Martine Beugnet
About
In The Last Decade
Martine Beugnet
24 papers receiving 76 citations
Peers
Comparison fields: 5 of 43
- Economics and Econometrics 54
- History 32
- Sociology and Political Science 26
- Literature and Literary Theory 20
- Visual Arts and Performing Arts 17
Countries citing papers authored by Martine Beugnet
This map shows the geographic impact of Martine Beugnet's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Martine Beugnet with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Martine Beugnet more than expected).
Fields of papers citing papers by Martine Beugnet
This network shows the impact of papers produced by Martine Beugnet. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Martine Beugnet. The network helps show where Martine Beugnet may publish in the future.
Co-authorship network of co-authors of Martine Beugnet
This figure shows the co-authorship network connecting the top 25 collaborators of Martine Beugnet. A scholar is included among the top collaborators of Martine Beugnet based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Martine Beugnet. Martine Beugnet is excluded from the visualization to improve readability, since they are connected to all nodes in the network.
All Works
| # | Work | Indexed citations |
|---|---|---|
| 1 | 0 | |
| 2 | 0 | |
| 3 | 1 | |
| 4 | The Gulliver effect: Screen Size, Scale and Frame, from Cinema to Mobile Phones: This article has been accepted in 2020 for publication in 2022 in the New Review of Film and Television Studies, published by Taylor & Francis | 2 |
| 5 | 0 | |
| 6 | 0 | |
| 7 | 0 | |
| 8 | 2 | |
| 9 | 0 | |
| 10 | 0 | |
| 11 | 1 | |
| 12 | 2 | |
| 13 | 9 | |
| 14 | 0 | |
| 15 | 2 | |
| 16 | 34 | |
| 17 | Screening the Old: Femininity as Old Age in Contemporary French Cinema | 4 |
| 18 | 2 | |
| 19 | 3 | |
| 20 | Forever Mozart (Jean-Luc Godard, 1997) ou la fatalité du recyclage’ | 1 |
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.