James Chapman

421 total citations
25 papers, 140 citations indexed

About

James Chapman is a scholar working on Economics and Econometrics, Sociology and Political Science and Political Science and International Relations. According to data from OpenAlex, James Chapman has authored 25 papers receiving a total of 140 indexed citations (citations by other indexed papers that have themselves been cited), including 11 papers in Economics and Econometrics, 9 papers in Sociology and Political Science and 7 papers in Political Science and International Relations. Recurrent topics in James Chapman's work include Cinema and Media Studies (11 papers), Italian Fascism and Post-war Society (4 papers) and European history and politics (3 papers). James Chapman is often cited by papers focused on Cinema and Media Studies (11 papers), Italian Fascism and Post-war Society (4 papers) and European history and politics (3 papers). James Chapman collaborates with scholars based in United Kingdom, Ireland and Hong Kong. James Chapman's co-authors include Nicholas J. Cull, Heather Ryan and Arthur Marwick and has published in prestigious journals such as European Journal of Cultural Studies, The Journal of Military History and The Australian Journal of Language and Literacy.

In The Last Decade

James Chapman

19 papers receiving 90 citations

Peers

James Chapman

SPS

PSIR

EE

LLT

HISTO

Keith Reader United Kingdom

Sabine Hake United States

Terry A. Cooney United States

Paula Rabinowitz India

Jean-Louis Comolli United Kingdom

Duncan Petrie United Kingdom

John M. Hill United Kingdom

Thomas Doherty United States

Anton Kaes United States

Patricia Brett Erens United States

Keith Reader United Kingdom

James Chapman

43 ×0.7

SPS

29 ×0.5

PSIR

36 ×0.8

EE

27 ×0.8

LLT

57 ×2.5

HISTO

Citations per year, relative to James Chapman James Chapman (= 1×) peers Keith Reader

Countries citing papers authored by James Chapman

Since Specialization

Citations

This map shows the geographic impact of James Chapman's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by James Chapman with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites James Chapman more than expected).

Fields of papers citing papers by James Chapman

Since Specialization

Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by James Chapman. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by James Chapman. The network helps show where James Chapman may publish in the future.

Co-authorship network of co-authors of James Chapman

This figure shows the co-authorship network connecting the top 25 collaborators of James Chapman. A scholar is included among the top collaborators of James Chapman based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with James Chapman. James Chapman is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

Sort: Min cites: Since: Top N: Style:

20 of 20 papers shown

1.

Chapman, James. (2020). Contemporary British Television Drama. Bloomsbury Publishing Plc eBooks. 3 indexed citations

2.

Chapman, James. (2018). Hitchcock and the Spy Film. I.B. Tauris & Co Ltd eBooks. 2 indexed citations

3.

Chapman, James. (2017). ‘A thoroughly English movie franchise’: <i>Spectre</i>, the James Bond films, and Genre. Leicester Research Archive (University of Leicester). 1(1). 3–3. 1 indexed citations

4.

Chapman, James. (2015). Cinema, monarchy and the making of heritage: A Queen Is Crowned (1953). 96–105. 2 indexed citations

5.

Chapman, James. (2015). A New History of British Documentary. Palgrave Macmillan UK eBooks. 5 indexed citations

6.

Chapman, James. (2014). The Trouble with Harry: The Difficult Relationship of Harry Saltzman and Film Finances. Historical Journal Of Film Radio and Television. 34(1). 43–71. 3 indexed citations

7.

Chapman, James & Nicholas J. Cull. (2013). Projecting Tomorrow Science Fiction and Popular Cinema. I.B.Tauris eBooks. 8 indexed citations

8.

Chapman, James. (2013). Lee Grieveson and Colin MacCabe (eds), Empire and Film (London: Palgrave Macmillan/British Film Institute, 2011), pp. xii + 292, ISBN 978 1 84457 421 6 (pb), £18.99. Lee Grieveson and Colin MacCabe (eds), Film and the End of Empire (London: Palgrave Macmillan/British Film Institute, 2011), pp. xvi + 302, ISBN 978 1 84457 423 0 (pb), £18.99.. Journal of British Cinema and Television. 10(3). 537–540.

9.

Chapman, James. (2011). Television and History:The World at War. Historical Journal Of Film Radio and Television. 31(2). 247–275. 2 indexed citations

10.

Chapman, James, et al.. (2009). The new film history : sources, methods, approaches. Palgrave Macmillan eBooks. 5 indexed citations

11.

Chapman, James & Nicholas J. Cull. (2009). Projecting Empire: Imperialism and Popular Cinema. Leicester Research Archive (University of Leicester). 6 indexed citations

12.

Chapman, James. (2009). Not another bloody cop show: Life on Mars and British television drama. Film International. 7(2). 6–19. 2 indexed citations

13.

Chapman, James & Nicholas J. Cull. (2009). Projecting Empire. I.B. Tauris & Co Ltd eBooks. 6 indexed citations

14.

Chapman, James. (2008). ‘Sordidness, Corruption and Violence almost Unrelieved’: Critics, Censors and the Post-war British Crime Film. Contemporary British History. 22(2). 181–201.

15.

Chapman, James. (2005). The BBC and the Censorship of The War Game (1965). Journal of Contemporary History. 41(1). 75–94. 9 indexed citations

16.

Chapman, James, et al.. (2005). 'Without a Song You Are Nothing': Songwriters' Perspectives on Indigenising Tertiary Music and Sound Curriculum. QUT ePrints (Queensland University of Technology). 189. 2 indexed citations

17.

Chapman, James. (2004). Sue Harper and Vincent Porter, British Cinema of the 1950s: The Decline of Deference; Ian MacKillop and Neil Sinyard (eds), British Cinema of the 1950s: A Celebration. Journal of British Cinema and Television. 1(2). 309–312. 1 indexed citations

18.

Chapman, James, et al.. (2000). Windows on the sixties : exploring key texts of media and culture. I.B.Tauris eBooks. 4 indexed citations

19.

Chapman, James, et al.. (2000). What matters to teachers? Let's listen. The Australian Journal of Language and Literacy. 23(2). 128. 5 indexed citations

20.

Chapman, James. (1999). Licence to Thrill: A Cultural History of the James Bond Films. Leicester Research Archive (University of Leicester). 36 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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