Maureen Mahon

656 citations
15 papers · 209 · h-index 7

Impact in

  • Music top 1%
    • Music History and Culture
    • Musicology and Musical Analysis
    • Diverse Musicological Studies
    • Theater, Performance, and Music History
    • Asian Culture and Media Studies

Papers in

    • Race, History, and American Society 3
    • Torture, Ethics, and Law 2
    • Criminal Justice and Corrections Analysis 2
    • Social and Cultural Dynamics 2
    • Critical Race Theory in Education 1
    • Music History and Culture 7
    • Theater, Performance, and Music History 2

Maureen Mahon

13 papers receiving 134 citations

Peers

Maureen Mahon
Comparison fields: 5 of 44
  • Music 98
  • Cultural Studies 41
  • Museology 14
  • Urban Studies 23
  • Gender Studies 27
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Matthew Worley United Kingdom
Gayle Wald United States
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John Caughie United Kingdom
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Citations per field
00.5×3.5×
Matthew Worley · 1×
Citations per year

Countries citing papers authored by Maureen Mahon

Since Specialization
Citations

This map shows the geographic impact of Maureen Mahon's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Maureen Mahon with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Maureen Mahon more than expected).

Fields of papers citing papers by Maureen Mahon

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Maureen Mahon. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Maureen Mahon. The network helps show where Maureen Mahon may publish in the future.

Co-authors

The 5 scholars most cited alongside Maureen Mahon, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.

Border = papers with Maureen Mahon Line = papers co-authored together Maureen Mahon links everyone, so they are left out of the graph.

All Works

15 of 15 papers shown
#Work
1 200084
2
Right to rock
200441
3 200432
4 200011
5 20119
6 20208
7 20066
8 20045
9 20114
10 20134
11 20012
12 20072
13 20151
14 20200
15
Thomas Hardy's novels: A study guide
19760

About Maureen Mahon

Maureen Mahon is a scholar working on Sociology and Political Science, Music, Cultural Studies, Law and Anthropology, having authored 15 papers that have together received 209 indexed citations. Recurring topics across this work include Music History and Culture (7 papers), Race, History, and American Society (3 papers), Torture, Ethics, and Law (2 papers), Criminal Justice and Corrections Analysis (2 papers), Law in Society and Culture (2 papers), Social and Cultural Dynamics (2 papers), Theater, Performance, and Music History (2 papers) and Critical Race Theory in Education (1 paper). The work is most often cited by research in Music (98 citations), Cultural Studies (41 citations), Museology (14 citations), Urban Studies (23 citations) and Gender Studies (27 citations). Maureen Mahon has collaborated with scholars based in United States and United Kingdom. Frequent co-authors include Tina M. Campt, Deborah A. Thomas, Judith A. Peraino, William Cheng and Suzanne G. Cusick. Their work appears in journals such as American Ethnologist, Souls, Annual Review of Anthropology, Journal of Popular Music Studies and Journal of the American Musicological Society.

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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