Timothy D. Taylor

2.8k total citations
39 papers, 778 citations indexed

About

Timothy D. Taylor is a scholar working on Music, Sociology and Political Science and Urban Studies. According to data from OpenAlex, Timothy D. Taylor has authored 39 papers receiving a total of 778 indexed citations (citations by other indexed papers that have themselves been cited), including 23 papers in Music, 6 papers in Sociology and Political Science and 4 papers in Urban Studies. Recurrent topics in Timothy D. Taylor's work include Music History and Culture (18 papers), Musicology and Musical Analysis (8 papers) and Diverse Musicological Studies (7 papers). Timothy D. Taylor is often cited by papers focused on Music History and Culture (18 papers), Musicology and Musical Analysis (8 papers) and Diverse Musicological Studies (7 papers). Timothy D. Taylor collaborates with scholars based in United States and Russia. Timothy D. Taylor's co-authors include Robin Moore, Steven Feld, Tony Mitchell, Veit Erlmann, Andrew C. Ross, Tricia Rose and Barry Shank and has published in prestigious journals such as Notes, Ethnomusicology and Television & New Media.

In The Last Decade

Timothy D. Taylor

29 papers receiving 496 citations

Peers

Timothy D. Taylor
Peter Manuel United States
R. Serge Denisoff United States
Martin Cloonan United Kingdom
Richard Butsch United States
Rick Altman United States
Jennifer C. Lena United States
Lee B. Brown United States
Thomas Elsaesser Netherlands
Matt Hills United Kingdom
Michelle Caswell United States
Peter Manuel United States
Timothy D. Taylor
Citations per year, relative to Timothy D. Taylor Timothy D. Taylor (= 1×) peers Peter Manuel

Countries citing papers authored by Timothy D. Taylor

Since Specialization
Citations

This map shows the geographic impact of Timothy D. Taylor's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Timothy D. Taylor with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Timothy D. Taylor more than expected).

Fields of papers citing papers by Timothy D. Taylor

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Timothy D. Taylor. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Timothy D. Taylor. The network helps show where Timothy D. Taylor may publish in the future.

Co-authorship network of co-authors of Timothy D. Taylor

This figure shows the co-authorship network connecting the top 25 collaborators of Timothy D. Taylor. A scholar is included among the top collaborators of Timothy D. Taylor based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Timothy D. Taylor. Timothy D. Taylor is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

20 of 20 papers shown
1.
Taylor, Timothy D.. (2024). Making Value.
2.
Taylor, Timothy D.. (2024). Making Value.
3.
Taylor, Timothy D.. (2023). Working Musicians.
4.
Taylor, Timothy D.. (2019). 3. The Commodification of Music at the Dawn of the Era of “Mechanical Music”. 51(2). 50–73. 9 indexed citations
5.
Taylor, Timothy D.. (2016). Music in the World. 10 indexed citations
6.
Taylor, Timothy D.. (2015). Music and Capitalism: A History of the Present. 36 indexed citations
7.
Taylor, Timothy D.. (2014). Strange Sounds. 2 indexed citations
8.
Taylor, Timothy D.. (2012). The Sounds of Capitalism. 37 indexed citations
9.
Taylor, Timothy D.. (2012). The Sounds of Capitalism: Advertising, Music, and the Conquest of Culture. Medical Entomology and Zoology. 21 indexed citations
10.
Taylor, Timothy D.. (2007). Beyond Exoticism. 77 indexed citations
11.
Taylor, Timothy D.. (2006). The Audible Past: Cultural Origins of Sound Reproduction. Ethnomusicology. 50(3). 513–515. 29 indexed citations
12.
Taylor, Timothy D.. (2005). Music Scenes: Local, Translocal, and Virtual (review). Notes. 61(4). 1026–1028.
13.
Taylor, Timothy D.. (2002). Music and the Rise of Radio in 1920s America: Technological imperialism, socialization, and the transformation of intimacy. Historical Journal Of Film Radio and Television. 22(4). 425–443. 13 indexed citations
14.
Taylor, Timothy D.. (2001). Strange Sounds: Music, Technology and Culture. 135 indexed citations
15.
Taylor, Timothy D.. (2000). World Music in Television Ads. American Music. 18(2). 162–162. 11 indexed citations
16.
Feld, Steven, Tony Mitchell, & Timothy D. Taylor. (1997). Popular Music and Local Identity. Yearbook for Traditional Music. 29. 141–141. 17 indexed citations
17.
Taylor, Timothy D., Tricia Rose, Andrew C. Ross, & Barry Shank. (1997). Black Noise: Rap Music and Black Culture in Contemporary America. TDR/The Drama Review. 41(2). 163–163. 6 indexed citations
18.
Taylor, Timothy D.. (1993). The voracious muse: Contemporary cross-cultural musical borrowings, culture, and postmodernism.. Deep Blue (University of Michigan). 4 indexed citations
19.
Taylor, Timothy D.. (1990). Aesthetic and Cultural Issues in Schumann's "Kinderszenen". International Review of the Aesthetics and Sociology of Music. 21(2). 161–161. 1 indexed citations
20.
Taylor, Timothy D.. (1987). Interactive Video Authoring Systems.. 7(4). 282–300.

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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