Joseph Auner

466 total citations
20 papers, 88 citations indexed

About

Joseph Auner is a scholar working on Music, Computer Vision and Pattern Recognition and Cognitive Neuroscience. According to data from OpenAlex, Joseph Auner has authored 20 papers receiving a total of 88 indexed citations (citations by other indexed papers that have themselves been cited), including 16 papers in Music, 4 papers in Computer Vision and Pattern Recognition and 2 papers in Cognitive Neuroscience. Recurrent topics in Joseph Auner's work include Musicology and Musical Analysis (14 papers), Music History and Culture (9 papers) and Music Technology and Sound Studies (4 papers). Joseph Auner is often cited by papers focused on Musicology and Musical Analysis (14 papers), Music History and Culture (9 papers) and Music Technology and Sound Studies (4 papers). Joseph Auner collaborates with scholars based in Australia. Joseph Auner's co-authors include Judy Lochhead, Walter Frisch and Jenny Shaw and has published in prestigious journals such as Music Theory Spectrum, Journal of the American Musicological Society and 19th-Century Music.

In The Last Decade

Joseph Auner

13 papers receiving 42 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name h Career Trend Papers Cites
Joseph Auner Australia 5 74 21 14 12 11 20 88
Jeffrey Kallberg United States 6 88 1.2× 22 1.0× 24 1.7× 10 0.8× 19 1.7× 20 120
Emily I. Dolan United States 6 78 1.1× 39 1.9× 23 1.6× 13 1.1× 11 1.0× 12 127
Elisabeth Le Guin 5 64 0.9× 17 0.8× 19 1.4× 10 0.8× 5 0.5× 14 88
James Buhler United States 4 57 0.8× 11 0.5× 15 1.1× 14 1.2× 12 1.1× 14 97
Laurence Dreyfus United Kingdom 5 58 0.8× 16 0.8× 24 1.7× 5 0.4× 7 0.6× 22 86
Judy Lochhead United States 6 70 0.9× 26 1.2× 19 1.4× 7 0.6× 9 0.8× 32 96
David Yearsley United Kingdom 4 44 0.6× 9 0.4× 19 1.4× 6 0.5× 7 0.6× 14 72
R. Larry Todd United States 7 100 1.4× 15 0.7× 24 1.7× 8 0.7× 9 0.8× 27 117
Ellen Rosand United States 7 107 1.4× 13 0.6× 18 1.3× 10 0.8× 6 0.5× 29 162
Erich Moritz von Hornbostel 3 37 0.5× 22 1.0× 15 1.1× 8 0.7× 12 1.1× 4 85

Countries citing papers authored by Joseph Auner

Since Specialization
Citations

This map shows the geographic impact of Joseph Auner's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Joseph Auner with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Joseph Auner more than expected).

Fields of papers citing papers by Joseph Auner

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Joseph Auner. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Joseph Auner. The network helps show where Joseph Auner may publish in the future.

Co-authorship network of co-authors of Joseph Auner

This figure shows the co-authorship network connecting the top 25 collaborators of Joseph Auner. A scholar is included among the top collaborators of Joseph Auner based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Joseph Auner. Joseph Auner is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

20 of 20 papers shown
1.
Auner, Joseph. (2017). Reich on Tape: The Performance ofViolin Phase. twentieth-century music. 14(1). 77–92. 3 indexed citations
2.
Lochhead, Judy & Joseph Auner. (2013). Imploding the System: Kagel and the Deconstruction of Modernism. 279–302. 1 indexed citations
3.
Lochhead, Judy & Joseph Auner. (2013). Postmodern Architecture/Postmodern Music. 135–156. 2 indexed citations
4.
Auner, Joseph, et al.. (2013). Postmodern Music/Postmodern Thought. 18 indexed citations
5.
Auner, Joseph. (2013). Anthology for Music in the Twentieth and Twenty-First Centuries. Medical Entomology and Zoology. 1 indexed citations
6.
Lochhead, Judy & Joseph Auner. (2013). The Nature and Origins of Musical Postmodernism. 29–42. 2 indexed citations
7.
Lochhead, Judy & Joseph Auner. (2013). Natural Born Killers: Music and Image in Postmodern Film. 351–376. 1 indexed citations
8.
Auner, Joseph & Walter Frisch. (2013). Music in the Twentieth and Twenty-First Centuries. Medical Entomology and Zoology. 8 indexed citations
10.
Lochhead, Judy & Joseph Auner. (2013). Production vs. Reception in Postmodernism: The Górecki Case. 211–222. 1 indexed citations
11.
Lochhead, Judy & Joseph Auner. (2013). Music and Musical Practices in Postmodernity. 109–134. 1 indexed citations
12.
Lochhead, Judy & Joseph Auner. (2013). Reflections of Surrealism in Postmodern Musics. 43–90. 3 indexed citations
13.
Shaw, Jenny, et al.. (2010). The Cambridge Companion to Schoenberg. Cambridge University Press eBooks. 6 indexed citations
14.
Auner, Joseph. (2005). Composing on Stage: Schoenberg and the Creative Process as Public Performance. 19th-Century Music. 29(1). 64–93. 3 indexed citations
15.
Auner, Joseph. (2003). A Schoenberg Reader. Yale University Press eBooks. 11 indexed citations
16.
Auner, Joseph. (2003). ‘Sing it for Me’: Posthuman Ventriloquism in Recent Popular Music. Journal of the Royal Musical Association. 128(1). 98–122. 18 indexed citations
17.
Auner, Joseph. (1996). Schoenberg's Handel Concerto and the Ruins of Tradition. Journal of the American Musicological Society. 49(2). 264–313. 4 indexed citations
18.
Auner, Joseph. (1996). In Schoenberg's Workshop: Aggregates and Referential Collections in "Die glückliche Hand". Music Theory Spectrum. 18(1). 77–105. 4 indexed citations
19.
Auner, Joseph. (1996). Schoenberg's Handel Concerto and the Ruins of Tradition. Journal of the American Musicological Society. 49(2). 264–272.
20.
Auner, Joseph. (1996). In Schoenberg's Workshop: Aggregates and Referential Collections in "Die gluckliche Hand". Music Theory Spectrum. 18(1). 77–105. 1 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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