Shane Homan

710 total citations
50 papers, 416 citations indexed

About

Shane Homan is a scholar working on Music, Urban Studies and Sociology and Political Science. According to data from OpenAlex, Shane Homan has authored 50 papers receiving a total of 416 indexed citations (citations by other indexed papers that have themselves been cited), including 35 papers in Music, 31 papers in Urban Studies and 9 papers in Sociology and Political Science. Recurrent topics in Shane Homan's work include Music History and Culture (34 papers), Cultural Industries and Urban Development (29 papers) and Cinema and Media Studies (7 papers). Shane Homan is often cited by papers focused on Music History and Culture (34 papers), Cultural Industries and Urban Development (29 papers) and Cinema and Media Studies (7 papers). Shane Homan collaborates with scholars based in Australia, Slovenia and United Kingdom. Shane Homan's co-authors include Sarah Baker, Chris Gibson, Tony Mitchell, Martin Cloonan, Andy Bennett, Peter Doyle, Bruce Johnson, John Tebbutt and Stephen Chen and has published in prestigious journals such as Media Culture & Society, Journal of Youth Studies and International Journal of Cultural Policy.

In The Last Decade

Shane Homan

42 papers receiving 354 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name	h						Papers	Cites
Shane Homan Australia	13	227	198	165	51	49	50	416
Dave Laing United Kingdom	10	80 0.4×	269 1.4×	130 0.8×	29 0.6×	13 0.3×	44	401
Barry Shank United States	7	60 0.3×	196 1.0×	129 0.8×	16 0.3×	14 0.3×	18	300
Jason Toynbee United Kingdom	8	75 0.3×	207 1.0×	115 0.7×	18 0.4×	14 0.3×	17	335
Hannah Wohl United States	10	92 0.4×	19 0.1×	126 0.8×	17 0.3×	12 0.2×	18	247
Hervé Glevarec France	10	65 0.3×	32 0.2×	271 1.6×	11 0.2×	8 0.2×	58	358
Geoff Harkness United States	10	39 0.2×	78 0.4×	155 0.9×	15 0.3×	18 0.4×	19	243
Bonnie Marranca United States	9	16 0.1×	74 0.4×	91 0.6×	13 0.3×	11 0.2×	73	330
Georges Pérec	8	22 0.1×	8 0.0×	94 0.6×	6 0.1×	33 0.7×	56	407
Derek Conrad Murray United States	5	16 0.1×	12 0.1×	97 0.6×	13 0.3×	15 0.3×	20	224
Ben Green Australia	8	27 0.1×	29 0.1×	87 0.5×	7 0.1×	52 1.1×	19	210

Countries citing papers authored by Shane Homan

Since Specialization

Citations

This map shows the geographic impact of Shane Homan's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Shane Homan with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Shane Homan more than expected).

Fields of papers citing papers by Shane Homan

Since Specialization

Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Shane Homan. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Shane Homan. The network helps show where Shane Homan may publish in the future.

Co-authorship network of co-authors of Shane Homan

This figure shows the co-authorship network connecting the top 25 collaborators of Shane Homan. A scholar is included among the top collaborators of Shane Homan based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Shane Homan. Shane Homan is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

Sort: Min cites: Since: Top N: Style:

20 of 20 papers shown

1.

Homan, Shane, et al.. (2022). The Catcher: Melbourne’s 1960s discotheques and law and order. History Australia. 19(3). 523–540. 1 indexed citations

2.

Homan, Shane. (2021). Fake histories? Original bands, contemporary formations and Little River Band. Continuum. 36(3). 411–423. 1 indexed citations

3.

Chen, Stephen, et al.. (2019). Born Global: Australian music exports. 1 indexed citations

4.

Homan, Shane. (2016). SLAM: The Music City and Cultural Activism. 2016(1). 1–12. 1 indexed citations

5.

Homan, Shane, et al.. (2015). Popular Music Industries and the State: Policy Notes. ENLIGHTEN (Jurnal Bimbingan dan Konseling Islam). 3 indexed citations

6.

Homan, Shane. (2014). Liveability and creativity: The case for Melbourne music precincts. City Culture and Society. 5(3). 149–155. 22 indexed citations

7.

Homan, Shane. (2013). Creative labour: media work in three cultural industries. International Journal of Cultural Policy. 20(5). 637–638. 18 indexed citations

8.

Homan, Shane. (2012). The mayor's a square: a regulatory history of Sydney rock venues, 1957-1997. Figshare. 1 indexed citations

9.

Homan, Shane. (2011). Collaboration: Creativity, Industry and Politics. Musicology Australia. 33(2). 153–163. 2 indexed citations

10.

Homan, Shane & Tony Mitchell. (2008). Sounds of then, sounds of now : popular music in Australia. Acquire (CQUniversity). 17 indexed citations

11.

Homan, Shane. (2008). An ‘Orwellian vision’: Oz Rock scenes and regulation. Continuum. 22(5). 601–611. 4 indexed citations

12.

Baker, Sarah, Andy Bennett, & Shane Homan. (2008). Cultural Precincts, Creative Spaces. Space and Culture. 12(2). 148–165. 14 indexed citations

13.

Homan, Shane & Chris Gibson. (2007). Popular Music: Networks, Industries and Spaces. Media International Australia. 123(1). 61–64. 1 indexed citations

14.

Homan, Shane. (2006). Access All Eras: Tribute Bands And Global Pop Culture. 25 indexed citations

15.

Homan, Shane. (2003). The Tabloid, the Dance Party and the Premier: The Policy Legacy of Anna Wood. Media International Australia. 108(1). 36–49. 4 indexed citations

16.

Homan, Shane. (2003). Geographies of Noise: Youth, Live Music and Urban Leisure. 22(2). 12–18. 5 indexed citations

17.

Johnson, Bruce & Shane Homan. (2003). Vanishing Acts: An Inquiry into the State of Live Popular Music in New South Wales. 3 indexed citations

18.

Homan, Shane. (2002). Access all eras: careers, creativity and the Australian tribute band. NOVA (University of Newcastle Australia). 5(4). 45–59. 1 indexed citations

19.

Homan, Shane. (2000). Losing the local: Sydney and the Oz Rock tradition. Popular Music. 19(1). 31–49. 10 indexed citations

20.

Homan, Shane. (1999). Australian Music and the Parallel Importation Dedate. Media International Australia. 91(1). 97–109. 1 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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