Samuel A. Floyd
- Music top 0.5%
- Sociology and Political Science top 10%
- Cultural Studies top 5%
- Computer Vision and Pattern Recognition
- Literature and Literary Theory top 10%
- Topics
- Music History and Culture (21 papers)Theater, Performance, and Music History (13 papers)Race, History, and American Society (10 papers)
In The Last Decade
Samuel A. Floyd
16 papers receiving 131 citations
Peers
Comparison fields: 5 of 46
- Music 243
- Sociology and Political Science 117
- Cultural Studies 43
- Computer Vision and Pattern Recognition 31
- Literature and Literary Theory 26
Countries citing papers authored by Samuel A. Floyd
This map shows the geographic impact of Samuel A. Floyd's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Samuel A. Floyd with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Samuel A. Floyd more than expected).
Fields of papers citing papers by Samuel A. Floyd
This network shows the impact of papers produced by Samuel A. Floyd. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Samuel A. Floyd. The network helps show where Samuel A. Floyd may publish in the future.
Co-authorship network of co-authors of Samuel A. Floyd
This figure shows the co-authorship network connecting the top 25 collaborators of Samuel A. Floyd. A scholar is included among the top collaborators of Samuel A. Floyd based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Samuel A. Floyd. Samuel A. Floyd is excluded from the visualization to improve readability, since they are connected to all nodes in the network.
All Works
| # | Work | Indexed citations |
|---|---|---|
| 1 | 3 | |
| 2 | Interpreting the African-American Musical Past: A Dialogue | 3 |
| 3 | Black Music and Writing Black Music History: American Music and Narrative Strategies | 4 |
| 4 | 1 | |
| 5 | 5 | |
| 6 | 17 | |
| 7 | 1 | |
| 8 | 154 | |
| 9 | 30 | |
| 10 | 17 | |
| 11 | 4 | |
| 12 | 1 | |
| 13 | Index to Negro spirituals | 2 |
| 14 | Black Music Biography: An Annotated Bibliography | 2 |
| 15 | 5 | |
| 16 | 2 | |
| 17 | 4 | |
| 18 | 3 | |
| 19 | 1 | |
| 20 | The implications of John Dewey's theory of appreciation for the teaching of music appreciation | 1 |
About Samuel A. Floyd
Samuel A. Floyd is a scholar working on Music, Cultural Studies and Sociology and Political Science, having authored 31 papers that have together received 332 indexed citations. Recurring topics across this work include Music History and Culture (21 papers), Theater, Performance, and Music History (13 papers) and Race, History, and American Society (10 papers). The work is most often cited by research in Music (243 citations), Cultural Studies (43 citations) and Visual Arts and Performing Arts (18 citations). Frequent co-authors include Christopher Brooks, Gerard Béhague, Ronald M. Radano and Guthrie P. Ramsey. Their work appears in journals such as The American Historical Review, Notes and African American Review.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.