Laurence Dreyfus

427 total citations
22 papers, 86 citations indexed

About

Laurence Dreyfus is a scholar working on Music, Signal Processing and Literature and Literary Theory. According to data from OpenAlex, Laurence Dreyfus has authored 22 papers receiving a total of 86 indexed citations (citations by other indexed papers that have themselves been cited), including 18 papers in Music, 5 papers in Signal Processing and 5 papers in Literature and Literary Theory. Recurrent topics in Laurence Dreyfus's work include Musicology and Musical Analysis (15 papers), Diverse Musicological Studies (10 papers) and Music and Audio Processing (5 papers). Laurence Dreyfus is often cited by papers focused on Musicology and Musical Analysis (15 papers), Diverse Musicological Studies (10 papers) and Music and Audio Processing (5 papers). Laurence Dreyfus collaborates with scholars based in United Kingdom and United States. Laurence Dreyfus's co-authors include Kevin Page, David Lewis, Richard P. Lewis, Christoph Wolff, Joseph Kerman, Ellen Rosand, Daniel R. Melamed and Richard Taruskin and has published in prestigious journals such as Journal of New Music Research, Music Analysis and The Musical Quarterly.

In The Last Decade

Laurence Dreyfus

13 papers receiving 53 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name h Career Trend Papers Cites
Laurence Dreyfus United Kingdom 5 58 24 18 16 11 22 86
Ian Bent 7 93 1.6× 27 1.1× 14 0.8× 20 1.3× 9 0.8× 25 138
Emily I. Dolan United States 6 78 1.3× 23 1.0× 13 0.7× 39 2.4× 10 0.9× 12 127
Judy Lochhead United States 6 70 1.2× 19 0.8× 7 0.4× 26 1.6× 11 1.0× 32 96
Robin Stowell United Kingdom 7 74 1.3× 27 1.1× 11 0.6× 28 1.8× 7 0.6× 20 109
Jeffrey Kallberg United States 6 88 1.5× 24 1.0× 7 0.4× 22 1.4× 15 1.4× 20 120
Elisabeth Le Guin 5 64 1.1× 19 0.8× 6 0.3× 17 1.1× 16 1.5× 14 88
John Covach United States 6 96 1.7× 24 1.0× 13 0.7× 28 1.8× 10 0.9× 21 135
Heinrich Christoph Koch 5 100 1.7× 40 1.7× 10 0.6× 13 0.8× 13 1.2× 8 121
Erich Moritz von Hornbostel 3 37 0.6× 15 0.6× 19 1.1× 22 1.4× 4 0.4× 4 85
Nicolas Slonimsky 7 64 1.1× 34 1.4× 13 0.7× 27 1.7× 7 0.6× 33 121

Countries citing papers authored by Laurence Dreyfus

Since Specialization
Citations

This map shows the geographic impact of Laurence Dreyfus's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Laurence Dreyfus with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Laurence Dreyfus more than expected).

Fields of papers citing papers by Laurence Dreyfus

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Laurence Dreyfus. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Laurence Dreyfus. The network helps show where Laurence Dreyfus may publish in the future.

Co-authorship network of co-authors of Laurence Dreyfus

This figure shows the co-authorship network connecting the top 25 collaborators of Laurence Dreyfus. A scholar is included among the top collaborators of Laurence Dreyfus based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Laurence Dreyfus. Laurence Dreyfus is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

20 of 20 papers shown
1.
Dreyfus, Laurence, David Lewis, & Kevin Page. (2024). A digital companion for musicological scholarship: the Lohengrin TimeMachine. Journal of New Music Research. 53(3-4). 297–311.
2.
Lewis, David, Kevin Page, & Laurence Dreyfus. (2021). Narratives and exploration in a musicology app: Supporting scholarly argument with the Lohengrin TimeMachine. 50–58. 3 indexed citations
3.
Dreyfus, Laurence. (2020). Beyond the Interpretation of Music. Journal of Musicological Research. 39(2-3). 161–186. 1 indexed citations
4.
Page, Kevin, et al.. (2020). An interactive multimedia companion to Wagner's Lohengrin: encoding and visualising a motivic study. 1 indexed citations
5.
Page, Kevin, et al.. (2015). A Toolkit For Live Annotation Of Opera Performance: Experiences Capturing Wagner'S Ring Cycle.. Goldsmiths (University of London). 211–217. 8 indexed citations
6.
7.
Dreyfus, Laurence. (2012). Wagner and the Erotic Impulse. Harvard University Press eBooks. 7 indexed citations
8.
Dreyfus, Laurence. (2012). Wagner and the Erotic Impulse. Harvard University Press eBooks. 1 indexed citations
9.
Melamed, Daniel R., et al.. (2011). J.S. Bach and the oratorio tradition. University of Illinois Press eBooks.
10.
Dreyfus, Laurence, et al.. (2006). Jeux et enjeux de la narrativité dans les pratiques contemporaines (Arts visuels, Cinéma, Littérature). 2 indexed citations
11.
Dreyfus, Laurence. (1994). Hermann Levi's shame and Parsifal's guilt: A critique of essentialism in biography and criticism. Cambridge Opera Journal. 6(2). 125–145. 4 indexed citations
12.
Dreyfus, Laurence. (1993). Musical analysis and the historical imperative. Revista de Musicología. 16(1). 407–419. 1 indexed citations
13.
Dreyfus, Laurence. (1992). Mozart as early music: a Romantic antidote. Early Music. XX(2). 297–310. 2 indexed citations
14.
Kerman, Joseph, et al.. (1992). The Early Music Debate: Ancients, Moderns, Postmoderns. Journal of Musicology. 10(1). 113–130. 1 indexed citations
15.
Dreyfus, Laurence. (1991). The Hermeneutics of Lament: A Neglected Paradigm in a Mozartian 'Trauermusik'. Music Analysis. 10(3). 329–329. 3 indexed citations
16.
Dreyfus, Laurence. (1987). J. S. Bach and the Status of Genre: Problems of Style in the G-Minor Sonata BWV 1029. Journal of Musicology. 5(1). 55–78. 6 indexed citations
17.
Dreyfus, Laurence. (1987). Bach's Continuo Group: Players and Practices in His Vocal Works. Medical Entomology and Zoology. 3 indexed citations
18.
Dreyfus, Laurence. (1985). J. S. Bach's Concerto Ritornellos and the Question of Invention. The Musical Quarterly. LXXI(3). 327–358.
19.
Dreyfus, Laurence. (1983). Early Music Defended against its Devotees: A Theory of Historical Performance in the Twentieth Century. The Musical Quarterly. LXIX(3). 297–322. 37 indexed citations
20.
Dreyfus, Laurence. (1980). Basso continuo practice in the vocal works of J.S. Bach : a study of the original performance parts. University Microfilms International eBooks.

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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