Robert P. Morgan
Impact in
- Music top 0.5%
- Musicology and Musical Analysis
- Music History and Culture
- Diverse Musicological Studies
-
- Entrepreneurship Studies and Influences
Papers in
- Music 23
- Musicology and Musical Analysis 22
- Diverse Musicological Studies 6
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- Engineering Education and Curriculum Development 10
- Co-authors
- Nirmala Kannankutty (5 shared papers)Proctor P Reid (1 shared paper)Jerome H Grossman (1 shared paper)Carlos E. Kruytbosch (1 shared paper)Elinor G. Barber (3 shared papers)Stephen Yerazunis (1 shared paper)John Cooper (1 shared paper)Linzi Wilson-Wilde (1 shared paper)
- Journals
- Music Theory Spectrum (3 papers)Notes (3 papers)Critical Inquiry (3 papers)Journal of Music Theory (3 papers)Telecommunications Policy (2 papers)
- Partner nations
- United StatesAustraliaNew Zealand
In The Last Decade
Robert P. Morgan
61 papers receiving 341 citations
Peers
Comparison fields: 5 of 125
- Music 157
- Management of Technology and Innovation 68
- Cognitive Neuroscience 79
- Computer Vision and Pattern Recognition 74
- Visual Arts and Performing Arts 17
Countries citing papers authored by Robert P. Morgan
This map shows the geographic impact of Robert P. Morgan's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Robert P. Morgan with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Robert P. Morgan more than expected).
Fields of papers citing papers by Robert P. Morgan
This network shows the impact of papers produced by Robert P. Morgan. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Robert P. Morgan. The network helps show where Robert P. Morgan may publish in the future.
Co-authors
The 25 scholars most cited alongside Robert P. Morgan, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
Showing the 20 most-cited of 78 papers — load more, or switch the sort, to bring in the rest.
| # | Work | ||
|---|---|---|---|
| 1 | 2001 | 53 | |
| 2 | 2001 | 49 | |
| 3 | 2003 | 25 | |
| 4 | Twentieth-Century Music: A History of Musical Style in Modern Europe and America | 1991 | 24 |
| 5 | 1980 | 20 | |
| 6 | 1984 | 19 | |
| 7 | 1987 | 17 | |
| 8 | 2019 | 16 | |
| 9 | 1992 | 14 | |
| 10 | 1981 | 13 | |
| 11 | 2018 | 12 | |
| 12 | 1967 | 12 | |
| 13 | 1998 | 12 | |
| 14 | 1992 | 11 | |
| 15 | 1991 | 10 | |
| 16 | 1978 | 10 | |
| 17 | 1977 | 9 | |
| 18 | 2000 | 8 | |
| 19 | 1997 | 8 | |
| 20 | Boon or Bane: Foreign Graduate Students in U.S. Engineering Programs | 1988 | 8 |
About Robert P. Morgan
Robert P. Morgan is a scholar working on Music, Media Technology, Computer Vision and Pattern Recognition, Architecture and Biomedical Engineering, having authored 78 papers that have together received 492 indexed citations. Recurring topics across this work include Musicology and Musical Analysis (22 papers), Engineering Education and Curriculum Development (10 papers), Music Technology and Sound Studies (9 papers), Engineering Education and Pedagogy (7 papers), Diverse Musicological Studies (6 papers), Neuroscience and Music Perception (5 papers), Biomedical and Engineering Education (5 papers) and Spacecraft Design and Technology (4 papers). The work is most often cited by research in Music (157 citations), Management of Technology and Innovation (68 citations), Cognitive Neuroscience (79 citations), Computer Vision and Pattern Recognition (74 citations) and Visual Arts and Performing Arts (17 citations). Robert P. Morgan has collaborated with scholars based in United States, Australia and New Zealand. Frequent co-authors include Nirmala Kannankutty, Proctor P Reid, Jerome H Grossman, Carlos E. Kruytbosch, Elinor G. Barber, Stephen Yerazunis, John Cooper, Linzi Wilson-Wilde, Susan Pugh and Duncan Taylor. Their work appears in journals such as Music Theory Spectrum, Notes, Critical Inquiry, Journal of Music Theory and Telecommunications Policy.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.