Robert Fink

545 total citations
19 papers, 121 citations indexed

About

Robert Fink is a scholar working on Music, Computer Vision and Pattern Recognition and Linguistics and Language. According to data from OpenAlex, Robert Fink has authored 19 papers receiving a total of 121 indexed citations (citations by other indexed papers that have themselves been cited), including 10 papers in Music, 2 papers in Computer Vision and Pattern Recognition and 2 papers in Linguistics and Language. Recurrent topics in Robert Fink's work include Music History and Culture (9 papers), Musicology and Musical Analysis (7 papers) and Diverse Music Education Insights (2 papers). Robert Fink is often cited by papers focused on Music History and Culture (9 papers), Musicology and Musical Analysis (7 papers) and Diverse Music Education Insights (2 papers). Robert Fink collaborates with scholars based in United States and Canada. Robert Fink's co-authors include Joanna Blake, Carol J. Oja, George Lewis, Alejandro L. Madrid, Sherrie Tucker, Zachary Wallmark and Steve Waksman and has published in prestigious journals such as Anesthesia & Analgesia, Journal of Child Language and Language and Speech.

In The Last Decade

Robert Fink

14 papers receiving 77 citations

Peers

Robert Fink
Joseph Dyer United States
Allan Marett Australia
Kazadi wa Mukuna United States
Bell Yung United States
Kingsley Price United States
Robert Witmer Canada
D Thomas United States
Sumanth Gopinath United States
Ben Winters United Kingdom
Karol Berger United States
Joseph Dyer United States
Robert Fink
Citations per year, relative to Robert Fink Robert Fink (= 1×) peers Joseph Dyer

Countries citing papers authored by Robert Fink

Since Specialization
Citations

This map shows the geographic impact of Robert Fink's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Robert Fink with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Robert Fink more than expected).

Fields of papers citing papers by Robert Fink

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Robert Fink. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Robert Fink. The network helps show where Robert Fink may publish in the future.

Co-authorship network of co-authors of Robert Fink

This figure shows the co-authorship network connecting the top 25 collaborators of Robert Fink. A scholar is included among the top collaborators of Robert Fink based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Robert Fink. Robert Fink is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

19 of 19 papers shown
1.
Fink, Robert, et al.. (2019). Remembering Aretha Franklin. Journal of Popular Music Studies. 31(1). 3–14. 1 indexed citations
2.
Waksman, Steve, et al.. (2019). Timbre Is a Many-Splendored Thing. Journal of Popular Music Studies. 31(1). 29–40. 1 indexed citations
3.
Fink, Robert. (2016). Resurrection Symphony: "El Sistema" as Ideology in Venezuela and Los Angeles.. 15(1). 33–57. 15 indexed citations
4.
5.
Fink, Robert. (2011). Goal-Directed Soul? Analyzing Rhythmic Teleology in African American Popular Music. Journal of the American Musicological Society. 64(1). 179–238. 13 indexed citations
6.
Oja, Carol J., et al.. (2011). Studying U.S. Music in the Twenty-First Century. Journal of the American Musicological Society. 64(3). 689–719. 11 indexed citations
7.
Fink, Robert. (2005). the story of orch5, or, the classical ghost in the hip-hop machine. Popular Music. 24(3). 339–356. 5 indexed citations
8.
Fink, Robert. (2005). Klinghoffer in Brooklyn Heights. Cambridge Opera Journal. 17(2). 173–213. 3 indexed citations
9.
Fink, Robert. (1999). Review of: Projects in Linguistics: A Practical Research Guide to Researching Language , by Alison Wray, Kate Trott and Aileen Bloomer. London: Arnold, 1998.. The Journal of Macrodynamic Analysis (Memorial University of Newfoundland). 21. 185–188. 6 indexed citations
10.
Fink, Robert. (1999). "Rigoroso (♪ = 126)": "The Rite of Spring" and the Forging of a Modernist Performing Style. Journal of the American Musicological Society. 52(2). 299–362. 8 indexed citations
11.
Fink, Robert. (1998). Elvis Everywhere: Musicology and Popular Music Studies at the Twilight of the Canon. American Music. 16(2). 135–135. 27 indexed citations
12.
Fink, Robert. (1997). Review Essay: Stravinsky and the Russian Traditions: A Biography of the Works Through Mavra. Modernism/modernity. 4(3). 147–154. 1 indexed citations
13.
Fink, Robert. (1991). Laurén, Christer and Marianne Nordman (eds.). Special Language: From Humans Thinking to Thinking Machines. Clevedon, England: Multilingual Matters Ltd., 1989. Canadian Modern Language Review/ La Revue canadienne des langues vivantes. 47(2). 370–371. 1 indexed citations
14.
Fink, Robert. (1990). Rhythm and Text Setting in "The Mikado". 19th-Century Music. 14(1). 31–47. 1 indexed citations
15.
Blake, Joanna & Robert Fink. (1987). Sound-meaning correspondences in babbling. Journal of Child Language. 14(2). 229–253. 19 indexed citations
16.
Fink, Robert. (1981). The origin of music : a theory of the universal development of music. Medical Entomology and Zoology. 1 indexed citations
17.
Fink, Robert, et al.. (1976). The Language of Twentieth Century Music: A Dictionary of Terms. Notes. 32(4). 774–774. 1 indexed citations
18.
Fink, Robert. (1974). Orthography and the Perception of Stops After S. Language and Speech. 17(2). 152–159. 6 indexed citations
19.
Fink, Robert, et al.. (1965). CLINICAL IMPRESSIONS OF THE VALUE OF DARVON?? INJECTABLE. Anesthesia & Analgesia. 44(6). 722???725–722???725. 1 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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