Martine Beugnet

547 total citations
36 papers, 100 citations indexed

About

Martine Beugnet is a scholar working on Economics and Econometrics, History and Visual Arts and Performing Arts. According to data from OpenAlex, Martine Beugnet has authored 36 papers receiving a total of 100 indexed citations (citations by other indexed papers that have themselves been cited), including 24 papers in Economics and Econometrics, 15 papers in History and 10 papers in Visual Arts and Performing Arts. Recurrent topics in Martine Beugnet's work include Cinema and Media Studies (24 papers), French Historical and Cultural Studies (10 papers) and Photography and Visual Culture (6 papers). Martine Beugnet is often cited by papers focused on Cinema and Media Studies (24 papers), French Historical and Cultural Studies (10 papers) and Photography and Visual Culture (6 papers). Martine Beugnet collaborates with scholars based in France, United Kingdom and Russia. Martine Beugnet's co-authors include Elizabeth Ezra, Kim Knowles, Jean-François Bonastre, Corinne Fredouille, Emmanuel Ferragne and Cameron Allan and has published in prestigious journals such as SHILAP Revista de lepidopterología, Screen and Languages.

In The Last Decade

Martine Beugnet

24 papers receiving 76 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name h Career Trend Papers Cites
Martine Beugnet France 5 54 32 26 20 17 36 100
Belén Vidal United Kingdom 8 42 0.8× 22 0.7× 36 1.4× 38 1.9× 17 1.0× 18 101
Elizabeth Cowie United Kingdom 5 43 0.8× 15 0.5× 37 1.4× 25 1.3× 26 1.5× 14 112
Michele Aaron United Kingdom 6 42 0.8× 13 0.4× 42 1.6× 22 1.1× 17 1.0× 13 98
Raymond Bellour United States 8 60 1.1× 20 0.6× 35 1.3× 35 1.8× 35 2.1× 47 138
William Rothman United States 6 45 0.8× 11 0.3× 19 0.7× 37 1.9× 27 1.6× 19 122
Robert P. Kolker United States 6 53 1.0× 8 0.3× 30 1.2× 42 2.1× 21 1.2× 25 105
Chris Perriam United Kingdom 6 29 0.5× 25 0.8× 13 0.5× 31 1.6× 21 1.2× 39 107
Barbara Klinger United States 6 48 0.9× 9 0.3× 24 0.9× 24 1.2× 20 1.2× 11 95
Don B. Wilmeth United States 6 37 0.7× 10 0.3× 33 1.3× 23 1.1× 28 1.6× 25 125
Mandy Merck United Kingdom 6 13 0.2× 19 0.6× 34 1.3× 12 0.6× 12 0.7× 23 87

Countries citing papers authored by Martine Beugnet

Since Specialization
Citations

This map shows the geographic impact of Martine Beugnet's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Martine Beugnet with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Martine Beugnet more than expected).

Fields of papers citing papers by Martine Beugnet

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Martine Beugnet. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Martine Beugnet. The network helps show where Martine Beugnet may publish in the future.

Co-authorship network of co-authors of Martine Beugnet

This figure shows the co-authorship network connecting the top 25 collaborators of Martine Beugnet. A scholar is included among the top collaborators of Martine Beugnet based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Martine Beugnet. Martine Beugnet is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

20 of 20 papers shown
1.
2.
Beugnet, Martine. (2024). A Mediology of Cinematic Corruption: Film, Corporeality and Productive Impurity. Industrias Culturais (Universidade de Coimbra). 10.
3.
Ferragne, Emmanuel, et al.. (2024). Forensic Audio and Voice Analysis: TV Series Reinforce False Popular Beliefs. Languages. 9(2). 55–55. 1 indexed citations
4.
Beugnet, Martine. (2022). The Gulliver effect: Screen Size, Scale and Frame, from Cinema to Mobile Phones: This article has been accepted in 2020 for publication in 2022 in the New Review of Film and Television Studies, published by Taylor & Francis. HAL (Le Centre pour la Communication Scientifique Directe). 2 indexed citations
5.
Beugnet, Martine. (2022). The Gulliver effect: screen size, scale and frame, from cinema to mobile phones. New Review of Film and Television Studies. 20(3). 303–328.
6.
7.
Beugnet, Martine, et al.. (2022). The Image Book. SHILAP Revista de lepidopterología. 10–31.
8.
Beugnet, Martine, et al.. (2021). Raw becomings: Bodies, discipline and control in Julia Ducournau’s Grave. HAL (Le Centre pour la Communication Scientifique Directe). 21(3). 204–223. 2 indexed citations
9.
Beugnet, Martine, et al.. (2017). The reflexive turn: mediating and remediating Hollywood: introduction. Screen. 58(2). 197–201.
10.
Beugnet, Martine, et al.. (2017). Proust at the Movies. HAL (Le Centre pour la Communication Scientifique Directe).
11.
Beugnet, Martine. (2013). Firing at the Clocks: Cinema, Sampling, and the Cultural Logic of the Late Capitalist Artwork. Framework The Journal of Cinema and Media. 54(2). 192–207. 1 indexed citations
12.
Beugnet, Martine & Kim Knowles. (2013). The aesthetics and politics of obsolescence: Hand-made film in the era of the digital. HAL (Le Centre pour la Communication Scientifique Directe). 2(1). 54–65. 2 indexed citations
13.
Beugnet, Martine & Elizabeth Ezra. (2010). Traces of the modern: an alternative history of French cinema. Studies in French Cinema. 10(1). 11–38. 9 indexed citations
14.
Beugnet, Martine. (2008). Re-enchanting the World: Pascale Ferran's Lady Chatterley (2007) and Claire Denis' Vendredi Soir (2004). Australian Journal of French Studies. 45(3). 212–224.
15.
16.
Beugnet, Martine. (2007). Cinema and Sensation. Edinburgh University Press eBooks. 34 indexed citations
17.
Beugnet, Martine. (2006). Screening the Old: Femininity as Old Age in Contemporary French Cinema. 39(2). 1. 4 indexed citations
18.
Beugnet, Martine. (2006). Close-up Vision: Re-mapping the Body in the Work of Contemporary French Women Filmmakers. Nottingham French Studies. 45(3). 24–38. 2 indexed citations
19.
Beugnet, Martine. (2005). Evil and the senses: Philippe Grandrieux's Sombre and La Vie nouvelle. Studies in French Cinema. 5(3). 175–184. 3 indexed citations
20.
Beugnet, Martine, et al.. (2003). Forever Mozart (Jean-Luc Godard, 1997) ou la fatalité du recyclage’. 109. 38–46. 1 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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