Philip Ewell

599 total citations · 1 hit paper
14 papers, 189 citations indexed

About

Philip Ewell is a scholar working on Music, Computer Vision and Pattern Recognition and Sociology and Political Science. According to data from OpenAlex, Philip Ewell has authored 14 papers receiving a total of 189 indexed citations (citations by other indexed papers that have themselves been cited), including 13 papers in Music, 6 papers in Computer Vision and Pattern Recognition and 3 papers in Sociology and Political Science. Recurrent topics in Philip Ewell's work include Musicology and Musical Analysis (10 papers), Music History and Culture (9 papers) and Music Technology and Sound Studies (6 papers). Philip Ewell is often cited by papers focused on Musicology and Musical Analysis (10 papers), Music History and Culture (9 papers) and Music Technology and Sound Studies (6 papers). Philip Ewell collaborates with scholars based in United States. Philip Ewell's co-authors include and has published in prestigious journals such as Music Theory Spectrum, Music Theory Online and University of Michigan Press eBooks.

In The Last Decade

Philip Ewell

11 papers receiving 101 citations

Hit Papers

Music Theory and the White Racial Frame 2020 2026 2022 2024 2020 25 50 75

Peers

Philip Ewell
J. Peter Burkholder United States
Lewis Porter United States
John Covach United States
Stephanie Jordan United Kingdom
Jim Samson United Kingdom
Daniel Chua United States
Jonathan Dunsby United Kingdom
Robert Fink United States
J. Peter Burkholder United States
Philip Ewell
Citations per year, relative to Philip Ewell Philip Ewell (= 1×) peers J. Peter Burkholder

Countries citing papers authored by Philip Ewell

Since Specialization
Citations

This map shows the geographic impact of Philip Ewell's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Philip Ewell with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Philip Ewell more than expected).

Fields of papers citing papers by Philip Ewell

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Philip Ewell. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Philip Ewell. The network helps show where Philip Ewell may publish in the future.

No nodes

All Works

14 of 14 papers shown
1.
Ewell, Philip. (2022). On Music Theory, and Making Music More Welcoming for Everyone. University of Michigan Press eBooks. 11 indexed citations
2.
Ewell, Philip. (2020). Music Theory’s White Racial Frame. Music Theory Spectrum. 43(2). 324–329. 30 indexed citations
3.
Ewell, Philip. (2020). Music Theory and the White Racial Frame. Music Theory Online. 26(2). 99 indexed citations breakdown →
4.
Ewell, Philip. (2019). On the Russian Concept of Lād, 1830–1945. Music Theory Online. 25(4). 3 indexed citations
5.
Ewell, Philip. (2019). Music theory à la Leningrad: an interview with Tatiana Bershadskaya. 121–164. 2 indexed citations
6.
Ewell, Philip. (2019). On Rimsky-Korsakov’s False (Hexatonic) Progressions Outside the Limits of a Tonality. Music Theory Spectrum. 42(1). 122–142. 2 indexed citations
7.
Ewell, Philip. (2014). The Parameter Complex in the Music of Sofia Gubaidulina. Music Theory Online. 20(3). 6 indexed citations
8.
Ewell, Philip. (2014). “Sing Vasya, Sing!”: Vasya Oblomov’s Rap Trios as Political Satire in Putin’s Russia. The Journal of the Abraham Lincoln Association. 7(2). 2 indexed citations
9.
Ewell, Philip. (2013). “On the System of Stravinsky’s Harmony” by Yuri Kholopov. Music Theory Online. 19(2). 7 indexed citations
10.
Ewell, Philip. (2013). Conference Report: Inaugural Meeting of the Russian Society for Music Theory (OTM). Music Theory Online. 19(4). 2 indexed citations
11.
Ewell, Philip. (2013). Russian Pitch-Class Set Analysis and the Music of Webern. 6(1). 2 indexed citations
12.
Ewell, Philip. (2012). Rethinking Octatonicism. Music Theory Online. 18(4). 13 indexed citations
13.
Ewell, Philip. (2008). Analyzing Atonal Music: Pitch-Class Set Theory and Its Contexts. 9 indexed citations
14.
Ewell, Philip. (2007). Anton Rubinstein, Alexander Serov, and Vladimir Stasov: The Struggle for a National Musical Identity in Nineteenth-Century Russia. 16. 41. 1 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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