Citations per year, relative to Martin Cloonan Martin Cloonan (= 1×)
peers
Timothy D. Taylor
Countries citing papers authored by Martin Cloonan
Since
Specialization
Citations
This map shows the geographic impact of Martin Cloonan's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Martin Cloonan with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Martin Cloonan more than expected).
This network shows the impact of papers produced by Martin Cloonan. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Martin Cloonan. The network helps show where Martin Cloonan may publish in the future.
Co-authorship network of co-authors of Martin Cloonan
This figure shows the co-authorship network connecting the top 25 collaborators of Martin Cloonan.
A scholar is included among the top collaborators of Martin Cloonan based on the total number of
citations received by their joint publications. Widths of edges
represent the number of papers authors have co-authored together.
Node borders
signify the number of papers an author published with Martin Cloonan. Martin Cloonan is excluded from
the visualization to improve readability, since they are connected to all nodes in the network.
Cloonan, Martin & John Williamson. (2017). The music industries: theory, practice and vocations – a polemical intervention. ENLIGHTEN (Jurnal Bimbingan dan Konseling Islam).
6.
Homan, Shane, et al.. (2015). Popular Music Industries and the State: Policy Notes. ENLIGHTEN (Jurnal Bimbingan dan Konseling Islam).3 indexed citations
Cloonan, Martin. (2014). Musicians as Workers: Putting the UK Musicians' Union into Context. 41(1).7 indexed citations
9.
Cloonan, Martin. (2014). Making Glasgow a city of music: some ruminations on an UNESCO award. PEDIATRICS. 94(6 Pt 1). 832–40.
10.
Cloonan, Martin. (2013). A Right Ding Dong: The Death Of Margaret Thatcher And Music Censorship In The Digital Age. ENLIGHTEN (Jurnal Bimbingan dan Konseling Islam).1 indexed citations
Cloonan, Martin. (2012). Live music as ideology. ENLIGHTEN (Jurnal Bimbingan dan Konseling Islam). 2011. 77–88.1 indexed citations
14.
Frith, Simon, et al.. (2010). "Analysing Live Music in the UK" Findings One Year into a Three-Year Research Project doi:10.5429/2079-3871(2010)v1i1.3en. IASPM Journal. 1(1). 1–30.3 indexed citations
15.
Cloonan, Martin. (2009). Live Music And Music Policy: Some Initial Thoughts. ENLIGHTEN (Jurnal Bimbingan dan Konseling Islam).2 indexed citations
16.
Cloonan, Martin. (2007). Lessons from down under? Popular music policy and decentralised government in Scotland and Australia. ENLIGHTEN (Jurnal Bimbingan dan Konseling Islam).2 indexed citations
17.
Cloonan, Martin, John Williamson, & Simon Frith. (2004). What is music worth? Some reflections on the Scottish experience. 32(2). 263–8.2 indexed citations
Osborne, Margery D., et al.. (2001). For Me or Not for Me in Scotland: A Report of Mature Student Participation in Higher Education. ENLIGHTEN (Jurnal Bimbingan dan Konseling Islam).5 indexed citations
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive
bibliographic database. While OpenAlex provides broad and valuable coverage of the global
research landscape, it—like all bibliographic datasets—has inherent limitations. These include
incomplete records, variations in author disambiguation, differences in journal indexing, and
delays in data updates. As a result, some metrics and network relationships displayed in
Rankless may not fully capture the entirety of a scholar's output or impact.