Anna McMullan

665 total citations
30 papers, 123 citations indexed

About

Anna McMullan is a scholar working on Literature and Literary Theory, Philosophy and Visual Arts and Performing Arts. According to data from OpenAlex, Anna McMullan has authored 30 papers receiving a total of 123 indexed citations (citations by other indexed papers that have themselves been cited), including 22 papers in Literature and Literary Theory, 19 papers in Philosophy and 18 papers in Visual Arts and Performing Arts. Recurrent topics in Anna McMullan's work include Samuel Beckett and Modernism (22 papers), Theatre and Performance Studies (18 papers) and Philosophy, Ethics, and Existentialism (13 papers). Anna McMullan is often cited by papers focused on Samuel Beckett and Modernism (22 papers), Theatre and Performance Studies (18 papers) and Philosophy, Ethics, and Existentialism (13 papers). Anna McMullan collaborates with scholars based in United Kingdom and Ireland. Anna McMullan's co-authors include Enoch Brater, John Pilling, H. Porter Abbott, Keir Elam, Michael Worton, Graham Saunders, Anita Nolan, George O’Brien, Patrick Burke and Christine J Nicol and has published in prestigious journals such as SHILAP Revista de lepidopterología, Women s Studies International Forum and The Modern Language Review.

In The Last Decade

Anna McMullan

20 papers receiving 73 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name h Career Trend Papers Cites
Anna McMullan United Kingdom 6 99 68 60 15 5 30 123
Ulrika Maude United Kingdom 5 55 0.6× 43 0.6× 24 0.4× 9 0.6× 2 0.4× 26 72
Shane Weller United Kingdom 6 77 0.8× 68 1.0× 20 0.3× 14 0.9× 31 103
Chris Ackerley New Zealand 5 75 0.8× 67 1.0× 23 0.4× 3 0.2× 2 0.4× 24 84
Dante Gabriel Rossetti 6 52 0.5× 10 0.1× 20 0.3× 14 0.9× 2 0.4× 38 109
William Galperin 5 47 0.5× 11 0.2× 19 0.3× 13 0.9× 9 1.8× 31 97
Mário de Andrade Brazil 5 30 0.3× 19 0.3× 9 0.1× 25 1.7× 2 0.4× 15 57
Wyndham Lewis 6 62 0.6× 17 0.3× 14 0.2× 20 1.3× 2 0.4× 32 95
Nicholas Halmi United Kingdom 4 35 0.4× 15 0.2× 5 0.1× 11 0.7× 4 0.8× 23 70
Marianne McDonald United States 4 21 0.2× 11 0.2× 15 0.3× 26 1.7× 5 1.0× 19 60
Gavin Alexander United Kingdom 4 28 0.3× 14 0.2× 8 0.1× 7 0.5× 5 1.0× 7 71

Countries citing papers authored by Anna McMullan

Since Specialization
Citations

This map shows the geographic impact of Anna McMullan's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Anna McMullan with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Anna McMullan more than expected).

Fields of papers citing papers by Anna McMullan

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Anna McMullan. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Anna McMullan. The network helps show where Anna McMullan may publish in the future.

Co-authorship network of co-authors of Anna McMullan

This figure shows the co-authorship network connecting the top 25 collaborators of Anna McMullan. A scholar is included among the top collaborators of Anna McMullan based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Anna McMullan. Anna McMullan is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

20 of 20 papers shown
2.
McMullan, Anna. (2020). Performing Embodiment in Samuel Beckett's Drama. 8 indexed citations
3.
McMullan, Anna. (2019). Dirk Van Hulle, The Making of Samuel Beckett’s Krapp’s Last Tape / La Dernière Bande. OpenEdition (OpenEdition). 14. 197–199. 1 indexed citations
4.
McMullan, Anna. (2017). Staging Ireland’s Dispossessed. Samuel Beckett Today / Aujourd’hui. 29(2). 361–374. 2 indexed citations
5.
McMullan, Anna, et al.. (2015). Samuel Beckett and Irish Scenography. Research Portal (Queen's University Belfast). 45(1). 141–156.
6.
McMullan, Anna, et al.. (2014). Staging Beckett: Constructing Histories of Performance. Journal of Beckett Studies. 23(1). 11–33. 2 indexed citations
8.
McMullan, Anna. (2009). 'The Home Place': unhomely inheritances. CentAUR (University of Reading). 1 indexed citations
9.
McMullan, Anna. (2006). Samuel Beckett's 'J.M. Mime': Generic Mutations of a Dramatic Fragment. Samuel Beckett Today / Aujourd’hui. 16(1). 333–345.
10.
McMullan, Anna, et al.. (2006). Associations between behavioural indicators and inflammatory disease in dairy cows. In: 'ISAE 2006: Proceedings of the 40th International Congress of the ISAE, University of Bristol, August 8-12'. Bristol Research (University of Bristol). 2 indexed citations
11.
McMullan, Anna. (2004). The girls in the big picture: gender in contemporary Ulster theatre. Women s Studies International Forum. 27(1). 89–90. 1 indexed citations
12.
McMullan, Anna, et al.. (2004). The Blue Angel Beckett on Film Project: Questions of adaptation, aesthetics and audience in filming Beckett's theatrical canon. CentAUR (University of Reading). 215–238. 3 indexed citations
13.
McMullan, Anna, et al.. (2003). The theatre of Marina Carr : "before rules was made". Research Portal (Queen's University Belfast). 15 indexed citations
14.
McMullan, Anna. (2003). Theatre on Trial. 2 indexed citations
15.
McMullan, Anna. (2002). Masculinity and Masquerade in Tom Kilroy's Double Cross and The Secret Fall of Constance Wilde. Research Portal (Queen's University Belfast). 126–136. 1 indexed citations
16.
McMullan, Anna. (2000). Virtual Subjects: Performance, Technology and the Body in Beckett’s Late Theatre. Journal of Beckett Studies. 10(1-2). 165–172. 5 indexed citations
17.
McMullan, Anna. (1999). ’In touch with some otherness’: Gender, Authority and the Body in Brian Friel's Dancing at Lughnasa.. Research Portal (Queen's University Belfast). 90–100.
18.
McMullan, Anna. (1997). VERSIONS OF EMBODIMENT/VISIONS OF THE BODY IN BECKETT'S " ... BUT THE CLOUDS ... ". Samuel Beckett Today / Aujourd’hui. 6(1). 353–364.
19.
Brater, Enoch, et al.. (1995). The Drama in the Text: Beckett's Late Fiction. Theatre Journal. 47(2). 325–325. 5 indexed citations
20.
Pilling, John, et al.. (1994). The Cambridge Companion to Beckett. Cambridge University Press eBooks. 26 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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