Jonathan W. Bernard
- Music top 0.5%
- Computer Vision and Pattern Recognition top 10%
- Cognitive Neuroscience
- Signal Processing
- Experimental and Cognitive Psychology
- Topics
- Musicology and Musical Analysis (16 papers)Music Technology and Sound Studies (10 papers)Music History and Culture (9 papers)
In The Last Decade
Jonathan W. Bernard
23 papers receiving 89 citations
Peers
Comparison fields: 5 of 42
- Music 159
- Computer Vision and Pattern Recognition 112
- Cognitive Neuroscience 63
- Signal Processing 22
- Experimental and Cognitive Psychology 21
Countries citing papers authored by Jonathan W. Bernard
This map shows the geographic impact of Jonathan W. Bernard's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Jonathan W. Bernard with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Jonathan W. Bernard more than expected).
Fields of papers citing papers by Jonathan W. Bernard
This network shows the impact of papers produced by Jonathan W. Bernard. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Jonathan W. Bernard. The network helps show where Jonathan W. Bernard may publish in the future.
Co-authorship network of co-authors of Jonathan W. Bernard
This figure shows the co-authorship network connecting the top 25 collaborators of Jonathan W. Bernard. A scholar is included among the top collaborators of Jonathan W. Bernard based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Jonathan W. Bernard. Jonathan W. Bernard is excluded from the visualization to improve readability, since they are connected to all nodes in the network.
All Works
| # | Work | Indexed citations |
|---|---|---|
| 1 | 1 | |
| 2 | 7 | |
| 3 | 1 | |
| 4 | 6 | |
| 5 | 28 | |
| 6 | 7 | |
| 7 | 1 | |
| 8 | 14 | |
| 9 | 3 | |
| 10 | 5 | |
| 11 | 4 | |
| 12 | 2 | |
| 13 | 0 | |
| 14 | The Music of Edgard Varese | 15 |
| 15 | Messiaen's Synaesthesia: The Correspondence between Color and Sound | 1 |
| 16 | 7 | |
| 17 | 6 | |
| 18 | 4 | |
| 19 | 5 | |
| 20 | 1 |
About Jonathan W. Bernard
Jonathan W. Bernard is a scholar working on Music, Computer Vision and Pattern Recognition and Visual Arts and Performing Arts, having authored 32 papers that have together received 221 indexed citations. Recurring topics across this work include Musicology and Musical Analysis (16 papers), Music Technology and Sound Studies (10 papers) and Music History and Culture (9 papers). The work is most often cited by research in Music (159 citations), Computer Vision and Pattern Recognition (112 citations) and Cognitive Neuroscience (63 citations). Frequent co-authors include David Beach, Pierre Boulez, Pierre‐Michel Menger, György Ligeti and George Perle. Their work appears in journals such as Music Perception An Interdisciplinary Journal, Notes and Journal of Music Theory.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.