461–505. 4 indexed citations

6.

Wegman, Rob C.. (1999). "And Josquin Laughed..." Josquin and the Composer's Anecdote in the Sixteenth Century. Journal of Musicology. 17(3). 319–357. 6 indexed citations

7.

Wegman, Rob C.. (1998). Introduction. Music as heard: listeners and listening in late-medieval and early modern Europe (1300-1600). The Musical Quarterly. 82(3 and 4). 432–433. 3 indexed citations

8.

Wegman, Rob C.. (1997). Agricola, Bordon and Obrecht at Ghent: Discoveries and Revisions. Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap. 51. 23–23. 4 indexed citations

9.

Wegman, Rob C.. (1996). From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500. Journal of the American Musicological Society. 49(3). 409–479. 5 indexed citations

10.

Wegman, Rob C.. (1996). From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500. Journal of the American Musicological Society. 49(3). 409–479. 31 indexed citations

11.

Wegman, Rob C.. (1995). Miserere supplicanti Dufay: The Creation and Transmission of Guillaume Dufay's Missa Ave regina celorum. Journal of Musicology. 13(1). 18–54. 6 indexed citations

12.

Wegman, Rob C.. (1995). Sense and sensibility in late-medieval music: thoughts on aesthetics and ‘authenticity’. Early Music. XXIII(2). 298–314. 10 indexed citations

13.

Wegman, Rob C.. (1992). New Light on Secular Polyphony at the Court of Holland in the Early Fifteenth Century: The Amsterdam Fragments. Journal of the Royal Musical Association. 117(2). 181–207. 1 indexed citations

14.

Wegman, Rob C.. (1991). Guillaume Faugues and the Anonymous Masses "Au chant de l'alouete" and "Vinnus vina". 41(1). 27–27. 2 indexed citations

15.

Wegman, Rob C.. (1990). ANOTHER MASS BY BUSNOYS?. Music and Letters. 71(1). 1–19. 5 indexed citations

16.

Wegman, Rob C.. (1990). Rob C. Wegman replies. Music and Letters. 71(4). 633–635. 1 indexed citations

17.

Wegman, Rob C.. (1990). Music and musicians at the Guild of Our Lady in Bergen op Zoom, c. 1470–1510. Early Music History. 9. 175–249. 6 indexed citations

18.

Wegman, Rob C.. (1989). Concerning Tempo in the English Polyphonic Mass, c. 1420-70. Acta Musicologica. 61(1). 40–40. 6 indexed citations

19.

Wegman, Rob C.. (1989). Another ‘Imitation’ of Busnoys'sMissa L'Homme armé—and Some Observations onImitatioin Renaissance Music. Journal of the Royal Musical Association. 114(2). 189–202. 8 indexed citations

20.

Wegman, Rob C.. (1987). An Anonymous Twin of Johannes Ockeghem's "Missa Quinti Toni" in San Pietro B 80. 37. 25–25. 1 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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