Thomas Elsaesser
About
In The Last Decade
Thomas Elsaesser
104 papers receiving 698 citations
Peers
Comparison fields: 5 of 82
- Economics and Econometrics 512
- Sociology and Political Science 363
- Literature and Literary Theory 232
- Visual Arts and Performing Arts 205
- History 139
Countries citing papers authored by Thomas Elsaesser
This map shows the geographic impact of Thomas Elsaesser's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Thomas Elsaesser with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Thomas Elsaesser more than expected).
Fields of papers citing papers by Thomas Elsaesser
This network shows the impact of papers produced by Thomas Elsaesser. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Thomas Elsaesser. The network helps show where Thomas Elsaesser may publish in the future.
Co-authorship network of co-authors of Thomas Elsaesser
This figure shows the co-authorship network connecting the top 25 collaborators of Thomas Elsaesser. A scholar is included among the top collaborators of Thomas Elsaesser based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Thomas Elsaesser. Thomas Elsaesser is excluded from the visualization to improve readability, since they are connected to all nodes in the network.
All Works
| # | Work | Indexed citations |
|---|---|---|
| 1 | 1 | |
| 2 | Kontingentnost in naključnost kot ruševini časa: besedilo, podoba in gibanje v Saturnovih prstanih W. G. Sebalda | 1 |
| 3 | Kinofilia albo pożytki z odczarowania | 0 |
| 4 | Arresting the Moving Image [Review of: E. Røssaak (2008) Negotiating immobility: the moving image and the arts in Andy & Larry Wachowski's The matrix, Ken Jacobs's Tom, Tom, the piper's son and Bill Viola's The passions] | 1 |
| 5 | Nowa Historia Filmu jako archeologia mediów / Thomas Elsaesser ; tł. Grzegorz Nadgrodkiewicz. | 1 |
| 6 | Ethical calculus: the cross-cultural dilemmas and moral burdens of Fatih Akin's 'The Edge of Heaven' [Review of: F. Akin (2007) Auf der anderen Seite = The edge of heaven] | 5 |
| 7 | Marathon man: the stubborn persistence of Alexander Kluge, German cinema's polymathic master strategist | 0 |
| 8 | 101 | |
| 9 | Filmgeschichte und frühes Kino : Archäologie eines Medienwandels | 1 |
| 10 | Writing and Rewriting Film History: Terms of a Debate | 4 |
| 11 | Kino cyfrowe: nośnik, wydarzenie, czas / Thomas Elsaesser ; tł. Agnieszka Wilczyńska i Ewa Majewska. | 1 |
| 12 | Ethnicity, authenticity and exile: a counterfeit trade? | 2 |
| 13 | Spectators of Life: time, Place and Self in the Films of Wim Wenders | 0 |
| 14 | 4 | |
| 15 | 1 | |
| 16 | Leni Riefenstahl: the body beautiful, art cinema and fascist aesthetics | 1 |
| 17 | Filming fascism: is history just an old movie? | 1 |
| 18 | Cinema: the irresponsible signifier: Siegfried Kracauer's film (of) history | 2 |
| 19 | The "new" film history | 12 |
| 20 | 2 |
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.