Dan Overholt
- Human-Computer Interaction top 1%
- Interactive and Immersive Displays 11
- Innovative Human-Technology Interaction 3
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- Music Technology and Sound Studies 24
- Cognitive Neuroscience top 5%
- Tactile and Sensory Interactions 10
- Neuroscience and Music Perception 2
- Signal Processing top 5%
- Music and Audio Processing 9
- Architecture top 10%
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- Design Education and Practice 2
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- Multisensory perception and integration 2
- Co-authors
- Alexander Refsum JenseniusKristian NymoenRolf Inge GodøyStåle Andreas van Dorp SkogstadJoAnn Kuchera-MorinJohn E. ThompsonEdgar BerdahlRobert Hamilton
- Journals
- Organised Sound (2 papers)Journal of the Audio Engineering Society (1 paper)Journal of Clinical Medicine (1 paper)
- Partner nations
- DenmarkUnited StatesNew Zealand
In The Last Decade
Dan Overholt
31 papers receiving 527 citations
Peers
Comparison fields: 5 of 67
- Human-Computer Interaction 253
- Computer Vision and Pattern Recognition 406
- Cognitive Neuroscience 321
- Signal Processing 176
- Architecture 10
Countries citing papers authored by Dan Overholt
This map shows the geographic impact of Dan Overholt's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Dan Overholt with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Dan Overholt more than expected).
Fields of papers citing papers by Dan Overholt
This network shows the impact of papers produced by Dan Overholt. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Dan Overholt. The network helps show where Dan Overholt may publish in the future.
Co-authorship network
The 24 scholars most cited alongside Dan Overholt, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
| # | Work | ||
|---|---|---|---|
| 1 | 2021 | 7 | |
| 2 | Designing for interpersonal connections in future technologies: An annotated portfolio of jewelry devices | 2018 | 2 |
| 3 | 2015 | 4 | |
| 4 | 2015 | 6 | |
| 5 | 2014 | 1 | |
| 6 | 2013 | 1 | |
| 7 | Proceedings of the International Conference on New Interfaces for Musical Expression | 2011 | 316 |
| 8 | 2011 | 24 | |
| 9 | “The Fingers” – A Tribute to “The Hands” | 2009 | 1 |
| 10 | 2009 | 21 | |
| 11 | 2009 | 25 | |
| 12 | 2009 | 8 | |
| 13 | SONOFUSION: DEVELOPMENT OF A MULTIMEDIA COMPOSITION FOR OVERTONE VIOLIN | 2007 | 1 |
| 14 | Proceedings of New Interfaces for Musical Expression (NIME 2007) | 2007 | 30 |
| 15 | Musical Interaction Design with the CREATE USB Interface Teaching HCI with CUIs instead of GUIs | 2006 | 24 |
| 16 | THE OVERTONE VIOLIN: A NEW COMPUTER MUSIC INSTRUMENT | 2005 | 13 |
| 17 | The Sonic Scanner and the Graphonic Interface | 2004 | 1 |
| 18 | Visually Controlled Synthesis Using the Sonic Scanner and the Graphonic Interface | 2004 | 1 |
| 19 | New Mappings for the MATRIX Interface | 2002 | 1 |
| 20 | The MATRIX: A New Musical Instrument for Interactive Performance | 2001 | 0 |
About Dan Overholt
Dan Overholt is a scholar working on Human-Computer Interaction, Computer Vision and Pattern Recognition, Signal Processing, Cognitive Neuroscience and Music, having authored 34 papers that have together received 565 indexed citations. Recurring topics across this work include Music Technology and Sound Studies (24 papers), Interactive and Immersive Displays (11 papers), Tactile and Sensory Interactions (10 papers), Music and Audio Processing (9 papers), Innovative Human-Technology Interaction (3 papers), Design Education and Practice (2 papers), Multisensory perception and integration (2 papers) and Neuroscience and Music Perception (2 papers). The work is most often cited by research in Human-Computer Interaction (253 citations), Computer Vision and Pattern Recognition (406 citations), Cognitive Neuroscience (321 citations), Signal Processing (176 citations) and Architecture (10 citations). Dan Overholt has collaborated with scholars based in Denmark, United States and New Zealand. Frequent co-authors include Alexander Refsum Jensenius, Kristian Nymoen, Rolf Inge Godøy, Ståle Andreas van Dorp Skogstad, JoAnn Kuchera-Morin, John E. Thompson, Edgar Berdahl, Robert Hamilton, Jim Kleban and Winslow Burleson. Their work appears in journals such as Organised Sound, Journal of the Audio Engineering Society, Journal of Clinical Medicine, International Journal of Arts and Technology and Computer Music Journal.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.