Sara Giannantonio
- Cognitive Neuroscience top 5%
- Sensory Systems top 2%
- Speech and Hearing top 2%
- Neurology top 10%
- Experimental and Cognitive Psychology top 10%
- Co-authors
- Alessandro ScorpecciPasquale MarsellaWalter Di NardoGaetano PaludettiFrancesca CianfroneFabio BabiloniAnton Giulio MaglioneMelissa J. Polonenko
- Topics
- Hearing Loss and Rehabilitation (27 papers)Hearing, Cochlea, Tinnitus, Genetics (16 papers)Neuroscience and Music Perception (10 papers)
- Journals
- SHILAP Revista de lepidopterologíaPLoS ONEThe Journal of the Acoustical Society of America
In The Last Decade
Sara Giannantonio
34 papers receiving 510 citations
Peers
Comparison fields: 5 of 74
- Cognitive Neuroscience 379
- Sensory Systems 220
- Speech and Hearing 144
- Neurology 91
- Experimental and Cognitive Psychology 69
Countries citing papers authored by Sara Giannantonio
This map shows the geographic impact of Sara Giannantonio's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Sara Giannantonio with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Sara Giannantonio more than expected).
Fields of papers citing papers by Sara Giannantonio
This network shows the impact of papers produced by Sara Giannantonio. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Sara Giannantonio. The network helps show where Sara Giannantonio may publish in the future.
Co-authorship network of co-authors of Sara Giannantonio
This figure shows the co-authorship network connecting the top 25 collaborators of Sara Giannantonio. A scholar is included among the top collaborators of Sara Giannantonio based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Sara Giannantonio. Sara Giannantonio is excluded from the visualization to improve readability, since they are connected to all nodes in the network.
All Works
| # | Work | Indexed citations |
|---|---|---|
| 1 | 0 | |
| 2 | 3 | |
| 3 | 22 | |
| 4 | 14 | |
| 5 | 7 | |
| 6 | 12 | |
| 7 | 31 | |
| 8 | 45 | |
| 9 | 7 | |
| 10 | 32 | |
| 11 | 6 | |
| 12 | 27 | |
| 13 | 15 | |
| 14 | 21 | |
| 15 | 3 | |
| 16 | 25 | |
| 17 | 12 | |
| 18 | 33 | |
| 19 | 11 | |
| 20 | 17 |
About Sara Giannantonio
Sara Giannantonio is a scholar working on Sensory Systems, Cognitive Neuroscience and Otorhinolaryngology, having authored 35 papers that have together received 518 indexed citations. Recurring topics across this work include Hearing Loss and Rehabilitation (27 papers), Hearing, Cochlea, Tinnitus, Genetics (16 papers) and Neuroscience and Music Perception (10 papers). The work is most often cited by research in Sensory Systems (220 citations), Speech and Hearing (144 citations) and Cognitive Neuroscience (379 citations). Sara Giannantonio has collaborated with scholars based in Italy, Canada and China. Frequent co-authors include Alessandro Scorpecci, Pasquale Marsella, Walter Di Nardo, Gaetano Paludetti, Francesca Cianfrone, Fabio Babiloni, Anton Giulio Maglione, Melissa J. Polonenko, Blake C. Papsin and Gaetano Paludetti. Their work appears in journals such as SHILAP Revista de lepidopterología, PLoS ONE and The Journal of the Acoustical Society of America.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.