David Roesner

465 total citations
20 papers, 61 citations indexed

About

David Roesner is a scholar working on Visual Arts and Performing Arts, Music and Cultural Studies. According to data from OpenAlex, David Roesner has authored 20 papers receiving a total of 61 indexed citations (citations by other indexed papers that have themselves been cited), including 11 papers in Visual Arts and Performing Arts, 7 papers in Music and 7 papers in Cultural Studies. Recurrent topics in David Roesner's work include Theatre and Performance Studies (11 papers), Arts, Culture, and Music Studies (7 papers) and Musicology and Musical Analysis (4 papers). David Roesner is often cited by papers focused on Theatre and Performance Studies (11 papers), Arts, Culture, and Music Studies (7 papers) and Musicology and Musical Analysis (4 papers). David Roesner collaborates with scholars based in Germany, United Kingdom and United States. David Roesner's co-authors include and has published in prestigious journals such as TDR/The Drama Review, Contemporary Theatre Review and Studies in Theatre and Performance.

In The Last Decade

David Roesner

12 papers receiving 44 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name h Career Trend Papers Cites
David Roesner Germany 5 36 23 9 9 8 20 61
Liz Kotz 3 21 0.6× 10 0.4× 6 0.7× 3 0.3× 6 0.8× 6 50
Julian Rushton United Kingdom 6 13 0.4× 52 2.3× 5 0.6× 3 0.3× 4 0.5× 43 81
Lorenzo Bianconi Italy 5 9 0.3× 58 2.5× 5 0.6× 2 0.2× 2 0.3× 21 92
Richard Will United States 5 6 0.2× 44 1.9× 2 0.2× 2 0.2× 5 0.6× 11 55
Kathryn Schwarz 6 4 0.1× 21 0.9× 16 1.8× 5 0.6× 3 0.4× 13 67
Gary Giddins 5 9 0.3× 53 2.3× 6 0.7× 1 0.1× 3 0.4× 15 73
James Deaville Canada 5 5 0.1× 27 1.2× 2 0.2× 2 0.2× 3 0.4× 32 59
Robynn J. Stilwell United Kingdom 5 2 0.1× 43 1.9× 6 0.7× 7 0.8× 3 0.4× 13 56
Mark Finch United Kingdom 4 8 0.2× 4 0.2× 2 0.2× 5 0.6× 7 36
Guido Heldt United States 4 5 0.1× 31 1.3× 3 0.3× 2 0.3× 16 54

Countries citing papers authored by David Roesner

Since Specialization
Citations

This map shows the geographic impact of David Roesner's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by David Roesner with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites David Roesner more than expected).

Fields of papers citing papers by David Roesner

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by David Roesner. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by David Roesner. The network helps show where David Roesner may publish in the future.

No nodes

All Works

20 of 20 papers shown
1.
Roesner, David. (2023). From the Spirit of Music. TDR/The Drama Review. 67(2). 105–123. 1 indexed citations
2.
Roesner, David. (2017). New Music Theatre – work in/and progress. Studies in Musical Theatre. 11(2). 85–88. 2 indexed citations
3.
4.
Roesner, David. (2017). Studies in Musical Theatre. 3 indexed citations
5.
Roesner, David. (2016). Musicality in Theatre.
6.
Roesner, David. (2015). No more ›unheard melodies‹ – Zwölf Thesen zur Schauspielmusik im zeitgenössischen Theater. Open access LMU (Ludwid Maxmilian's Universitat Munchen).
7.
Roesner, David, et al.. (2015). Sounding out ‘the scenographic turn’: eight position statements. Open Research Exeter (University of Exeter). 1(1-2). 107–125. 3 indexed citations
8.
Roesner, David. (2014). Musicality In Theatre. Music As Model, Method And Metaphor In Theatre-Making (2014). Kent Academic Repository (University of Kent). 10 indexed citations
9.
Roesner, David. (2014). Dramaturgy of sound in the avant-garde and postdramatic theatre. Studies in Theatre and Performance. 34(2). 186–187.
10.
Roesner, David, et al.. (2012). Composed Theatre. Aesthetics, Practices & Processes (2012). Zenodo (CERN European Organization for Nuclear Research). 4 indexed citations
11.
Roesner, David, et al.. (2011). Theatre Noise: The Sound of Performance. Medical Entomology and Zoology. 4 indexed citations
12.
Roesner, David, et al.. (2011). Theatre Noise. The Sound Of Performance (2011). Zenodo (CERN European Organization for Nuclear Research). 15 indexed citations
13.
Roesner, David. (2011). The Guitar Hero's Performance. Contemporary Theatre Review. 21(3). 276–285. 6 indexed citations
14.
Roesner, David. (2010). Musicality as a paradigm for the theatre: a kind of manifesto. Studies in Musical Theatre. 4(3). 293–306. 3 indexed citations
15.
Roesner, David. (2010). Musicking as mise-en-scne. Studies in Musical Theatre. 4(1). 89–101.
16.
Roesner, David. (2009). 'An entirely new art form' - Katie Mitchells intermediale Bühnen-Experimente. Open access LMU (Ludwid Maxmilian's Universitat Munchen). 24(2).
17.
Roesner, David. (2008). The politics of the polyphony of performance: Musicalization in contemporary German theatre1. Contemporary Theatre Review. 18(1). 44–55. 4 indexed citations
19.
Roesner, David, et al.. (2005). Szenische Orte - Mediale Räume. Kent Academic Repository (University of Kent). 1 indexed citations
20.
Roesner, David. (2003). Theater als Musik. Verfahren der Musikalisierung in chorischen Theaterformen bei Christoph Marthaler, Einar Schleef und Robert Wilson. Open access LMU (Ludwid Maxmilian's Universitat Munchen). 5 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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