David W. Bernstein

597 total citations
13 papers, 103 citations indexed

About

David W. Bernstein is a scholar working on Music, Computer Vision and Pattern Recognition and Urban Studies. According to data from OpenAlex, David W. Bernstein has authored 13 papers receiving a total of 103 indexed citations (citations by other indexed papers that have themselves been cited), including 10 papers in Music, 4 papers in Computer Vision and Pattern Recognition and 2 papers in Urban Studies. Recurrent topics in David W. Bernstein's work include Musicology and Musical Analysis (9 papers), Music Technology and Sound Studies (4 papers) and Music History and Culture (3 papers). David W. Bernstein is often cited by papers focused on Musicology and Musical Analysis (9 papers), Music Technology and Sound Studies (4 papers) and Music History and Culture (3 papers). David W. Bernstein collaborates with scholars based in United States, United Kingdom and France. David W. Bernstein's co-authors include Christopher Hatch, Arnold Whittall, Alastair Williams, David Nicholls, David Patterson, Kyle Gann, William Brooks and Tim Carter and has published in prestigious journals such as Journal of Music Theory, Music Theory Spectrum and Contemporary Music Review.

In The Last Decade

David W. Bernstein

9 papers receiving 46 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name h Career Trend Papers Cites
David W. Bernstein United States 5 79 47 26 10 10 13 103
Albin J. Zak United States 5 89 1.1× 46 1.0× 18 0.7× 11 1.1× 6 0.6× 8 119
Judy Lochhead United States 6 70 0.9× 26 0.6× 19 0.7× 7 0.7× 11 1.1× 32 96
Joseph Auner Australia 5 74 0.9× 21 0.4× 14 0.5× 3 0.3× 9 0.9× 20 88
Laurence Dreyfus United Kingdom 5 58 0.7× 16 0.3× 24 0.9× 18 1.8× 11 1.1× 22 86
Jeffrey Kallberg United States 6 88 1.1× 22 0.5× 24 0.9× 7 0.7× 15 1.5× 20 120
Elisabeth Le Guin 5 64 0.8× 17 0.4× 19 0.7× 6 0.6× 16 1.6× 14 88
Ian Bent 7 93 1.2× 20 0.4× 27 1.0× 14 1.4× 9 0.9× 25 138
Erich Moritz von Hornbostel 3 37 0.5× 22 0.5× 15 0.6× 19 1.9× 4 0.4× 4 85
Robin Stowell United Kingdom 7 74 0.9× 28 0.6× 27 1.0× 11 1.1× 7 0.7× 20 109
Ethan Haimo 7 115 1.5× 53 1.1× 47 1.8× 11 1.1× 3 0.3× 17 126

Countries citing papers authored by David W. Bernstein

Since Specialization
Citations

This map shows the geographic impact of David W. Bernstein's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by David W. Bernstein with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites David W. Bernstein more than expected).

Fields of papers citing papers by David W. Bernstein

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by David W. Bernstein. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by David W. Bernstein. The network helps show where David W. Bernstein may publish in the future.

Co-authorship network of co-authors of David W. Bernstein

This figure shows the co-authorship network connecting the top 25 collaborators of David W. Bernstein. A scholar is included among the top collaborators of David W. Bernstein based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with David W. Bernstein. David W. Bernstein is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

13 of 13 papers shown
1.
Bernstein, David W.. (2014). John Cage'sCartridge Music(1960): ‘A Galaxy Reconfigured’. Contemporary Music Review. 33(5-6). 556–569. 1 indexed citations
2.
Bernstein, David W.. (2011). Pays-Bas : la théorie de la concurrence régulée à l'essai. Les Tribunes de la santé. n°30(1). 127–148. 2 indexed citations
3.
Bernstein, David W.. (2010). ‘Listening to the Sounds of the People’: Frederic Rzewski and Musica Elettronica Viva (1966–1972). Contemporary Music Review. 29(6). 535–550. 1 indexed citations
4.
Bernstein, David W.. (2008). The San Francisco Tape Music Center : 1960s counterculture and the avant-garde. University of California Press eBooks. 27 indexed citations
5.
Nicholls, David, David Patterson, David W. Bernstein, et al.. (2002). The Cambridge Companion to John Cage. Cambridge University Press eBooks. 21 indexed citations
6.
Bernstein, David W.. (2001). Techniques of appropriation in music of John Cage. Contemporary Music Review. 20(4). 71–90. 4 indexed citations
7.
Bernstein, David W. & Christopher Hatch. (2001). Writings through John Cage's Music, Poetry, and Art. 13 indexed citations
8.
Bernstein, David W.. (1996). : The Music of John Cage . James Pritchett.. Music Theory Spectrum. 18(2). 265–273.
9.
Carter, Tim, Christopher Hatch, & David W. Bernstein. (1995). Music Theory and the Exploration of the Past. Music Analysis. 14(1). 105–105. 1 indexed citations
10.
Whittall, Arnold, Christopher Hatch, & David W. Bernstein. (1994). Music Theory and the Exploration of the Past. The Musical Times. 135(1813). 160–160. 29 indexed citations
11.
Bernstein, David W., et al.. (1993). Georg Capellen's Theory of Reduction: Radical Harmonic Theory at the Turn of the Twentieth Century. Journal of Music Theory. 37(1). 85–85. 1 indexed citations
12.
Bernstein, David W.. (1986). The harmonic theory of Georg Capellen. University Microfilms International eBooks. 2 indexed citations
13.
Bernstein, David W., et al.. (1986). La imagen de la empresa y la realidad: crítica de las comunicaciones corporativas. Dialnet (Universidad de la Rioja). 1 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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