Franziska Schroeder

419 total citations
36 papers, 231 citations indexed

About

Franziska Schroeder is a scholar working on Computer Vision and Pattern Recognition, Music and Cognitive Neuroscience. According to data from OpenAlex, Franziska Schroeder has authored 36 papers receiving a total of 231 indexed citations (citations by other indexed papers that have themselves been cited), including 13 papers in Computer Vision and Pattern Recognition, 13 papers in Music and 10 papers in Cognitive Neuroscience. Recurrent topics in Franziska Schroeder's work include Music Technology and Sound Studies (13 papers), Diverse Music Education Insights (9 papers) and Music History and Culture (5 papers). Franziska Schroeder is often cited by papers focused on Music Technology and Sound Studies (13 papers), Diverse Music Education Insights (9 papers) and Music History and Culture (5 papers). Franziska Schroeder collaborates with scholars based in United Kingdom, Germany and Russia. Franziska Schroeder's co-authors include Matthew Rodger, Miguel Ortiz, William Zhang, Joshua D. Bocarsly, Lorna Montgomery, Sumohan Misra, F. Seeler, Jerry Hu, Gavin Davidson and Kartik Pilar and has published in prestigious journals such as SHILAP Revista de lepidopterología, ACS Applied Materials & Interfaces and Cognition and Instruction.

In The Last Decade

Franziska Schroeder

33 papers receiving 204 citations

Peers

Franziska Schroeder

CVPR

MUSIC

DEP

Gena R. Greher United States

Emma Frid Sweden

Helena Daffern United Kingdom

Gilles Comeau Canada

Fares Kayali Austria

George Waddell United Kingdom

Anna Rita Addessi Italy

Jennifer MacRitchie Australia

Jude Brereton United Kingdom

Tânia Lisboa United Kingdom

Gena R. Greher United States

Franziska Schroeder

77 ×0.9

43 ×0.6

CVPR

84 ×1.4

MUSIC

20 ×0.4

61 ×2.2

DEP

Citations per year, relative to Franziska Schroeder Franziska Schroeder (= 1×) peers Gena R. Greher

Countries citing papers authored by Franziska Schroeder

Since Specialization

Citations

This map shows the geographic impact of Franziska Schroeder's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Franziska Schroeder with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Franziska Schroeder more than expected).

Fields of papers citing papers by Franziska Schroeder

Since Specialization

Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Franziska Schroeder. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Franziska Schroeder. The network helps show where Franziska Schroeder may publish in the future.

Co-authorship network of co-authors of Franziska Schroeder

This figure shows the co-authorship network connecting the top 25 collaborators of Franziska Schroeder. A scholar is included among the top collaborators of Franziska Schroeder based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Franziska Schroeder. Franziska Schroeder is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

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20 of 20 papers shown

Cunningham, James P., et al.. (2025). The Qualities of Convivial Tools and Their Relevance to Music Software Accessibility. ACM Transactions on Accessible Computing. 18(3). 1–27.

Cunningham, James, et al.. (2023). Exploring the Opportunities of Haptic Technology in the Practice of Visually Impaired and Blind Sound Creatives. SHILAP Revista de lepidopterología. 12(4). 154–154. 4 indexed citations

Best, Paul, Franziska Schroeder, Lorna Montgomery, et al.. (2021). Freely Available Virtual Reality Experiences as Tools to Support Mental Health Therapy: a Systematic Scoping Review and Consensus Based Interdisciplinary Analysis. Journal of Technology in Behavioral Science. 7(1). 100–114. 23 indexed citations

Schroeder, Franziska. (2019). Free Music Improvisation: An Ethnography of Brazilian Improvisers. International journal of education and the arts. 20(15).

Ortiz, Miguel, et al.. (2019). Bespoke Design for Inclusive Music: The Challenges of Evaluation. New Interfaces for Musical Expression. 105–109. 7 indexed citations

Ortiz, Miguel, et al.. (2019). Bespoke Design for Inclusive Music: The Challenges of Evaluation, NIME2019. 1–6. 3 indexed citations

Schroeder, Franziska. (2016). Museum City: Improvisation and the narratives of space. Organised Sound. 21(3). 249–259. 1 indexed citations

Schroeder, Franziska. (2015). Bringing practice closer to research – seeking integrity, sincerity and authenticity. International Journal of Education through Art. 11(3). 343–354. 4 indexed citations

Rodger, Matthew, et al.. (2014). Communicating musical knowledge through gesture: Piano teachers’ gestural behaviours across different levels of student proficiency. Psychology of Music. 43(5). 723–735. 20 indexed citations

10.

Schroeder, Franziska, et al.. (2014). Soundweaving: Writings on Improvisation. 7 indexed citations

11.

Daig, Isolde, Richard Mahlberg, Franziska Schroeder, et al.. (2012). Decreased Verbal Learning but not Recognition Performance in Alcohol-dependent Individuals During Early Abstinence. Irish Journal of Psychological Medicine. 29(2). 96–101. 1 indexed citations

12.

Schroeder, Franziska, et al.. (2009). Sounding the network: The body as disturbant. Research Portal (Queen's University Belfast). 5 indexed citations

13.

Schroeder, Franziska, et al.. (2009). The Pontydian Performance: the performative layer. Organised Sound. 14(2). 134–141. 6 indexed citations

14.

Schroeder, Franziska. (2009). Dramaturgy as a Model for Geographically Displaced Collaborations: Views from Within and Views from Without¹. Contemporary Music Review. 28(4-5). 377–385. 2 indexed citations

15.

Schroeder, Franziska. (2009). Network[ed] Listening: exploring possibilities of a haptic aurality. Research Portal (Queen's University Belfast). 122–132. 1 indexed citations

16.

Schroeder, Franziska, et al.. (2008). Network Dramaturgy: Being on the node. Research Portal (Queen's University Belfast). 2008. 2 indexed citations

17.

Schroeder, Franziska, et al.. (2007). ADDRESSING THE NETWORK: PERFORMATIVE STRATEGIES FOR PLAYING APART. The Journal of the Abraham Lincoln Association. 2007. 12 indexed citations

18.

Schroeder, Franziska, et al.. (2006). Wearable music in engaging technologies. AI & Society. 22(1). 85–91. 6 indexed citations

19.

Schroeder, Franziska. (2006). Bodily instruments and instrumental bodies: Critical views on the relation of body and instrument in technologically informed performance environments. Contemporary Music Review. 25(1-2). 1–5. 2 indexed citations

20.

Schroeder, Franziska. (2006). The voice as transcursive inscriber: The relation of body and instrument understood through the workings of a machine. Contemporary Music Review. 25(1-2). 131–138. 4 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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