This map shows the geographic impact of Iain McGregor's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Iain McGregor with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Iain McGregor more than expected).
This network shows the impact of papers produced by Iain McGregor. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Iain McGregor. The network helps show where Iain McGregor may publish in the future.
Co-authorship network of co-authors of Iain McGregor
This figure shows the co-authorship network connecting the top 25 collaborators of Iain McGregor.
A scholar is included among the top collaborators of Iain McGregor based on the total number of
citations received by their joint publications. Widths of edges
represent the number of papers authors have co-authored together.
Node borders
signify the number of papers an author published with Iain McGregor. Iain McGregor is excluded from
the visualization to improve readability, since they are connected to all nodes in the network.
McGowan, John J., et al.. (2017). CymaSense. Research Output (Edinburgh Napier University). 270–274.7 indexed citations
8.
McGowan, John J., et al.. (2017). CymaSense. Research Output (Edinburgh Napier University). 62–71.11 indexed citations
9.
McGregor, Iain, et al.. (2014). Design and development of Auralization room at Edinburgh Napier University. Research Output (Edinburgh Napier University).1 indexed citations
10.
McGregor, Iain, Phil Turner, & David Benyon. (2014). Using participatory visualisation of soundscapes to compare designers’ and listeners’ experiences of sound designs.. Edinburgh Napier Research Repository (Edinburgh Napier University).3 indexed citations
11.
Droumeva, Milena & Iain McGregor. (2012). Everyday listening to auditory displays: lessons from acoustic ecology.. Research Output (Edinburgh Napier University).
12.
McGregor, Iain, et al.. (2008). VISUALISING THE SOUNDFIELD AND SOUNDSCAPE: EXTENDING MACAULAY AND CRERAR'S 1998 METHOD. Edinburgh Napier Research Repository (Edinburgh Napier University).1 indexed citations
13.
Kettley, Sarah, et al.. (2007). ENSEMBLE: EMBODIED EXPERIENCES IN A SOUND AND JEWELLERY INSTALLATION. Nottingham Trent University's Institutional Repository (Nottingham Trent Repository).
14.
Turner, Phil, Susan Turner, & Iain McGregor. (2007). Listening, corporeality and presence.. Research Output (Edinburgh Napier University).2 indexed citations
15.
McGregor, Iain, et al.. (2006). SOUND AND SOUNDSCAPE CLASSIFICATION: ESTABLISHING KEY AUDITORY DIMENSIONS AND THEIR RELATIVE IMPORTANCE. Edinburgh Napier Research Repository (Edinburgh Napier University).11 indexed citations
16.
Wood, Paul, et al.. (2005). Crash performance of materials. Strathprints: The University of Strathclyde institutional repository (University of Strathclyde).1 indexed citations
17.
McGregor, Iain, et al.. (2004). How to Tackle Auditory Interface Aesthetics? Discussion and Case Study. Research Output (Edinburgh Napier University).23 indexed citations
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive
bibliographic database. While OpenAlex provides broad and valuable coverage of the global
research landscape, it—like all bibliographic datasets—has inherent limitations. These include
incomplete records, variations in author disambiguation, differences in journal indexing, and
delays in data updates. As a result, some metrics and network relationships displayed in
Rankless may not fully capture the entirety of a scholar's output or impact.