George Tzanetakis
About
In The Last Decade
George Tzanetakis
143 papers receiving 3.8k citations
Hit Papers
Peers
Comparison fields: 5 of 121
- Signal Processing 3.7k
- Computer Vision and Pattern Recognition 3.1k
- Cognitive Neuroscience 860
- Artificial Intelligence 576
- Music 244
Countries citing papers authored by George Tzanetakis
This map shows the geographic impact of George Tzanetakis's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by George Tzanetakis with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites George Tzanetakis more than expected).
Fields of papers citing papers by George Tzanetakis
This network shows the impact of papers produced by George Tzanetakis. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by George Tzanetakis. The network helps show where George Tzanetakis may publish in the future.
Co-authorship network of co-authors of George Tzanetakis
This figure shows the co-authorship network connecting the top 25 collaborators of George Tzanetakis. A scholar is included among the top collaborators of George Tzanetakis based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with George Tzanetakis. George Tzanetakis is excluded from the visualization to improve readability, since they are connected to all nodes in the network.
All Works
| # | Work | Indexed citations |
|---|---|---|
| 1 | SpiegeLib: An automatic synthesizer programming library | 1 |
| 2 | 2 | |
| 3 | 2 | |
| 4 | Espresso: Efficient Forward Propagation for Binary Deep Neural Networks | 7 |
| 5 | Voice coil actuators for percussion robotics. | 1 |
| 6 | Detecting Pianist Hand Posture Mistakes for Virtual Piano Tutoring. | 6 |
| 7 | Adaptive Music Technology: History and Future Perspectives | 11 |
| 8 | BROWSING MUSIC AND SOUND USING GESTURES IN A SELF-ORGANIZED 3D SPACE | 1 |
| 9 | Proceedings of the second international ACM workshop on Music information retrieval with user-centered and multimodal strategies | 5 |
| 10 | Stereo Panning Information for Music Information Retrieval Tasks | 8 |
| 11 | Audioscapes: Exploring Surface Interfaces for Music Exploration | 1 |
| 12 | SOMba : Multiuser Music Creation Using Self-Organizing Maps and Motion Tracking | 1 |
| 13 | Signal Processing Methods for Music Transcription (review) | 1 |
| 14 | Semi-Automatic Mono to Stereo Up-Mixing Using Sound Source Formation | 3 |
| 15 | Flexible Scheduling for DataFlow Audio Processing | 2 |
| 16 | Towards the One-Man Indian Computer Music Performance System | 2 |
| 17 | IMPLICIT PATCHING FOR DATAFLOW-BASED AUDIO ANALYSIS AND SYNTHESIS | 8 |
| 18 | Beyond the Query-By-Example Paradigm: New Query Interfaces for Music Information Retrieval | 16 |
| 19 | Panel: New directions in Music Information Retrieval | 14 |
| 20 | Multimedia structuring using trees | 1 |
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.